When Pacino's Hot, I'm Hot: A Miscellany of Stories & Commentary
by Robert Levin
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ISBN: 978-0-615-18765-5
Publisher: The Drill Press LLC
Rights Owner: The Drill Press LLC
Copyright:
© 2008 Standard Copyright License
Language: English
Country: United States
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Printed: 108 pages, 6" x 9", perfect binding, black and white interior ink Download:
1 documents, 793 KB
Description:A compendium of fiction and non-fiction by a humorist sui generis: ironist, satirist, realist, burlesque comic—yes, all from the same author, this Robert Levin who gleefully fingers the absurdities of life with trenchant wit and daunting intelligence. His voices are many and varied and ultimately balanced: the cynicism of “Everything's All Right In the Middle East” leavened by the belly laughs of “Peggie,” the raw sensibility of "Spinning the Wheel of the Quivering Meat Conception” lightened by the surprising sweetness of the title story. Scathing examinations of self-destructiveness give way to redemption (of sorts) in "Dog Days." Finally, there is the sadder but wiser "Free Jazz," illuminating the ’60s with piercing intellect and hardly a guffaw to be found. And so a writer, perfectly willing to offend if that's what it takes to be funny and make his point, turns out to please in a myriad of ways. A collection to laugh with and wonder at. Keywords:Listed in: |
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I had not heard of Robert Levin before When Pacino's Hot, I'm Hot arrived in the mail. I'm not really sure how I had missed him. Much of his work has appeared in publications that I sometimes read, and yet he had slipped completely beneath my radar. That fact is something of a shame.
When Pacino's Hot, I'm Hot is a slim volume, split about in half.The first forty or so pages are devoted to Levin'sshort stories, the second forty or so made up of his commentary. It is the first half of the book that interested me most.
Levin writes rude, bawdy, strange, idiosyncratic tales. His characters are obsessed with sex and with themselves. They tend to be losers and bores (but are never boring). Levin crafts stories often in the first person, with a raw wit and free Id. There is a discomfort (with life, existence, sexuality, the body) that bleeds out of his characters. These are not the strong, sleek, beautiful protagonists that hang about so much of today's fiction. These characters owe something to Bukowski and Burroughs.
All of the tales that make up this book deserve some level of mention, but a few truly stand out. "Dog Days" is disturbing. "Peggy (or sex with a very large woman)" is hilarious. I found myself putting the book aside while reading that story, to compose myself and let the laughter trail off so that I could finish reading it. "Spinning the Wheel of the Quivering Meat Conception" has one of the best titles I have seen in years. Sadly, it is one of the weaker stories in the book.
The title story is most deserving of discussion. "When Pacino's Hot, I'm Hot" is a fascinating and nasty tale. It follows an unattractive man. He describes himself thus: "Just under average height, more skinny than slim, and with long, usually unkempt hair hanging over my ears and forehead and down the scruff of my neck, I also have heavily lidded eyes, sunken cheeks and a pallor that's cadaverous." Reading that self description, one may be surprised that our narrator "Gets his pipes cleaned" all the time by a variety of women.
His secret is that a certain type of woman will mistake him for Al Pacino, or Dustin Hoffman, or Bob Dylan, or some other celebrity that doesn't meet the standard of beauty in the modern world. We are presented with a holy litany of the times he's been laid due to mistaken identity.
Eventually he falls into a relationship of sorts. He begins living with a girl that has no idea who it is she is sleeping with each night. This girl has the improbable name Roger (her father had wanted a boy). She is one of the strangest characters I have ever read about. Something in her reminds one of Anthony Burgess' Enderby. She is flatulent and sort of disgusting in her habits. This girl is a fountain of malapropism, mixed (or twisted) metaphor and strange construction. When excited she is "excruciated". She wonders why strangers don't "notarize" her boyfriend (who she initially believes to be Dustin Hoffman).
The two of them make a strange pair in extremis. It is, in its own way, a sad tale. We know from the start that it can’t end well, and of course it doesn’t. Along the way we are given some of the best characters to appear in a long time.
Any Cop?: I’m tempted to call Levin a sick comedian, but how then to account for the pathos and the genuine sadness that permeates these stories? How to account for the fact that I am about to set aside several other books so that I can read this one again?
— Nathan Tyree, Bookmunch
— Midwest Book Review
Robert Levin, a jazz journalist, uses the English language like a musician improvising melodies in some low and malodorous club. But despite his best efforts to be unpleasant, he has produced a wonderful little collection of stories and mini essays which is worth buying for the title story alone. Read it!
— Natalie Wood, PerfectlyWrite
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