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Early Novels

ByTom Baker

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A collection of early novels by Tom Baker, authot of Haunted Indianapolis and Other Indiana Ghost Stories...Read More

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Five Martian Novels

ByEdgar Rice Burroughs

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In these amazing books, science fiction master Edgar Rice Burroughs relates the saga of John Carter, Warlord of Mars, as...Read More

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Love & Country: Two Short Novels

ByCharles Deemer

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Two short novels by Charles Deemer: Love At Ground Zero and Patriots, each dealing with love after 9/11.

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RUSSIAN NOVELS-TWO IN ONE

ByFyodor Dostoyevsky

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But the difficulty is how am I to cling for ever to Mother Earth. I don't kiss her. I don't cleave to her bosom. Am I to...Read More

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Zombie Romance Novels are Ruining this Country

ByDavid Bishop

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Book stores filled to the brim with cheesy zombie related fiction, legions of young girls pining for a man with grey,...Read More

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Point of View in Fiction

ByPaula Berinstein

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This popular presentation from Writing Show host Paula B. explains what point of view in fiction is and how to use it in...Read More

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Holocaust Fiction

BySue Vice

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"Holocaut Fiction" examines the controversies accompanying the publication of novels that represent the Holocaust. Sue...Read More

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Disorienting Fiction: The Autoethnographic Work of Nineteenth-Century...

ByJames Buzard

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This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature...Read More

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