Structured around what the Tissue Culture and Art Project has called “cultural perceptions of life,” Biological Imperative freely mixes ideas of partial personhood, the possibilities of regeneration, multiples, fecundity, the semi-living, and the undead (things that just won’t die.) The exhibition posits linkage between disparate references such as (but not limited to) the undying popularity of the zombie genre, rabbit imagery, pirate radio and bioethical quandaries.