Articles tagged "Self-Publishing"

Self-Publishing Book Expo Recap

This past weekend, Lulu.com was proud to once again be a sponsor of the Self-Publishing Book Expo (SPBE), which is now in its sixth year and was held in New York City. Originally created for authors considering self-publishing as an alternative to traditional publishing, the expo has expanded and now features lectures, panels and workshops targeting both novice and experienced independent authors.

This year, two members of our team and a Lulu.com author participated in panel discussions throughout the day. Dan Dillon (Product Marketing) led discussions on Team Building, Advanced Marketing and participated in the Ask an Expert panel. While Dan was sharing his expertise, I manned the exhibition booth and moderated the Formatting panel discussion. Even more exciting, Lulu.com author Pascale Kavanagh, author of Fish Tails & Lady Legs, was a featured speaker in the Romance Authors’ workshop.

The State of Self-Publishing

Recently, Bowker issued a report on the state of self-publishing, analyzing ISBN data year over year to identify changes in the number of print and eBooks published by the top self-publishing platforms. And guess what? Self-publishing isn’t going anywhere.

“Our general conclusion is that self-publishing is beginning to mature. While it continues to be a force to reckon with, it is evolving from a frantic, wild-west style space to a more serious business,” said Beat Barblan, Bowker Director of Identifier Services. “The market is stabilizing as the trend of self-publisher as business-owner, rather than writer only, continues.”

A few key takeaways from the report:

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    Bowker Report

    Self-published titles jumped to more than 458,564 in 2013, increasing by 17 percent over 2012 and 437 percent over 2008.

  • Printed titles were up, as well. Specifically, increasing by 29 percent over 2012, indicating the format remains popular amongst authors and readers, alike.
  • The industry continues to be led by a handful of self-publishing service companies, with over 75 percent of self-published titles being brought to market with support from just three companies: Lulu.com, Smashwords and CreateSpace.

Plus, not to toot our own horn, but Lulu.com was the only self-publishing company to remain ranked in the top three when you compare ISBN output from 2008-2013 across total print and eBooks, just print books and just eBooks. Alright, maybe we’re tooting our own horn just a little bit.

The picture this data paints is very exciting for the future of the self-publishing industry and the team at Lulu.com is thrilled to be on the leading edge of the direction the industry is moving.

Tearing down the wall! Lulu now offers new print packages to fit everyone

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When Bob Young, Lulu’s founder, tore down the barriers to bringing a book to market, he knew millions of people would benefit. Since Lulu.com made its debut more than ten years ago, people from every corner of the globe have created works for every reader in every genre.

  • Fiction writers have found and delighted new audiences.
  • Memoirists have left important legacies.
  • Educators have removed obstacles to knowledge.
  • Physicians have shared life-saving research and information.
  • Biographers have celebrated fascinating lives.
  • Entrepreneurs have launched and grown new businesses.

That’s just a fraction of the list. Here at Lulu.com, we’ve satisfied just about every possible reason a person can make a book.

And now we’re tearing down another wall: the final barrier to flexibility and control. Today, Lulu.com is offering new, lower priced print book options. You can now choose from Premium, Standard and Value to fit your every book-making need.

Premium books are hard cover with an optional dust jacket. These books can have image wrap or linen wrap covers, offering you the choice of six linen colors as well as foil stamping for the spine (three color options there, too). You can also choose white or cream paper options. Our Premium line also includes books with photo quality color or black & white interiors. These books provide the highest quality possible and options that have never been available in a print on demand offering until now.

Standard books are soft cover, available as perfect bound, coil stitched or saddle stitched. These books have bookstore quality color or black & white interiors. Many of our Standard book options are eligible for distribution, and all of them can have bulk discounts applied.

Value books are soft cover available as perfect bound only. They are available with color or black & white interiors. These books are not currently eligible for distribution or for bulk discounts. As the name suggests, the main advantage of our Value line is lower cost. The Value line books are comparable to what you’ll find if you shop around before deciding to use Lulu.com.

All of these product lines come with lower pricing, so you can increase your earning potential or pass the savings on to your readers. And not to worry: We’ve preserved the high quality you love in all of our books.

To make choosing the right print book option as easy as possible, we’ve created a free Book Builder tool to guide you through the book creation process. Go to the Book Builder, try it out, and let us know what you think! Also, from now until April 24th save 15% on your order when you publish a Standard or Premium print book with Lulu.com (use discount code: SAVE15 at checkout).

Top 3 Ways to Ensure Self-Publishing Success

Yes you canContributed by Dan Dillon, Lulu Director of Product Marketing

I recently had the pleasure to co-present a webinar with Bowker on Self-Publishing: Your Path to Success. Ralph Coviello, publisher relations manager at Bowker, shared copious insights into how the self-publishing landscape has taken shape over the past few years, as well as how it may continue to evolve. From all the great observations and advice, I’ve distilled the three most important lessons to be gleaned for your success in self-publishing.

1. Publish in multiple formats
It stands to reason that the more products you have to sell, the more money you’re able to make. Books are no exception. Authors who offer multiple formats of their books sell up to four times more than authors who offer their readers only a single format. To capitalize on this, make your titles available as a softcover, hardcover and an ebook. Readers across all age groups are reading print, so there’s no predicting what format individual book buyers may prefer. have ready whatever they may want.

2. Channel surf
Just as it stands to reason that the more products you have to offer, the more you’re likely to sell – the more places you make them available, the more you’ll be able to sell. Get your books into as many online retail channels as possible. The ones that will likely have the greatest impact on your print book sales are Amazon and Barnes & Noble. For ebooks, you’ll want to make your titles available on the Kindle, iBookstore, NOOK and Kobo, at a minimum. Happily, you can get all of your books into these channels — and many more — with Lulu.com. For free.

3. Press releases are very popular
This is a double-edged sword. Yes, press releases are a valuable tool for building awareness about your book, and you can reach the same journalists who the Big 6 publishers talk to. Yes, there is a ton of news out in the world and it takes a lot to get your story heard. The lesson here? Targeting the information in your press release is critical, and targeting the people you send it to is also key.

View the complete webinar, and let us know in the comments what’s worked for you to drive book sales. You can also page through the webinar deck on Slideshare.

Self Publishing Momentum Continues!

The independent publishing industry has taken great strides since Lulu first made the option to self-publish books widely available in 2002. On October 9, Bowker released new data highlighting the strong adoption of self-publishing as the industry continues to build momentum.

Most notably, Bowker cites a 59% jump in self-published titles in 2012 from 2011. That’s huge! Similarly, eBooks continue to gain popularity among self-published authors with 40% of the ISBNs that were self-published in 2012 being eBooks compared to 11% the year prior.

Recently, there has been yet another groundswell of enthusiasm and participation in the movement. There is ever-increasing credibility and success among self-published authors, even those that have been traditionally published before. Writers everywhere continue to embrace the opportunities and control afforded by making their books directly and immediately available to readers everywhere.

Highlights from Bowker’s 2011 annual findings included the addition of over 148,000 new self-published titles, which translates to 43% of all print books released in the U.S. that year. Also, self-published books represented 12% of all e-book sales and as much as 20% of specific genres like romance and fantasy.

You can read more about these trends and Bowker by visiting these sites:

The artistic possibilities of self-publishing span far and wide

Two articles concerned with the question of the artistic possibilities of self-publishing a book caught my attention this week.

Courtesy of Redux.com

The first was a testimonial by Mark Bastable published in The Telegraph and titled “How I overcame snobbery to self-publish an e-book.” In it, Bastable gives a variably convincing account of his decision to self-publish his fourth book, after having gone the “proper” route for the last three (ie. the traditional publishing model). What I found most interesting, however, was the paragraph where he rattles off all of the decisions he had to make when he went DIY:

“So, this month I launched a novel into the e-market,” he writes, “the culmination of several months’ slog, proofing the text, writing the blurb, doing the cover design (or, actually, paying someone to), getting the internal text layout right (or, actually, paying someone to), developing and launching a website (or, actually – yeah, that too). All the stuff that a publisher used to do, the e-author has to do for himself. Or pay someone to.”

Whew. It’s always sobering to see a list like that in print and be reminded of the immense amount of work self-publishing requires. But Bastable makes the case for the silver lining: message control. From the writing, to the editing, to the marketing, you’re in the driver’s seat, and you get to call the shots.

I found an inspiring echo to this book talk in a piece by Jason Boogon Galleycat extolling the virtues of Shane Carruth’s excellent 2013 indie sci-fi film Upstream Color. Produced entirely outside of the Hollywood system and released on a wide range of streaming platforms at about the same time it hit theaters, Upstream Color received widespread acclaim, cementing Carruth’s position as an indie auteur. But is this a stepping stone for blockbuster success? Probably not. Boog nails it, I think, when he goes on to write about how films like this can only exist outside the normal system of production:

“Writers spend too much time arguing about the goldmine potential of self-publishing. When we talk about indie books, why does money dominate the conversation? Instead, we should worry about the artistic freedom that creators like Shane Carruth have found by taking the DIY route.”

I like what Bastable was saying about having total (anxiety inducing) control over your book and it’s presentation, but what about the artistic space that emerges without the confines of the publishing industry? That’s what I’m looking forward seeing discussed. So, hat tip to Jason Boog and Simon Carruth for getting us going.

 

Self-publishing gaining ground in the academics

[Graphic: Michael Morgenstern for The Chronicle of Higher Education]

While I don’t typically pay a lot of attention to academic publishing, I recently ran across a very interesting article in the Chronicle of Higher Education on (mostly) young academics taking advantage of the new opportunities afforded to them by recent developments in self-publishing.The piece focuses on Clay Spinuzzi, a professor of rhetoric and writing at the University of Texas at Austin, who decided to self-publish his third book Topsight: A Guide to Studying, Diagnosing, and Fixing Information Flow in Organizations. The article goes on to point out that there are a lot of common sense  reasons for the decision. By spending just “a couple of thousand dollars in freelance graphic design and copy-editing Spinuzzi will make back his financial investment after 300 copies are sold” due to the super high rate of royalties Amazon guarantees (about $7 a digital copy). Selling 1,500 copies will net Spinuzzi $10,000, the article points out. If he sold 15,000, a rare, but not entirely inconceivable number, he could walk away with more than$100,000.

These numbers are interesting, and Amazon’s royalty arrangement could pay off big given the right product, and this is where I think the story is really interesting. Spinuzzi says he doesn’t consider independent publishing a replacement for the traditional academic press. In fact, his next book will be published by one. Instead, he sees digital self-publication as “part of a larger ecosystem” and “a natural outgrowth of other unvetted work,” such as scholarly blogging and social media.In other words, digital publishing allows him a level of freedom (and a margin of profit) traditional academic publishing can’t, but it is also helping to create a new and, finally, viable type of writing. It’s allowing authors like Spinuzzi to write rigorous, researched books that have a popular appeal but carry academia’s mark of approval.

As we’ve seen with high profile Kickstarter campaigns over the last few months, studios and publisher’s are often conservative in their appraisal of a work’s appeal, and it’s probably just a matter of time before an author sees similar success (David Mamet is giving it an early shot according to The New York Times). Third-way options like self-publishing could be just the ticket to help  promote and distribute this type of new and refreshing work.