Oil In Their Blood
eBook (PDF), 499 Pages
This historical novel is a matriarch's remembrance of two oil industry families over three generations: In Pennsylvania, as the Civil War ends, oil industry pioneers fight to control the commodity, own the infrastructure and win the wealth; in the 1890s New York City of the Standard Oil barons, the second generation fights corruption and suffers romantic tragedy as the trade goes global; and, caught in the terrible horrors of World War I, the third generation learns what mature love—and oil—really mean to the emerging modern world. In lean, muscular prose and through relentless storytelling, the book (the first in a multivolume saga of oil's history) is a tour of the world's first oil producing regions, from Pennsylvania to Baku to Mesopotamia to Indonesia to Persia to Romania. It weaves hard fact with adventure, romance and melodrama to explore the metaphysical and stark cold truths about love, family, oil and our addiction to it.
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Oct 15, 2009"How We Became Addicted to Oil" “…ours is a culture of energy illiterates.” (Paul Roberts, THE END OF OIL) OIL IN THEIR BLOOD, a superb new historical fiction by Herman K. Trabish, addresses our energy illiteracy by putting the development of our addiction into a story about real people, giving readers a chance to think about how our addiction happened. Trabish’s style is fine, straightforward storytelling and he tells his stories through his characters. The book is the answer an oil family’s matriarch gives to an interviewer who asks her to pass judgment on the industry. Like history itself, it is easier to tell stories about the oil industry than to judge it. She and Trabish let readers come to their own conclusions. She begins by telling the story of her parents in post-Civil War western Pennsylvania, when oil became big business. This part of the story is like a John Ford western and its characters are classic American melodramatic heroes, heroines and villains. In... More > Part II, the matriarch tells the tragic story of the second generation and reveals how she came to be part of the tales. We see oil become an international commodity, traded on Wall Street and sought from London to Baku to Mesopotamia to Borneo. A baseball subplot compares the growth of the oil business to the growth of baseball, a fascinating reflection of our current president’s personal career. There is an unforgettable image near the center of the story: International oil entrepreneurs talk on a Baku street. This is Trabish at his best, portraying good men doing bad and bad men doing good, all laying plans for wealth and power in the muddy, oily alley of a tiny ancient town in the middle of everywhere. Because Part I was about triumphant American heroes, the tragedy here is entirely unexpected, despite Trabish’s repeated allusions to other stories (Casey At The Bat, Hamlet) that do not end well. In the final section, World War I looms. Baseball takes a back seat to early auto racing and oil-fueled modernity explodes. Love struggles with lust. A cavalry troop collides with an army truck. Here, Trabish has more than tragedy in mind. His lonely, confused young protagonist moves through the horrible destruction of the Romanian oilfields only to suffer worse and worse horrors, until—unexpectedly—he finds something, something a reviewer cannot reveal. Finally, the question of oil must be settled, so the oil industry comes back into the story in a way that is beyond good and bad, beyond melodrama and tragedy. Along the way, Trabish gives readers a greater awareness of oil and how we became addicted to it. Awareness, Paul Roberts said in THE END OF OIL, “…may be the first tentative step toward building a more sustainable energy economy. Or it may simply mean that when our energy system does begin to fail, and we begin to lose everything that energy once supplied, we won’t be so surprised.”< Less
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- Standard Copyright License
- September 30, 2011
- File Format
- File Size
- 5.4 MB
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|# of Devices||Unlimited|
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