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Luis Quintanilla (1893-1978)

WAITING AT THE SHORE is a biography of my father, the Spanish artist Luis Quintanilla. Starting out as a Cubist under the influence of his friend, Juan Gris, Quintanilla eventually became a prominent Spanish draftsman and muralist. Though he would have far preferred to be left alone to paint in peace without engaging in politics he was eventually drawn into the tumultuous affairs of his times. In 1931 he and Juan Negrin, the Premier of the Spanish Republic during the Spanish Civil War, put the flag of the Republic up on the Royal Palace in Madrid ensuring that the revolution which ousted the king would remain bloodless. In October of 1934 Quintanilla started a prison term lasting eight months, four days, and three hours for hosting, in his studio, the revolutionary committee of the October revolt. As has happened on other occasions when a prominent artist has found himself in jail, the world's intellectual community rallied to his aid. Ernest Hemingway and John Dos Passos circulated the petitions and organized the protests in the United States, Andre Malraux in France, and Lady Margo Asquith, wife of the former Prime Minister, performed the same service in Britain. And a show of his Madrid street scene etchings took place at the Pierre Matisse Gallery in New York with a catalog by Hemingway and Dos Passos. This show introduced him to the United States. When the Spanish Civil War started in July, 1936, Quintanilla helped lead the attack on the Montana Barracks which saved Madrid for the government. He was made the commander of the barracks at the start of the war and led men in action on the streets of Madrid, Toledo, and in the Guadarrama Mountains. In the spring of 1937 he was removed from these and other duties by Juan Negrin and commissioned to do a set of drawings of the war. These were shown first in 1938 at the Barcelona Ritz and then in the Museum of Modern Art in New York with a catalog by Hemingway. With the fall of the Spanish Republic in 1939 he was forced into an exile which lasted more than 37 years, living first in New York and then in Paris. A year following the death of Spain's dictator, General Francisco Franco, Quintanilla returned to Madrid where he spent the remaining two years of his life. He died at the age of 85. Paul Quintanilla

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Web Site: www.lqart.org
  Rhode Island
  United States

"Luis Quintanilla was a great artist and a great man. His story deserves to be told."

          Howard Fast
          Martha Gellhorn
          Milton Wolff
          Alfred Kazin
          Ramon Sender Barayon


"This book is an important contribution to our knowledge of the Spanish Civil War. Strongly recommended."

          Alfred Kazin


“Both from an artistic and historical perspective, Quintanilla’s work should assume its rightful place. His amazing story is, in many respects, an archetype of the heroic sacrifice made by so many in Spain in the name of freedom and of human rights. We should not forget Quintanilla."


          Ramon Sender Barayon
          Author of “A Death in Zamora”


“Walked by the old San Remo location this morning and suddenly remembered that I never told you how much I like your book. You did a great job. Your father’s genius and courage shine through brilliantly. A wonderful read.”

          Clark Whelton
          Author and speech writer


“I have finished volume one and really loved reading it. It is a thrilling story wonderfully told both by your father and by you. If I took the time to be specific about all I liked, I’d never get back to work. But since I just read them, I can’t resist mentioning the portrait of your mother and the anecdotes about ER [Eleanor Roosevelt], which are marvelous. You make someone you obviously knew very well and someone you essentially didn’t know (I take it at this point) jump off the page allowing a grateful reader to make them his own. Only a very good writer can do this. I must say that whenever, in the past, someone has told me publishers have rejected their work and wanted me to read it, I have almost always understood at least something of why this happened, and honestly expected it to happen again. Certainly it didn’t. This books deserves to be published in the more usual manner.”

          Jeffrey Coven
          Professor of English, SUNY
          Retired.


Something Meaningful
This novel attempts to examine the nature of innocence and of living fully without it. Dereck Kramer, recently released from prison, is constantly tortured by his past. And haunted by the past, pursued by it, driven on by the unending furies of guilt and shame and disgrace he struggles to begin again, to find a new way. Can there be a new beginning or any true redemption for those who have irrevocably "lost their innocence?"
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Doors
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Faces at the Office
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The Port of New Destiny
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In the Land of the Dacks
If travel is "broadening" then John Sawyer's adventures in the Land of the Dacks, an ancient third world country, are quite transformative. And he becomes a new man. This is also a novel of ideas
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The Industrial Park
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I Would Be A Genius
The question this novel explores is: can daily American economic life, which colors the whole of the American experience, support a creative youth just starting out? Or is there something basically antithetical about the corporate world to creative thought and activity?
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Waiting at the Shore
Waiting at the Shore is a biography of the Spanish artist Luis Quintanilla (1893-1978). Please go to www.lqart.org for a summary of the important events in his life as well as for numerous reproductions of his works of art. The book has 27 black and white photographs and illustrations as well as a full index. (Click on the preview button to see the index.)
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