Bud Loftus: A Story. A Book. A Legacy.

At 85, Bud Loftus added one more accomplishment — published author — to a life that has been defined by them.

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Bud Loftus lived a story that was almost never told.

He suffered the sting of poverty as a child. Experienced the pain of war as a young man. And found success in business as an adult. He wanted his children and grandchildren to learn from his journey, to take the lessons of his life with them. But at 85, the goal seemed out of reach for Bud — until he found Lulu.

“Dad was able to make something for the family he once thought impossible,” said Cecilia Lahiff, the middle of Bud’s seven children. “Lulu offered the professional experience of a traditional publisher, if not better.”

Bud’s has been an extraordinary journey. The son of Irish immigrants, he grew up on welfare in Philadelphia. The day after the Pearl Harbor attack in 1941, he went to a Marine Corps. office to enlist. He was only 17 and had to wait until he finished high school, but he went on to fight in the Pacific theater of World War II.

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After the war, Bud took the government’s offer of a free college education and attended LaSalle University, where he received top marks in the pre-med program. He became the first Director of the Division of Drug Manufacturing at the Food and Drug Administration, and, after retiring from the agency, built a 17-year career in the pharmaceutical industry. It’s a story that Cecilia encouraged her dad to publish.

“The Lulu experience has been terrific,” said Bud, who released his 315-page memoir, “Bud Loftus: An Irish-American’s Journey” in late 2009. “I got a tremendous amount of help from the staff going above and beyond.”

And the book has taken the story of Bud’s life to a whole new audience. In November 2009 he was featured in a story by The Washington Post.

Q&A: Where and when is your favorite place to write?

Mahdiyah A Window

Mahdiyah’s Window

We asked our author community where they write and what makes that place special. As you can imagine, the responses were as diverse as Lulu authors. Some prefer working at a desk, others in bed. Some prefer music in the background, others prefer silence. Some write by hand while others prefer computers, laptops and tablets. We have selected a few of our favorite responses to share.

Where do you write?

“Sitting at my window just watching nature and reflecting on life’s synchronicities” – Mahdiyah A.

“In my spare bedroom that I redecorated and refurnished as a writing space cum office cum library. It’s more comfortable than hunched on the sofa and the view out the window is nicer this side of the building that on the other side.” Merita K.

“I do all my writing on the Path train.” – Havana G.

Rena's Armchair

Rena’s Armchair

“In my armchair at any time of the day when the words are flowing and my fingers are flying over the keys.” — Rena B.

Currently, at my desk in Afghanistan with my headphones on. My coworkers beg for pages at the end of the day. They’re hooked.” – Guenevere R.

“Outside on the town green.” – Jessika S

“Hmmm, the best place to write is at work because my desire to not be there allows me to escape into my dream job.” Sheena A

When do you write?

Anita O beach

Anita’s Inspiring Photo

“My desk in my room at night because it’s quiet. I’m least distracted and write better at night.” — Moriko F.

“In the front room at 2a.m. to 4a.m. in the morning when the world is asleep!” – Ranis T

“I usually write in the evenings. I like it when the streets are quiet, the people are gone, and everything is dark. And I write at home, in total silence.” James C.

“I do my best writing while cooking dinner and cleaning the house. I love doing both and that relaxes me and gets my mind going. It’s special because writing is my escape and clears the clutter in my head.”

“I write on the go, I write late at night, I write all the time!! I also like to take photos, which also helps me write even more!” – Anita O

Writing aids: coffee, tea, margarita?

“In a bar drinking coffee at a table by the window.” – Laura D.

“Sitting outside a little cafe in my Greek village listening to my mp3 watching the people go by whilst I sip a Fredochino.” – Karina K

Karina's Beverage of Choice

Karina’s Beverage of Choice

“Sitting in my window seat looking out at the countryside scenery with either a pen & pad or my laptop, oh and a HUGE mug of coffee.” — Rebecca H.

“At my 2 foot by 2 foot table in my bedroom! It is the perfect surface for a laptop, iPad, and glass of pop!”– Jan S.

“At home, with coffee at my side, in my PJs. When I’m comfortable, there’s no stopping me from writing. I could sit there for hours and just get it all out on paper. It’s like therapy…”– Jennie C

Most of the time, if I need to do typing, it’s at my desk. I have a huge touch screen and an antique wingback office chair that are perfection. However, if I’m actually *writing,* then I am usually in bed with my lap desk. Either way, there is ample space for a bag of cookies and cream Hershey’s Kisses or a big frozen margarita. – Jaqueline J.

 

Given all of these choices, I think I’ll bring Rena’s armchair to Greece and sip a margarita while I struggle through the next chapter of my masterpiece – or the next article for the Lulu blog.

Happy writing!

6 More Grammar Mistakes Writers Need to Avoid

There have been a lot of great showdowns throughout history: David vs Goliath, Yankees vs Red Sox, and…To vs Too?

We’re back with more simple grammar mistakes you should never make in your writing, featuring a whole host of matchups between similar-but-not-quite-the-same words. Take a look at the list – and our previous set of tips – and then give your book an edit to make sure you haven’t made any of these slip-ups!

Don't be like Fry. Know the difference between affect and effect.Affect vs Effect

Are you one of those people who writes “impact” because you aren’t quite sure whether you should be using “affect” or “effect”? Here’s a quick tip that will get you through most scenarios: affect is a verb – so one thing affects another – and effect is a noun. Just don’t get tripped up on “effecting change,” where you’ll use an “e” when you mean “to bring about” something.  Isn’t the English language fun (and sometimes aggravating)?

Insure vs Ensure

This one’s pretty simple. If you’re talking about insurance – as in limiting financial liability – use insure. Both start with an “i.” Ensure, when you’re guaranteeing something, is always with an “e.”

Then vs ThanCan proper grammar make you not sound like a crazy person?

Use then when something follows another thing: “I’ll learn these great grammar tips, and then I’ll proofread my books.” Than is used in comparisons: “Since I fixed all of my grammar mistakes, my book is selling better than it was before!”

I.e. vs E.g.

You might think these are interchangeable when you’re using an example, but there’s a very subtle difference between the two. I.e. mean “that is” or “in other words,” from the Latin “id est,” and you use it when you’re clarifying something. E.g., from the Latin “exempli gratia,” means “for example” and is used for just that – providing an example!

Everything you know is a lie - the fast checkout line at your store uses incorrect grammar.Fewer vs Less

As a rule of thumb, you use fewer when you can count the subject in question individually and less when you can’t. So I can have fewer cups of water than you, but your cups might have less water in them than mine do. And yes, that means your grocery store sign is probably incorrect.

To vs Too (vs Two)

Last but not least, one that you probably know but can slip your mind when you’re writing. Most of the time you’ll use to when you’re talking about a verb or going toward a place, e.g. “I’m going to write” or “I went to the mall,” but when you mean to say “as well” or “also,” or something in excess, use too – “Sally went going to the mall, too, and she ate too much.” And just in case, two is always the number 2. Seems obvious, but you can never be too careful!

That’s it – for now! The English language is a wonderful, complex thing and even the best writers get tripped up from time to time. If you’ve got a favorite tip or a “this word or that one?” that seems to always get the best of you, share them in the comments!

The Best Writing and Storytelling Podcasts for Authors

Boost your writing skills with podcasts recommended by Lulu for writing and storytelling.

We’re all book people here at Lulu. We believe in the power of telling stories and our mission is to give everyone the platform to do so. But technology has been as important to other forms of storytelling as it has been to book publishing. Case in point: podcasts.

There are dozens (or hundreds) of podcasts for every subjecg out there, and it’s no different for publishing, storytelling, and writing. If you’re an author with some downtime, you owe it to yourself to download some podcasts and plug in some headphones to make sure you stay at the top of your game.

Here are a few of the best podcasts to help you hone your writing skills and get your storytelling juices flowing.

Authorpreneur Lulu Author PodcastsAuthorpreneur Want to learn about the business of writing books? Whether they’re fiction writers or entrepreneurs, Jim Kukral gets tips and tricks from authors on how to make a living being an author in Authorpreneur. For anyone serious about making a living being a writer of any sort – or just for listeners who want to learn how people dedicated to their craft have carved out their niche – Authorpreneur is a valuable resource.

Recommended episode: How Andy Weir Took ‘The Martian” From Blog to BestSeller to Blockbuster Movie (Starring Matt Damon)

The Moth The Moth isn’t necessarily about writing, but it is about something that’s important to all writers: telling stories. Whether you’re writing business books or paranormal romance, it’s important to engage your audience. The Moth showcases some of the best live stories about nearly every topic imaginable, and is a great tool for learning how to tell a compelling story.

Recommended episode: Neil Gaiman – Liverpool Street

Dead Robots Society Podcast Lulu Author TipsThe Dead Robots’ Society As the title implies, The Dead Robots’ Society is a little more irreverent than other writing podcasts, and it could be right up your alley if you want something more lighthearted. Still, the hosts take writing very seriously and have no problem sharing their (sometimes painful) writing experiences. The most recent episode as of this post is “The Horrors of Back Cover Copy” and is a hilarious take on trying to sum up your story in a few hundred words.

Recommended episode: Episode 349 – Kickstarters and Patrons

Helping Writers Become Authors Interested in avoiding common writing mistakes? Having trouble writing compelling character arcs? Not sure how to pitch your novel? Helping Writers Become Authors covers every aspect of the book-writing process that you could ever hope to come across. If you want a comprehensive collection of tips – especially for fiction writers – download Helping Writers Become Authors today.

Recommended episode: Most Common Writing Mistakes, Pt. 32: Boring Opening Lines

Selected Shorts Brought to you by Symphony Space and WNYC, Selected Shorts is a collection of “fiction, sometimes classic, sometimes new, always performed by great actors from stage, screen and television who bring these short stories to life.” It’s a more traditional take on storytelling, as much a stage show as a podcast.

Recommended episode: Cannolis and Carroll

Lulu Podcast Snap JudgementSnap Judgement Sometimes the best way to tell a story is to combine it with other art forms. Snap Judgement features stories told to music and you’re just as likely to be inspired by the story being told as you are by the soundtrack it’s set to. Listening to stories is a very different experience than reading them, and hearing accompanying music brings that auditory engagement to a whole new level. It’ll make you think about how your audience interacts with your own stories.

Recommended episode: Snape #603 – Omen

The Writer Files Every episode of The Writer Files podcast is titled “How [Insert Author Here] Writes.” Could it be simpler than that? From bestselling authors to people who write for business – such as bloggers and copywriters – The Writer Files picks their brains to find out just how they get their work done. Learn about overcoming challenges, nurturing writing best practices, and more from a wide variety of authors.

Recommended episode: Standing Desks, Binge Reading, and James Patterson’s MasterClass

Is your favorite podcast listed here? Have some others that you’d love to share? Or maybe you have a podcast of your own! Let us know in the comments.

 

How to Write a Killer Author Bio

Insert life story hereYou are a writer. Using your keyboard you can create an entire world, the people who live in it and the circumstances for all sorts of interesting things to occur. At peak production, you are churning out 500 to 1000 words a day. So why is it so difficult to write 100 words about yourself? It is, after all, a topic in which you are intimately familiar.

It is likely that you have not even considered your author bio until you are asked for the information from your cover designer. And, as a reader I don’t recall ever not buying a book due to an uninspired “About the Author” blurb. I have, however, upon completing an enjoyable book returned to the bio to learn more about the author – especially if I am interested in reading more of their work. When considered from this perspective, the author bio is really a marketing tool that allows your newest fans to connect with you, possibly leading to increased sales.

So how do you boil your life experience down to a concise and compelling blurb?

Start Big – Go Small

Let’s get the bad news out of the way first. You will need to create three author biographies:

  • Long form version for your website, interview sheets, and press releases that includes your age, location, credentials, background, inspiration, fun facts and contact information.
  • Medium length (approximately 250 words) version for queries, guest blogs, and marketing materials
  • Brief bio (approximately 50-100 words) for your book cover and social media profile

The good news is that once you have the long form version complete, it is much easier to edit it down to include the most relevant information based on the context in which the bio will be presented.

Who is your reader?

What’s relevant for inclusion in your author bio depends on your intended audience. An author bio is much like meeting someone at a party. You need to keep it brief, but memorable. Therefore only share the information your audience will find most interesting. Are you writing for an academic audience, summer beach readers, memoir enthusiasts, young adults, or children? An academic reader is probably not interested that you have four children just as a young adult reader will not fully appreciate the effort required to earn that long list of academic credentials listed behind your name.

Brag Selectively

Speaking of credentials, if your name is followed by a bowl of alphabet soup, choose the credentials most relevant to the work you are publishing. The same applies for multiple degrees, certifications, previous publications, articles, and awards. A PhD in astrophysics is impressive if you are publishing a book about the far reaches of the universe – not so much if you are writing a cookbook.

Imitation is the purest form of flattery

So, how do you know what to include in your author bio? Easy, just go online or to your local bookstore and take a look at a few books in your genre or field of study. When you find an appealing author bio, copy it substituting your information and voila! Author bio complete.

What makes you human?

While researching (see above) author bios, you will notice there is usually something included that differentiates the author from their fellows. They may be avid collectors of porcelain Chihuahuas, share their home with 15 hedgehogs, or live off the grid in the Scandinavian woods. This type of information sets you apart from other writers in your field. Other types of humanizing information include your locale or profession, but only if either plays a part in your work.

A picture is worth…..

You only get 50-100 words to share your life story on a book cover or flap. A good picture can help you tell it with fewer words. If you can afford it, have a professional head shot taken to include with your bio. If you can’t afford it, make sure the picture used is in an appropriate setting for your material, is in high resolution and prominently features your face –not your dog, not your car, not your collection of porcelain figurines. It’s called a head shot for a reason.

And finally

Use third person to refer to yourself and read your bio out loud before you publish it. You may choose to create several versions of your brief bio for use in articles, guest blogs, speaking introductions, interviews, and social media. Don’t forget, just as you would update your professional resume, periodically review and update your author bio to include new publications, awards, areas of expertise, and life changing events.

4 Tricks to Becoming a Prolific Writer

Lulu Author David BrownI have described myself as prolific, and after looking at my early track record no one could disagree. I waited many years before taking up the pen to write. But once I started I took off by most standards, writing four novels in two years.

Without hesitation it is impossible to be a prolific writer if you are always getting stumped by writer’s block. In fact it is tough being a writer at all if you keep getting stumped by anything, especially if you are just beginning.

No one but a writer is permitted the luxury of throwing up their hands and saying they can’t work for days, if not months! No doctor, lawyer, accountant or anyone else considers any type of block legitimate but writers. Imagine going to a doctor for a mysterious ailment and being told, “Come back in a couple of months. I have diagnosis block.” For myself, not having been trained as a writer, I had to choose whether or not to accept the odd notion of writer’s block. So when I started writing, I made a personal decision to reject the notion of writer’s block. Deciding to not accept writer’s block was easier than one might imagine.

Here are some of my tricks.

You Need Plots

It helped that I collected story plots for years before I began to write, but not having saved plots is no excuse. Once I committed to write I set my mind to develop original thoughts. Good and bad ideas all went down on a list. Being intentional with these ideas starts the wheels turning.

Research Fuels the Idea Engine

The best time for research is before you write. My research goes into an auxiliary Word file that I create for each project. The things that I learn not only fuel the evolution of the story but helps establish the breath of the story itself. Research has to be part of the joy of writing. It is an opportunity to expand one’s tent, so to speak.

Make Use of Pericopes

The word pericope comes to us from Greek through Late Latin and means “piece cut out.” Stated more succinctly, pericope is defined as extracts from a text that form a complete account or story. Pericopes come in different lengths and level of detail.

I apply the concept of pericopes to build out sections of a story, so at any time I am building story blocks that fit nicely within one unified plot. Once included, these sections require the same finishing touches that the overall novel needs. Pericope blocks work nicely to include visualization of settings.

Pericopes also work well to add layers to characters that explain actions and motivations. To me a flashback is just another pericope. By writing pericopes, simple stories can become delightfully complicated without becoming unorganized.

Guiding Question to Keep a Story Moving

Let me leave you with a small sampling of the guiding questions that I use to begin my writing day.

  1. Where is the story going and where do I want it to go?
  2. Where would most people expect this story to go?
  3. What is a good place for a pivot in the plot and should the transition be gradual or dramatic?
  4. Are the likeable characters sympathetic and are the unlikeable characters truly detestable?
  5. Is it time for a character to undergo redemption?
  6. Does the story make sense?

And always remember, half of the enjoyment of a good story is to take the reader someplace that they did not expect.

Author Bio

David Brown

David Brown is the quintessential Renaissance man. He holds degrees in Quantitative Economics, Business and even Theology. To go with that David has held CPA licenses in multiple states. He was also ordained by a major church organization and pastored for several years. This makes him a writer with great insight into human reasoning, passions and motivation. See his books at: http://www.lulu.com/spotlight/dkbrown22526

How Do You Judge a Book? By Its Cover, of Course

Screen Shot 2013-05-08 at 11.55.38 AMToday’s article was contributed by Ron Miller – author, cover designer, and Lulu community contributor.

Making sure your book has a good cover is like making sure you are neatly dressed and well groomed when going on a job interview.

Although everyone says you shouldn’t judge a book by its cover, this really doesn’t apply to books themselves. In fact, the cover is one of the most important parts of a book. It’s the first thing anyone will ever see and for that reason it needs to make a good impression. If a cover is unreadable, looks amateurish or misrepresents a book, the potential reader may give it a pass and move on to the next book in a catalog or bookshelf.

There are no hard and fast rules in book cover design. Just take a look at some of the superb covers displayed here . They are all creative, effective and no two look alike. Yet, they all follow the same basic guidelines. Even if you are not an artist or designer, you can still make a cover that – while perhaps not as artistic or inventive as some of these covers – can still be attractive and effective. Here are some basic rules of thumb to keep in mind:

  • The most important thing on a book cover is the book’s title.
  • Keep things simple typographically. You may own a thousand fonts, but there is no need to feel compelled to use them all. Especially avoid really fancy, decorative fonts or using a lot of Photoshop effects on the title. If no one can read the title of your book, you may as well not have it on the cover at all.
  • Likewise, keep your artwork simple. Try to limit yourself to just one image that best represents the book’s genre or what it is about. Avoid the temptation to create a “kitchen sink” cover, where you try to cram in everything you think is important.
  • Another reason for simplicity is that a cover needs to work at all sizes—and even in B&W. Most people will first see your cover as a thumbnail image on a webpage. Therefore, it needs to be as readable at postage stamp size as it is on the actual printed book.

Having read these suggestions, go back to the Indie Cover page and see how many of those covers reflect these ideas.

About the Author:

In addition to the books he has published with Lulu, Ron Miller is the author/illustrator of more than fifty commercially published books. These have received numerous commendations and awards, including a Hugo, the IAF Manuscript Award, the Booklist Editor’s Award and the American Institute of Physics Award of Excellence. Several of his books have been Book-of-the-Month Club feature selections. In addition to the artwork he does for his own books, Miller provides illustrations for magazines such as Scientific American, Astronomy and Discover. Specializing in science fiction and fantasy, he has also created several hundred book covers for publishers such as Tor, Baen, Berkley/Ace, Warner, Easton Press, Subterranean Press and many others.

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