Articles tagged "editorial quality review"

Is it time to destroy your little darlings?

Photo by vogmae on Flickr

Your book is your baby. We get it. That’s why we know how hard it is to objectively edit your work. But just because it’s a hard step in the process, doesn’t mean you can ignore it. It’s important to find a way to remove yourself enough from your work in order to get a clear, outsider’s view.

In that spirit, here are some tips for editing your novel:

1) Walk away. Not forever, but it’s incredibly important to read your novel with some fresh eyes. Even a week away will allow you some critical distance that you can use to help edit and see your whole structure better.

2) Destroy your little darlings. We all love the cute little sentences we’ve written, that flowery prose that convinces us we’re just the most talented writers we know. Guess what? This is hard to admit, but those pretty little darlings of yours are probably not so great. Beautiful moments in literature often emerge from simple descriptions and observations on the human and natural world — anything too convoluted will reek of trying just a little too hard. Keeping it simple doesn’t mean eliminating beauty.

3) Enlist trusted friends and editors. This could be the scariest moment of editing. The world has not yet seen your masterpiece, and this is the first step. And boy, is it a rough one. Your trusted editors and friends will be reading a piece of fiction that hasn’t yet been seen by other eyes. They will be of great assistance, pointing out flaws in grammar, continuity, and things that downright just don’t work. Inversely, they will also let you know what parts are great, where you shouldn’t change a thing, and how much they like it. It’s a quick dive into a cold pool, but for your novel’s sake, you have to do it.

4) Enlist professional services. Start with the Editorial Quality Review, in which, “a professional copy editor will review your book and provide a diagnostic tool of invaluable advice regarding the editing needs of your book. This service also includes a helpful 5-8 page sample edit to illustrate the level of edit recommended for your book.”Follow up with a Copy Edit Service.

What helps you edit your piece? Has editing made your novel’s better or worse? Do these tips work? Let us know in the comments below.

Additional Reading from the Lulu Blog:

DIY Proofreading

How To Choose An Editor

The Editorial Process

Author Success Story: Lucia Cascioli

When Lucia Cascioli first finished her novella, Struck, she thought she’d try her hand at traditional publishing, an experience that didn’t pan out as she’d hoped.

“It was frustrating to say the least, especially after one publishing house lost my manuscript,” explains Lucia. The long wait to hear back, coupled with the less-than-stellar royalty and advance rates typically given to authors without a track record, didn’t exactly make Lucia want to continue struggling down the big publisher road.

Then she discovered Lulu, which changed the way she thought about getting her book into the hands of readers.

“Lulu is my one-stop-shop that meets all my needs: professional staff, great editors and cover designers, and the ability to have my books sold in print and online. My project manager explained the process to me and coordinated the services in each of my packages, hassle free.”

To publish Struck, as well as

DIY Proofreading

Happy Editing Month: DIY Proofreading

Proofreading is an important topic these days, particularly for indie authors. Just this week we caught sight of a conversation on Quora that started with the thread: “What does it say about you if you are terrible at proofreading?” What we’ll say is that self-proofreading is very challenging, but doable. So, we thought we’d provide some tips.

Once you’ve edited your text and you’re 100 percent confident as to your content and narrative, it’s time to proofread. Self-proofreading isn’t optimal. Look at it this way: self-proofreaders inevitably see what they want to see. In other words, if you’re not serious about finding errors and typos, then you’re probably not up for the task—there’s that and let’s face it, if you don’t know something is a mistake, then a different set of eyes can make all the difference. That said, while it’s not ideal, it can be done. Editing expert Ellie Maas Davis is back today to give some tips on self-proofreading.

How To Choose an Editor

Happy Editing Month: How to Choose an Editor

When it comes to finding an editor to help you with your book, make sure it’s someone who responds to what you’ve written and how you’ve written it. Make no mistake: no one likes to be edited. It can be an incredibly painful process. You’re basically paying someone to poke holes in what you’ve done and critique every aspect of it from concept to comma use. Like many things in the publishing process, it requires a leap of faith, and if you want to ensure your book is marketable—or at the very least navigable to readers—then it’s absolutely necessary.

Here are a few pointers for starting the editing process, from editing expert Ellie Maas Davis:

1. Make sure your editor specializes in your genre—if you’ve written a book about the Civil War or advanced polynomials, by all means, find an editor who has edited similar titles. If you have an uncommon topic, a Lulu Services rep will be happy to give you background information about the editor most likely to tackle your manuscript.

Happy Editing Month: Only You Can Prevent Bad Book Reviews!

It’s time for Lulu’s Editing Month once again – that time of year when the editors line up their metaphorical red pens and break out the prose polish.

To kick off the month, we pose a question: What’s the last thing you want to read after publishing your pride and joy? A bad review, right? We hate reading them too, but we know that, much like sunburn and forest fires, they are preventable! The remarks below are from actual Clarion ForeWord and Kirkus Indie reviews, with identifying details removed.

“… the book yearns for a good editor. It is rife with missing words, punctuation errors and other grammatical mistakes that impede the narrative flow and distract the reader.”

“It’s not merely a matter of how polished the prose is; rampant sloppiness inhibits rhythm, fluidity and pleasure that might otherwise be derived from the narrative.”

“Syntax is convoluted to such a degree that sentences often require multiple readings.”