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  • By afieled
    May 11, 2014
    Laura Goldstein on Opera Bufa (moria poetry, 2008): I was very fortunate to pick up a copy of Opera Bufa when I did. I went to see Andrew Lundwall and Daniela Olszewska read at Myopic books and was browsing the authors-who-have-been-here shelf before it started. I went upstairs and sat down. Andrew was late; he lives an hour or so outside of town. I started reading. I don’t know too much about opera, but I think that it would be a lovely experience in the spring, as is Adam’s book, as is going to a good poetry reading, which is what I meant that I was fortunate to pick up a copy, right now, especially, when the spring is creeping in and melting up a bit of winter’s hard and coldness. The book had some kind of similar effect on me, like music, as it is music, as it really is, and as it also uses as its larger metaphor. The themes start and they start to mix. The way that they mix is the first part of the opera, a part which is sustained for a very large portion of the poem; so long, in... More > fact, that I thought that was what the whole poem would be like. But it did change, and I very much appreciated that. I imagine that operas change partway through. I know our lives do. Adam writes, "as if you were a cup of finished ice-cream, I’d be a brown-eyed moon goddess"(11). Is this a good time to mention that I told Andrew after the reading that my favorite line of his was, "I want to eat some ice cream. I want to fuck my face with vanilla. Seems like it." Adam mentions right off that the rhythms are pitiless because we do not know how they began and this is a good example: "Rhythms become streams of possible shoe-lace, slugs of 3 a.m. Scotch, lust after thy neighbor’s daughter, mooning on the lawn"(7) and later "You become gum"(36). Adam latches onto rhythms that are already at play in the world and sifts into them his mix of observation, word play, conjecture, description, subversion and other games of linguistic and logic, testing out our frames of reference. Many sentences land themselves in a music of metaphor that made me keep wanting more. In this weird time of wanting to start a book that I see wing past my window on Goodreads or having guilt about setting one aside that I’ve already committed to publicly, it was just an absolute joy to want to keep reading and reading until I was finished. And, though I hate to admit this for fear that it reveals something about my attention span, this is rare.< Less
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Product Details

ISBN
9780980365955
Publisher
Otoliths
Published
September 8, 2007
Language
English
Pages
64
Binding
Perfect-bound Paperback
Interior Ink
Black & white
Weight
0.22 lbs.
Dimensions (inches)
4.25 wide x 6.88 tall
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