Articles tagged "authors"

NaNoWriMo 2014 Kicks Off: Tips for Success

It’s late. Your heart-rate is elevated. The coffee is still percolating. Your hair, unwashed, is now reaching skyward as you tug on it almost every minute. You look over at your wall calendar, but you don’t need to be told what month it is: it is November. It is National Novel Writing Month. 

Started in 1999 by Chris Baty and “20 other overcaffeinated yahoos,” the write-50,000-words-of-a-novel-in-a-month challenge started with 21 participants and 6 winners. In 15 years it’s grown exponentially. Last year, over 310,000 writers attempted the feat.

The word count threshold, 50,000 words, means that a writer must commit to writing just a little under 2,000 words a day, or, to us writers, A LOT OF STINKIN’ WORDS. While some established authors take months or years to craft a narrative, writers participating in National Novel Writing Month (or NaNoWriMo), have just one month to commit to a draft. Several best-sellers have emerged from NaNoWriMo including Water for Elephants by Sara Gruen, and The Night Circus by Erin Morgenstern.

We could not be more excited to be sponsoring NaNoWriMo again this year and hope everyone will take advantage of our 2014 Wrimo offerings. We also totally understand that finding the time and creative energy for this 30-day challenge is a huge feat, so here are a few ways to make the words flow!

Tearing down the wall! Lulu now offers new print packages to fit everyone

POD_Launch_600x315

When Bob Young, Lulu’s founder, tore down the barriers to bringing a book to market, he knew millions of people would benefit. Since Lulu.com made its debut more than ten years ago, people from every corner of the globe have created works for every reader in every genre.

  • Fiction writers have found and delighted new audiences.
  • Memoirists have left important legacies.
  • Educators have removed obstacles to knowledge.
  • Physicians have shared life-saving research and information.
  • Biographers have celebrated fascinating lives.
  • Entrepreneurs have launched and grown new businesses.

That’s just a fraction of the list. Here at Lulu.com, we’ve satisfied just about every possible reason a person can make a book.

And now we’re tearing down another wall: the final barrier to flexibility and control. Today, Lulu.com is offering new, lower priced print book options. You can now choose from Premium, Standard and Value to fit your every book-making need.

Premium books are hard cover with an optional dust jacket. These books can have image wrap or linen wrap covers, offering you the choice of six linen colors as well as foil stamping for the spine (three color options there, too). You can also choose white or cream paper options. Our Premium line also includes books with photo quality color or black & white interiors. These books provide the highest quality possible and options that have never been available in a print on demand offering until now.

Standard books are soft cover, available as perfect bound, coil stitched or saddle stitched. These books have bookstore quality color or black & white interiors. Many of our Standard book options are eligible for distribution, and all of them can have bulk discounts applied.

Value books are soft cover available as perfect bound only. They are available with color or black & white interiors. These books are not currently eligible for distribution or for bulk discounts. As the name suggests, the main advantage of our Value line is lower cost. The Value line books are comparable to what you’ll find if you shop around before deciding to use Lulu.com.

All of these product lines come with lower pricing, so you can increase your earning potential or pass the savings on to your readers. And not to worry: We’ve preserved the high quality you love in all of our books.

To make choosing the right print book option as easy as possible, we’ve created a free Book Builder tool to guide you through the book creation process. Go to the Book Builder, try it out, and let us know what you think! Also, from now until April 24th save 15% on your order when you publish a Standard or Premium print book with Lulu.com (use discount code: SAVE15 at checkout).

What a rookie writer learned from Neil Gaiman at BEA 2013

Neil Gaiman answering questions at BEA

I recently had the pleasure of attending the 2013 BookExpo America in New York City.  Amongst the myriad of awesome presenters there, I was particularly looking forward to Neil Gaiman’s talk, which was really more of a discussion with aspiring authors.  Gaiman has been a favorite of mine for a while and his now famous 2012 University of the Arts  commencement speech, “Make good art” has consistently been an inspiration for me.

As Gaiman dove into the crazy world of how he became a writer, it became increasingly evident that this wildly successful author had gone through many of the same trials and tribulations that even the most amateur authors experience.  He never set out to become a world renowned author, rather he simply had always shared a love for reading and a passion for story-telling; perhaps the two greatest ingredients for a writer.  From the stories he told, I snagged a few tidbits of commonality that hopefully are beneficial for all aspiring authors:

  •     An insatiable hunger for reading is a writer’s best asset.
  •     On why fiction is dangerous: Fiction is dangerous because it lets you into other peoples heads and gives you empathy and shows you that the world doesn’t have to be like the one you live in…Letting people into other people’s heads is amazing and incredibly dangerous.
  •     On how to handle rejection or failure:  Two different things play out…I get things back and I’m either not good, which I do not choose to believe, or I’m just doing this wrong.  I vowed to myself to try to write things that no one could reject.  I worry now that no one will tell me I’ve written a dud short story.
  •     With 30 years of success, is there still doubt: Yes, and it hasn’t been 30 years of success. There have been things that have worked and things that haven’t.  Authors are combinations of complete arrogance and self-doubt.

I wanted to share these four points to spark thoughts, or even to provide a since of camaraderie that you are not alone as you work to create your next piece. What have you learned in your time as a writer? Please share your tips below! You may inspire a fellow writer.

 

How to stay fresh when writing becomes work

When you do something professionally, whether it’s a full time gig that pays the bills or part-time work to get that walking-around money, it can become monotonous. To be honest, the odds are that it will.

In some cases, that monotony could be a welcome development. I’ve worked some pretty unfulfilling jobs where routine has provided a welcome refuge. But if you are lucky enough to be financially compensated for doing something you love, the tedium that comes from repetition is something you really have to watch out for and guard against.

I find writing to be fulfilling work, personally and professionally, and I manage a good balance of writing for myself and writing for others (now largely readers on the internet) — writing I’m compensated for and writing I’m not — but there have certainly been times when that balance has felt askew and, as a result, writing becomes not much more than work.

What to do in a situation like this? How can a writer keep their work fresh and prevent burnout? Here are three practices I’ve found that help me keep my writing personally relevant and moving in new directions.

Keeping a journal: I know it sounds like an assignment from your high school English teacher, but keeping a journal (the pen and paper kind) has allowed me an entirely reflective space for my writing. Although I write on the web and enjoy writing to be read, the opposite arrangement helps me stay sane.

Using Twitter: I thought Twitter was a pretty vapid platform initially. I mean 140 characters? Micro-blogging? My attention span is short enough as is! But the more time I spend on Twitter, the more interesting I think it is. It’s basically a super social constraint-based writing club that demands clarity and brevity and encourages experimentation.

Taking time off(line): This one is sort of the crux, but also a bit a catch-all: I write better for the internet when I take time away from it. It’s easy to get comfortable in an echo chamber, but echoes don’t make for fresh ideas. Whether it’s reading or cooking or traveling when I can, I tend to bring something back to my work when I give myself a break from the net (whatever form that takes).

Some of these things might work for you, some might not. You’ve probably got similar suggestions so let me know in the comments!

Living in a DRM-Free World

Digital Rights Management, the software that helped protect the copyright of books, but turned out to be a rather large hindrance to many readers, is beginning to go the way of the Dodo. More and more businesses that sell eBooks are taking the plunge and ditching DRM (including Lulu). But has the loss of this security measure affected sales? Has the eBook market been flooded with pirated copies of books that drag down the market and result in losses in profit to authors and publishers? In short, no.

Tor Books, the high-profile science-fiction publisher dropped DRM last April, and they have seen “no discernible increase in piracy on any of our titles, despite them being DRM-free for nearly a year,” according to their editorial director, Julie Crisp.

Consumers of eBooks have long been in favor of getting rid of DRM. It has made a hassle out of switching eBooks from one reader to another, and hindered the reading experience of readers who have paid to read their favorite authors.

Authors as well have applauded the move away from DRM. However, some larger publishers believe that DRM-free copies of their books published in other territories will find their way back to their own market, thus increasing the likelihood of digital piracy. Still, Tor’s report that there hasn’t been any discernible change in sales and readership is proof that DRM didn’t do much to protect authors.

“The move has been a hugely positive one for us, it’s helped establish Tor and Tor UK as an imprint that listens to its readers and authors when they approach us with a mutual concern — and for that we’ve gained an amazing amount of support and loyalty from the community,” Crisp reported.

When it comes to independent publishing, DRM has long been considered something that was once thought necessary, but is no longer needed, especially in a reading atmosphere that so proudly supports its writers.  Already, video games and music have begun to move away from these protections, as well.

What will be interesting is to see is if anyone will stick to DRM in the next few years. How have you felt as a Lulu author in a DRM-free world? What other minor changes in the publishing model would you like to see happen over the next few years?

How do you judge a book? By its cover, of course.

The following is a guest post courtesy of Ron Miller, see the author’s information below.

Making sure your book has a good cover is like making sure you are neatly dressed and well groomed when going on a job interview.

Although everyone says you shouldn’t judge a book by its cover, this really doesn’t apply to books themselves. In fact, the cover is one of the most important parts of a book. It’s the first thing anyone will ever see and for that reason it needs to make a good impression. If a cover is unreadable, looks amateurish or misrepresents a book, the potential reader may give it a pass and move on to the next book in a catalog or bookshelf.

There are no hard and fast rules in book cover design. Just take a look at some of the superb covers displayed here . They are all creative, effective and no two look alike. Yet, they all follow the same basic guidelines. Even if you are not an artist or designer, you can still make a cover that – while perhaps not as artistic or inventive as some of these covers – can still be attractive and effective. Here are some basic rules of thumb to keep in mind:

  • The most important thing on a bookcover is the book’s title.
  • Keep things simple typographically. You may own a thousand fonts, but there is no need to feel compelled to use them all. Especially avoid really fancy, decorative fonts or using a lot of Photoshop effects on the title. If no one can read the title of your book, you may as well not have it on the cover at all.
  • Likewise, keep your artwork simple. Try to limit yourself to just one image that best represents the book’s genre or what it is about. Avoid the temptation to create a “kitchen sink” cover, where you try to cram in everything you think is important.
  • Another reason for simplicity is that a cover needs to work at all sizes—and even in B&W. Most people will first see your cover as a thumbnail image on a webpage. Therefore, it needs to be as readable at postage stamp size as it is on the actual printed book.

Having read these suggestions, go back to the Indie Cover page and see how many of those covers reflect these ideas.

About the Author:

In addition to the books he has published with Lulu, Ron Miller is the author/illustrator of more than fifty commercially published books. These have received numerous commendations and awards, including a Hugo, the IAF Manuscript Award, the Booklist Editor’s Award and the American Institute of Physics Award of Excellence. Several of his books have been Book-of-the-Month Club feature selections. In addition to the artwork he does for his own books, Miller provides illustrations for magazines such as Scientific American, Astronomy and Discover. Specializing in science fiction and fantasy, he has also created several hundred book covers for publishers such as Tor, Baen, Berkley/Ace, Warner, Easton Press, Subterranean Press and many others.

Black Cat Studios

Social media for book lovers

Social networking meets your reading addiction.

The New York Times recently ran an excellent profile of Goodreads, a super popular book-centric social media platform. The site launched in 2006, and as the Times notes, has over the last 7 years become “the largest source of independent reviews on the Web, with 21 million and counting.” Like all successful social media sites, its popularity springs from the relationships and communities it fosters, and if this article is any indication, these ties are booming.

I was also happy to note that the piece paid special attention to Goodreads’ relationship to independent publishing. It notes the wild success of “Wool,” a series self-published sci-fi books by Hugh Howey that received serious attention after being featured by one of Goodreads’ most popular book clubs (later it mentions that Howey’s series was optioned by 20th Century Fox!).

The Times attributes the particular advertising power of sites like Goodreads to the “membership model.” In short, recommendations or reviews written by friends (be they online or off) tend to be more effective motivators because they’re understood to be trustworthy and personal. Could literature-focused social media platforms provide the non-traditional advertising avenue self-publishing authors need to break through to a wide audience?

Though the Readmill’s iPad app has been around for a while, in early February the company launched an (even more mobile) app for the iPhone. Readmill is a digital reading platform with a built-in social media interface. One part digital marketplace, one part bookworm Facebook, the application – now available for both iPhones and iPads – allows users to purchase eBooks from vendors online and read them via a slick, minimalist interface on their mobile devices. It also lets readers share favorite quotes, track reading stats, and get recommendations from friends and followers.

Competitor apps like Wattpad and BookShout point to a growing market (and hopefully a growing demand). We’ll see if apps like this catch the public interest, but I think they could provide excellent opportunities for self-publishers trying to get the word out as well as serious readers looking for their next page-turner.

Are you a part of any of these book-centric social media platforms?  What has been your experience?