FUGAL ANALYSIS
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The first part of this volume concludes with four different fugues on the same subject by Bach, Handel, Haydn, and Mozart. The comparison of these will, it is hoped, prove both interesting and instructive. The second part of the volume shows fugues on two and three subjects, fugues on a choral and canto fermo, and fugues with independent accompaniments. The last number in the volume may be regarded as a kind of "grand finale;" it is given as a marvelous example of the combination of nearly all fugal devices in one piece.
