Author Success Stories

Highlighting some of the many author success stories and keeping readers in-the-know about what their fellow writers are up to.

From Blank Page to the Big Screen

The Man on the Grassy Knoll coverI’ve sold a book to a movie studio!

I can’t believe both my good fortune and sheer luck; although, it must be said that LULU played an awfully big role in the serendipitous events leading to this moment.

A long time ago, (last century to be exact — late 1990) I sold a novel to a major New York publisher. Got a check. Put it in the bank and sat back with a Kentucky bourbon in hand and thought, “I’ve got it made.” Then the editor called and wanted me to make significant changes to the manuscript. Changes I did not agree with. Changes that would take my novel in a totally different direction. I fought. They fought back and finally I returned their check and got my letter of rights back.

I was crushed.

At about the same time a friend of mine was getting a book of poetry published and she had met the powers that be at a company from North Carolina called, LULU.com. I had never heard of them, but I went on line, read about how the author can keep control of his or her book and how easy it is to publish. I was sold.

Fifteen novels later, I am still running strong with my team at LULU.

The other day my phone rang and a voice on the other end asked if I, ”…would sell his partner and him the movie rights to my novel, The Man on the Grassy Knoll?” I couldn’t say yes fast enough. They saw my book at a book fair where self-published authors were being featured. And, as they say, the rest is history.

My books have won awards, been featured on radio talk shows and in college courses (how not to write, more than likely) and now the basis for a motion picture; all because I found a company who knew how to publish a book without all the mystery and hidden agendas of the huge, conglomerate publishing houses. Of course, I speak of LULU. The more I work with them, the more I like them and the more we succeed.

Now I can’t promise you a movie deal or even a best seller. But, if you follow LULU’s lead, if you get on board with their author programs, they are going to help you put out a professional book that you will be proud of and that people should want to buy.

See ya’ at the movies.

JCrawley HeadshotAbout the author:
John Crawley is a writer living in Dallas, Texas who has published 15 novels. His latest, The End, deals with the death with dignity movement. John is a graduate of the University of Texas at Austin, is married and has two dogs and a cat. Oh yeah, and three grown children, too. John’s 2013 novel, Letters From Paris, was named Notable Book of the Year by Shelf Unbound Magazine. You can see his work at johncrawleybooks.com

 

Do you have an author success story you would like to share with the world?  If so, send us an email at blog@lulu.com.

Horrified Press: We Are Legion!

Horror Press BioMy name is Nathan J.D.L. Rowark, and I am the editor-in-chief of Horrified Press, a small indie press. Our press is only a few years old, but it has quickly grown attracting thousands of authors, artists, and of course horror fans.

I returned to writing after a 20 year absence and had to work hard to regain my skills and push myself back into the ranks of ‘Published Author’. It was tough and I was astounded at the lack of industry support for experienced authors like myself. Online I found very few literary groups that could offer me the help I needed and small specialty presses seemed to open one year and close the next.

After years of dedication and struggle, I decided to devote myself to smoothing the path to publication for emerging authors. I wanted to create something lasting and self-sustaining – a place for writers to submit their work, where artists could contribute cover art, and editors could work within the horror genre. It would be a place where everyone could explore and share their visions.We-are-legion-GRH_odt_-_OpenOffice_Writer

The result was Horrified Press. The idea was to create an anthology that allowed first time authors to submit content alongside publishing pros. This format would provide support to those authors who needed it and encourage writers unfamiliar with horror to jump on board. My dream was to create a book that would put the bite back into horror! There would be no teenagers and sparkly vamps here, just good old fashioned gore, chills and unending terror.

The response from writers was so good that we ended up publishing two anthologies: Tales of the Undead – Hell Whore and Tales of the Undead – Suffer Eternal.

We created our first books to shock and to innovate. They did both and I am now pleased to say we have 2,000+ authors who regularly submit content, 10 editors who mentor new writers, seven specialty imprints (Rogue Planet Press – science-fiction, Thirteen O’Clock Press – dark tales, Sinister Saints Press – YA horror, Barbwire Butterfly Books – fantasy, sword & sorcery… to name a few), and over 60 books published!

We-are-legion-GRH_odt_-_OpenOffice_WriterIn the early days, the choice for our print-on-demand supplier was very much a trial and error process. We wanted quality and affordability for our fan base. We also wanted reliable global delivery as well as quick and friendly customer service to handle any problems that emerged. We didn’t want much did we? Lulu.com proved to be best in the areas we felt were important to grow our business and to represent our authors properly. The Lulu platform and its ability to reach other markets has been a major part of our small (now not so small) press and its success. Keep up the great work Lulu.com! You’re inspiring many people and helping them create a smart, more entertained (and scared) world.

It’s been a wild ride and I feel that it is just beginning for us. We’ve now published Bram Stoker award winners, and have inspired and nurtured new authors who have gone on to win accolades (P & E Readers Award winners – anthology category 2014, 2015). Beyond representing new and known voices, Horrified Press serves a great calling. We are carrying the torch for the genre itself, for those who love creating horror and those who love to read our terrifying tales.

For great Halloween reading, please visit: www.horrifiedpress.com
Author site: www.horrifiedpress.wordpress.com

You’ll be frightfully welcome!

_14__Horrified_Press

Okay, I Can Write…How Do I Get Published?

Introductory note: We don’t love to boast, but when one of our authors is wonderful enough to do it for us, well, we have to share it. Today’s guest post is from Jeffrey Strickland – follow him on LinkedIn for the fantastic articles and advice he shares!

“There is no greater agony than bearing an untold story inside you.” ― Maya Angelou

Who Are the Potential Authors?

In the past year, I have encountered many talented writers on LinkedIn, including Michael Spencer, Shashi Dhungel, Ivette Caballero, Brigette Hyacinth, Terry A Maiers, Steve Ater, Steve Cartwright and many others. All of these are potential authors and some have projects already in the works. So, what about you?

 
Who is Lulu?

I have published a book or two, and I do this as a self-published author. I am proud to be a Lulu author. Lulu.com is known for its remarkable books that Lulu authors create. Their support and author loyalty is unmatched. In recognition of their quality published products, Lulu was named the 2015 Best Online Book Publishing Company by TopTenLists.

 
“Don’t try to figure out what other people want to hear from you; figure out what you have to say. It’s the one and only thing you have to offer.” ― Barbara Kingsolver

 
What is a Lulu Author?

As a Lulu author, I have complete control over the content, layout, cover design, book size and binding. More importantly, I control the price, at least that portion beyond the cost to produce a bound and printed book. Many of my books would cost in excess of $100 and some as much as $200 from a traditional publishing company. Distraught by the outrageous profiteering by the big publishing houses and their disregard for the size of the wallet of a college student parent, I made a vow to keep my book prices under $50. Of course, there are trade-offs to achieve this.

 
Lulu for Any Budget

I do not have an editor, I do not have a marketing vehicle, I do not have a graphic designer. I only have my computer. I produce my own typeset, graphics and cover design. I do the layout, indexing and final document. I do it with an ounce of budget and a passion to write, coupled with a desire to transmit information at an affordable price. All this was doable, when I found Lulu.com. I have sold hundreds of books and the only complaints I have had are related to my inability to use the English language properly and failure to dot my t’s and cross my i’s. When Lulu ships you a book, the print is on quality paper, covered with quality and bound the same.

 
Lulu Makes It Easy

Lulu makes it easy to publish with various templates and cover design tools, as well as PDF settings for a final product. If you happen to be someone who has received one of my PDF versions, you are getting the product that is printed. Moreover, you can find all my books on my Lulu Author Spotlight page and pay less than you would for the same book on Amazon (I set the discounts). But if you are a loyal Amazon consumer, you can find most of my books on my author page there.

 
I Ain’t Mark Twain

My wife tells me not to say “ain’t,” but that’s another story. I have said before that I had wanted to author a book for at least 10 years before I had the courage to do so. What if my grammar is not great (and it isn’t)? What if my content knowledge is not the very best (and it isn’t)? What if people do not like my writing (and I have found a couple that don’t)? But, I imagine that Mark Twain had doubts about Tom Sawyer, and J.R.R. Tolkien probably had second thoughts about a story of elves, dwarves, wizards, dragons and a hobbit.

 
“If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn’t matter a damn how you write.” ― Somerset Maugham

 
You Just Need an Idea

Many of you have ideas in you – gray matter that is waiting to be unleashed on a wider audience than your bathroom mirror. You can write for yourself, your family and friends, or for the world. And Lulu can help you do it. If you are like me, once you start you will not want to stop. You can produce your work in hardcover, paperback or e-book with a variety of binding and cover options. You can also produce in color (I do not, because it costs more).

 
Lulu Fits Your Wallet

If your budget is bigger than mine, Lulu also offers editing and review services, as well as marketing packages, all at reasonable prices. I still have two kids that I have to put through college, so I save a dollar or two by not using these services. Maybe I will write all of their college textbooks, except for the one on grammar…

 
I Cannot Write!

Well, neither could I until I did…and I am not really that good now. So, you can write, even if it is just for you.

“It’s none of their business that you have to learn to write. Let them think you were born that way.” – Ernest Hemingway

 
Who Wrote This?
Jeffrey Strickland, Ph.D. is the author of “Predictive Analytics Using R” and a senior analytics scientist with Clarity Solution Group. He has performed predictive modeling, simulation and analysis for the Department of Defense, NASA, the Missile Defense Agency and the Financial and Insurance industries for over 20 years. Jeff is a Certified Modeling and Simulation Professional (CMSP) and an Associate Systems Engineering Professional. He has published over 200 blogs on LinkedIn, is a frequently invited guest speaker and the author of 20 books including:

  • Operations Research using Open-Source Tools
  • Discrete Event simulation using ExtendSim
  • Crime Analysis and Mapping
  • Missile Flight Simulation
  • Mathematical Modeling of Warfare and Combat Phenomenon
  • Predictive Modeling and Analytics
  • Using Math to Defeat the Enemy
  • Verification and Validation for Modeling and Simulation
  • Simulation Conceptual Modeling
  • System Engineering Process and Practices
  • Weird Scientist: the Creators of Quantum Physics
  • Albert Einstein: No one expected me to lay a golden eggs
  • The Men of Manhattan: the Creators of the Nuclear Era
  • Fundamentals of Combat Modeling
  • Quantum Phaith
  • Dear Mister President
  • LinkedIn Memoirs
  • Knights of the Cross: the True Story of the Knights Templar

7,473 Volumes at 700 Pages Each: Meet Print Wikipedia

Wikipedia contributor appendices; check out the full gallery of images on Wikimedia Commons. Photo by Victor Grigas, freely licensed under CC BY-SA 3.0.

Wikipedia contributor appendices; check out the full gallery of images on Wikimedia Commons. Photo by Victor Grigas, freely licensed under CC BY-SA 3.0.

“Addition: To watch the artist speak about this project, you can view a video here: https://vimeo.com/133172929.”

After six years of work, a residency in the Canadian Rockies, endless debugging, and more than a little help from my friends, I have made Print Wikipedia: a new artwork in which custom software transforms the entirety of the English-language Wikipedia into 7,473 volumes and uploads them for print-on-demand. I’m excited to have this project in a solo exhibition, From Aaaaa! to ZZZap!, at Denny Gallery in the Lower East Side of New York City, on view now through July 2nd.

The two-week exhibition at Denny Gallery is structured around the upload process of Print Wikipedia to Lulu.com and the display of a selection of volumes from the project. The upload process will take between eleven and fourteen days, starting at ! and ending at ℧. There will be two channels for watching this process: a projection of Lulu.com in a web browser that is automated by the software, and a computer monitor with the command line updates showing the dialogue between the code and the site. If you aren’t able to visit the gallery in person, you can follow the process on Twitter; we will post to the @PrintWikipedia Twitter account after it finishes each volume.

Individual volumes and the entirety of Print Wikipedia, Wikipedia Table of Contents, and Wikipedia Contributor Appendix will be available for sale. All of the volumes will be available on Lulu.com as they are uploaded, so by the end of the upload/exhibition all of the volumes will be available on for individual purchase. Each of the 7,473 volumes is made up of 700 pages, for a total of 5,244,11 pages. The Wikipedia Table of Contents is comprised of 63,372 pages in 91 volumes. The Wikipedia Contributor Appendix contains all 7,488,091 contributors to the English-language Wikipedia (nearly 7.5 Million).

It is important to note that I have not printed out all of the books for this exhibition, nor do I personally have any intention of doing so—unless someone paid the $500,000 to fabricate a full set. There are 106 volumes in the exhibition, which are really helpful for visualizing the scope of the work. It isn’t necessary to print them all out: our imaginations can complete what’s missing.

Wikipedia has been printed. Photo by Victor Grigas, freely licensed under CC BY-SA 3.0.

Wikipedia has been printed. Photo by Victor Grigas, freely licensed under CC BY-SA 3.0.

Books are microcosms of the world. To make an intervention into an encyclopedia is to intervene in the ordering systems of the world. If books are a reduced version of the universe, this is the most expanded version we as humans have ever seen. For better or for worse, it reflects ourselves and our societies, with 7,473 volumes about life, the universe, and everything. An entry for an film or music album will pop up every few pages, and the entry for humanism will be located in a volume that begins with “Hulk (Aqua Teen Hunger Force)” and ends with “Humanitarianism in Africa” and the names of battles will fill the 28 volumes with entries that start with “BAT.” It’s big data that’s small enough that we can understand it, but big enough that no human will know all of it. It is small enough that I can process it on a desktop computer, though big enough that each round of calculations, such as unpacking the database into a MySQL database, takes up to two weeks to complete, and the whole build cycle takes over a month. As we become increasingly dependent on information what does this relative accessibility of its vastness mean.

Print Wikipedia is a both a utilitarian visualization of the largest accumulation of human knowledge and a poetic gesture towards the futility of the scale of big data. Built on what is likely the largest appropriation ever made, it is also a work of found poetry that draws attention to the sheer size of the encyclopedia’s content and the impossibility of rendering Wikipedia as a material object in fixed form: once a volume is printed, it is already out of date.

My practice as an artist is focused around online interventions, working inside of existing technical or logical systems and turning them inside out. I make poetic yet functional meditations that provoke an examination of art in a non-art space and a deeper consideration of the Internet as a tool for radically re-defining communication systems. For example, I sold all of my possessions online in the year-long performance and e-commerce website Shop Mandiberg (2001), and made perfect copies of copies on AfterSherrieLevine.com (2001), complete with certificates of authenticity to be signed by the user themselves. I made the first works to use the web browser plug-in as a platform for creating artworks: The Real Costs (2007), a browser plug-in that inserts carbon footprints into airplane travel websites, and Oil Standard (2006), a browser plug-in that converts all prices on any web page in their equivalent value in barrels of oil.

Mandiberg (left) with assistant Jonathan Kiritharan. Photo by Tilman Bayer, freely licensed under CC BY-SA 3.0.

Mandiberg (left) with assistant Jonathan Kiritharan. Photo by Tilman Bayer, freely licensed under CC BY-SA 3.0.

This was not a solitary endeavor. I was grateful to work with several programmers and designers, including Denis Lunev, Jonathan Kiritharan, Kenny Lozowski, Patrick Davison, and Colin Elliot. I was also supported by a great group of people at Lulu.com who went above and beyond to support this wild and quite unwieldy project.

If you’re in New York, I hope can come see the show. For those of you far away, you can follow the upload process at PrintWikipedia.com and on Twitter.

Wikipedia contributor appendix, volume 1. Photo by Victor Grigas, freely licensed under CC BY-SA 3.0.

Wikipedia contributor appendix, volume 1. Photo by Victor Grigas, freely licensed under CC BY-SA 3.0.

About the Artist

Michael Mandiberg is an interdisciplinary artist, scholar, and educator living in Brooklyn, New York. He received his M.F.A. from the California Institute of the Arts and his B.A. from Brown University. His work traces the lines of political and symbolic power online, working on the Internet in order to comment on and intercede in the real flows of information. He sold all of his possessions online on Shop Mandiberg, made perfect copies of copies on AfterSherrieLevine.com, and created Firefox plugins that highlight the real environmental costs of a global economy on TheRealCosts.com. He is co-author of Digital Foundations and Collaborative Futures and the editor of The Social Media Reader. A recipient of residencies and commissions from Eyebeam, Rhizome.org, and Turbulence.org, his work has been exhibited at the New Museum, Ars Electronica, ZKM, and Transmediale. A former Senior Fellow at Eyebeam, he is currently Director of the New York Arts Practicum, a co-founder of the Art+Feminism Wikipedia Edit-a-thon, Associate Professor at the College of Staten Island/CUNY, and a member of the Doctoral Faculty at the CUNY Graduate Center. His work has previously been exhibited at Denny Gallery in the exhibition Share This! Appropriation After Cynicism. He has also exhibited at Postmasters Gallery, The New Museum for Contemporary Art, the Center for Art and Media Karlsruhe, Jen Beckman Gallery, Parsons’ Sheila C. Johnson Design Center, and the Eyebeam Art + Technology Center. His work has been written about in The New York Times, the Los Angeles Times, Berliner Zeitung, Wired, the Wall Street Journal, New York Magazine, Hyperallergic, ARTNews, MOMUS, Flash Art and Artforum.

Beating the “Bookstore Blues”: 5 Tips for Getting Your Book into Bookstores

MJ Maccalupo, Lulu AuthorYou’ve written your first book, or maybe it’s your 20th one; no matter. You want people to read it – that is, other than friends and family – and you want it in bookstores, but you don’t know how to get it there. You have what I call the “Bookstore Blues.” So how do you go about getting your book into bookstores?

I can’t tell you the best way for you to do it; that depends a great deal on you and the bookstore owner/manager. What I can tell you is how I go about it. I have found in my years as an outside salesman that there are a few key things that will boost your odds of success when you approach a bookstore owner/manager.

Prepare for your call

Go into the bookstore with your “elevator pitch” ready, rehearsed and sounding natural – not rote. Know who you need to speak with and be sure they have the time to talk with you. That may mean a phone call and appointment scheduled ahead of your visit; or, if cold-calling, a short pitch with a follow-up visit.

And by the way, even if you do have an appointment, remember that indie bookstores need to serve their customers, not you. So be prepared to have your pitch interrupted. Just back off and wait. Also, being able to chit-chat about the store’s uniqueness and the neighborhood it serves to show them that you are interested in their business. It only takes a little research to find out about them, and it will be greatly appreciated by them.

Researching the store can also save you a lot of travel and time as well. You don’t want to drive 50 miles only to find it’s a used bookstore or a genre-specific one. Some others may call themselves bookstores, but have most of their floor space dedicated to everything but books.

Benefit sell

Give them a reason to put your book on their shelf. What is so exciting about your book to make them want to share it with their customers? In other words, how will it benefit them and their loyal customers to have your book in their store?

Anticipate resistance

They were not just waiting for you to show up and save the day. Remember, you’re not the first one to knock on their door attempting to get a book on the shelf. Be ready to show what is unique about your book. Also be ready to leave a copy, flyer or some other material with the promise of a follow-up call in a few days or a week, once they’ve had a chance to look over your work.

Show you’re really in the game

Treat them as if this is the beginning, not the end, of your relationship. Suggest activities that you can do to help boost sales, such as signings or readings by yourself or with other local authors. How are you going to help move your book off the shelf?

Be ready to negotiate

Especially if your book is non-returnable, be prepared to have it put on the shelf on consignment. You can negotiate the split with the store. Usually, it’s somewhere between 60/40 and 75/25. (Don’t forget, you are absorbing the cost of printing). And while the latter sounds much better, it is a business and they might be more inclined to sell a book when they get a higher percentage of the selling price. Unless, of course, you have a best-seller on your hands – then go for it!

With these five things in mind, take a deep breath and remember that while you may not be a salesman (or saleswoman), most bookstore owners/managers will give you a chance if you present yourself as professional, knowledgeable, polite and concise when you approach them to get your book in their store.

And finally – have fun!

 

Author Bio

MJ Maccalupo, Ed.D.

Michael is the author of three novels: Where the Road Begins, Murder at Ravenswood Hall and The Allentown Murders (the Hap Pozner series), and a collection, The Almost Definitive Collection vol. 1 (short stories, essays, poems and a play). His books are available online and in bookstores in Southeastern NC, Western PA and Western NY. He has appeared on radio and television (cable and network) with his books. His books have also been reviewed in magazines and newspapers. Currently he is working on several novels to be released late this summer and fall. He lives with his family in Wilmington, NC. Visit his website at: http://mjmaccalupo.com

3 Marketing Must-Do’s to Sell Your Book

DanielandKelliSegars-with-Lulu-at-SPBE-2
From L to R: Glenn Hunt, Lulu’s community manager; Kelli and Daniel Segars, the powerhouse couple behind FitnessBlender.com; and Dan Dillon, Lulu’s director of product marketing at the 2013 Self-Publishing Book Expo

It’s actually not so lonely at the top. Not if you’re a rock star author who has published through Lulu. At the recent Self-Publishing Book Expo, author, activist and cultural icon Kevin Powell was joined by Daniel and Kelli Segars, the power couple behind the Fitness Blender craze, on a panel featuring rock star authors. They shared copious insights and advice about how to reach as large an audience as possible and how to successfully market a self-published book. Here are the three must-do pieces of advice they shared:

1. Content is king
It’s easy to market a great product. It’s not so easy to market a bad one. The quality of your book — from the story to the format to the cover — is critical to its reception in the market. Make sure your book is ready for the audience you’re aiming to win over. If you’ve done all of the work that you can to make your book as remarkable as it can possibly be, your readers will market it for you. Word of mouth is the most powerful form of advertising, and you can’t buy it with money. You earn it with an awesome book.

2. Whet people’s appetites
There’s a trend in the book market where authors are releasing small pieces of a larger story to build an audience. Think of this as the contemporary version of serialization. The best ways to make sure your readers are satisfying their appetite for your work is by creating blog posts or podcasts to issue a chapter at a time, or do a reading of your book and provide commentary about how an aspect of the book was conceived — a key character, a plot device, the setting or some other interesting dimension of your work.

3. Dedicate time
Just as you set aside time to write your book, you need to set aside time to market your book. It’s a discipline, one that requires focus and resolve. In the free guide to marketing your book to maximize holiday sales, more than 60% of Lulu’s most successful authors spent fewer than 5 hours per week marketing their book. But the key here is that they spent time doing it. Set aside one hour each day to actively market your work and you’ll gain traction. For ideas on where to start and how to make the most of your one hour per week, download the free ebook, “How to Marketing Your Book for Holiday Sales”.

Follow this advice from our rock star authors, and perhaps you’ll be on Lulu’s successful author panel at next year’s Self-Publishing Book Expo.

How Authors are Using the Helix Review

Back in May we launched an experimental new offering called Helix, and dubbed it The Personality Test for Your Book. Helix is powered by The Book Genome Project, a massive database of over 100,000 of the world’s best-known books. And basically, it gives you a way to upload your manuscript and get back an incredibly rich and unbiased perspective on your book.

Lulu authors are currently using Helix to gain a better understanding of their book for marketing purposes, and in some cases to gain insight into their writing style. For the first time, we’ve caught up with some of the earliest Helix Review customers to hear more about their book and writing style and what they hoped to learn from Helix.

Meet the first authors to use the Helix Review

Starting on Monday, August 5th – we’ll begin profiling the very first, the bold and brave, the curious and pioneering partakers of Helix, in an ongoing series of interviews through the end of October. Our feature schedule is below, and as we release new interviews we’ll update this post with links directly to them.

The Helix Review Featured Authors Schedule

Week Author Book Used for Helix Genre
Aug 5 Kay Gossage The Sword Of Ages: The Tallah Trilogy Fantasy
Aug 5 Jerry W Martin Moving Sideways Mystery Drama
Aug 12 Harley White The Autobiography of a Granada Cat: As told to Harley White Biographies & Memoirs, Unusual Habitats, Cats
Aug 12 Gregory L Truman Hitting the Wall Business and Economics
Aug 19 Ian Thomas Phillips 69 Poems poetry
Aug 26 Kareem Kamal El Gazzar 4 Steps to Your Authentic Career Business/Economics – Self help
Aug 26 Cristina Archer The Recidivist speculative fantasy fiction
Sep 2 Oluwagbemiga Olowosoyo God’s General Fiction
Sep 2 Protasio Chipulu Living with Cerebral Palsy:  A Parents’ Guide to Managing Cerebral Palsy Family and Relationships
Sep 9 Abdul Karim Musaliar The Transgressions of Achan Kunju Crime
Sep 9 John Locke Stuff I’ve Written So Far Political Science
Sep 16 Teresa Meola Vincent Running Blind Literary Fiction, Addiction, Psychological Theme
Sep 23 Laird David Elsworth Mason My McCurdy Family and Collateral Lines Including Native American and Some Royal Family Family History and Genealogy
Sep 30 Shontaine Married to Madness Urban Drama, Multicultural, Romance
Sep 30 Brett Russell Andrews Teaching Abroad: The People’s Republic of China Memoirs
Oct 7 Gary Briley Stalemate Mystery, suspense
Oct 7 Martin Wolt, Jr. Daughters of Darkwana Fantasy
Oct 14 Jack Gunthridge Broken Hearts Damaged Goods Romance
Oct 14 Geoffrey Lloyd Vough MULTNOMAH Historical Fiction / Fantasy
Oct 21 B.D. Salerno Forensics by the Stars:  Astrology Investigates Metaphysical / Astrology / Spiritual
Oct 21 William J. Smith Straight from Heaven;Delivered from Hell Science Fiction
Oct 29 Lisa Van Allen, PhD Your Belief Quotient: 7 Beliefs that Sabotage or Support Your Success Self help

Closing Thoughts

Thanks in advance to everyone above who contributed their feedback as part of our Helix Review featured author series. If you are an author that has used Helix and would like to be featured in the future, please tell us about your experience here.