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This is an integrated collection of updated and expanded essays, some of them endorsed by leading harpsichordists. Only a few chapters are specific for the harpsichord: most of the book applies to all the Baroque keyboard instruments. Several colour figures are included, as well as musical examples from well-known Baroque works. The reader will find here the answer to long-standing problems. Thorough guidance is provided on difficult matters such as ornamentation, articulation, tempi, registration, sesquialter rhythms, notes inégales and further topics that have been found to be useful to the modern performer of Baroque keyboard music, whether amateur, advanced student or professional player. Find excerpts and a recent published review in http://play.braybaroque.ie/