Shambles
by Brando Quin
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Publisher: Brando Quin
Copyright:
© 2008 Standard Copyright License
Language: English
Country: United States
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Description:The story behind the song "Shambles" as performed by Brando Quin and RavenPheat - I've spent allot of my life traveling from one place to another around this globe we call "Earth"... sometimes while riding planes, buses and trains you wonder is it ever going to slow down?? The #4 Song from the award winning CD, "Brando Quin - Crossings" Music and Production by RavenPheat and Friends. Starring Brando Quin, John Mahoney, Todd Larsen, Tim Sadow, Michele Sarrett, Dan King, Ted Hale, Daphne Adato, Sule Greg Wilson. Click on the Featured at Garageband button or go to www.Garageband.com/BrandoQuin to listen to this tune! Keywords:Listed in: |
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#5 Bitter Breakup Song in Experimental Rock, all-time
Best Keyboards in Experimental Rock, week of 16Jun2008
searching for pieces of why we're still here. lost golden pieces of another yesteryear. coda, one beating heart is a very lonely sound.
i don't know, man. how bad can it be when you're recording your music with good production? lyrically it's kind of overbearing. the playing is competent and the writing is constructed well, mournful organ is a neat touch, but this is overly morbid in the vein of roll your eyes oh brother melodramatic teen angst "pornography" era Cure, and is more normal musically. it's sort of like trad pop goth, which is wierd in a way, but in another way this sounds underdone in terms of morbidity and maybe needs more to communicate its doom and gloom message more effectively-NOT that the reviwer endorses that. you are what you create. Robert Smith grew out of his overly morbid states on later records.
that said, if you haven't already, and want to continue wallowing in this state, check out morbid goth bands such as early 80's The Cure (see "Faith" in particular), freaking Bauhaus, Current 93, Nurse with Wound, United Dairies artists for cross referencing.
Extra Credit: Production, Most Bitter Breakup Song."--GTArpe Hull, Massachusetts July 11th, 2008
I really enjoy this track. It has a soothing feel to it. It hits home. I'm feeling the song as a whole.
Extra Credit: Originality.
- BOLTARMY
June 26th, 2008
This is a strange experimental kind of song... certainly not meant for any mass consumption of any sort, but I think there are ways to make even something like this more accessible to listeners. The entire song is over the same chord progression which makes is quite tedious to listen to. The melody never really changes and besides the advent of some creepy backing vocals and marching electronic drums the song remains very static. I've heard things similar to this piece that really work as art... Like some of those old Doors tracks where Jim Morrison, while obviously very high, riffs some odd poem while the bands plays creepy stuff in the background. The difference here is that the "poetry" in this song is not all that interesting or meaningful. There are no iconic or even remotely interesting images except for the very last one: "and one beating heart is a very lonely sound" which really could have been a reasonable chorus element to break up the monotony of the rest of the song. At that point, sonically the track opens up for the first time and we hear a thudding tom tom beat that feels like Poe's "Tell Tale Heart" come to life. This was the high point of the song and should have come earlier and often.
- acronychal
Neptune City, New Jersey
June 25th, 2008
I like the almost funeral-parlor sounding organ.
There is a constant building feeling going on there, the drums help with that a lot.
The chorus chord changes are my favorite part.
- timothybracken
Takoma Park, Maryland
June 24th, 2008
down to earth lyrics, but seems a little like your talking about someone else. I like the production.
Extra Credit: Production.
- jbgworld
Hollywood, California
June 21st, 2008
Always loved the organ intros, they set a great mood here for what is coming. The mix is good because it doesn't interfere with the message of the singer.Nicely separated in the mix. The snare does a good job of driving the tempo, just a little thin on the tone. Might be intentional, if so it works. I don't get a chance to listen to this style of music much which made it kind of refreshing. AP"--HOLLOWMANROCKS Springfield, Oregon May 4th, 2008
Always loved the organ intros, they set a great mood here for what is coming. The mix is good because it doesn't interfere with the message of the singer.Nicely separated in the mix. The snare does a good job of driving the tempo, just a little thin on the tone. Might be intentional, if so it works. I don't get a chance to listen to this style of music much which made it kind of refreshing. AP"--HOLLOWMANROCKS Springfield, Oregon May 4th, 2008
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