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  • By Georgio Spelvini
    Mar 28, 2012
    Nobody reads plays except those interested in visualizing actors speaking lines and moving on a stage. Jay Amari’s Crosstown Traffic is a group of plays that have had productions, and the fascinating thing is that the language seems so natural I felt as if I could hear my own inner voice as I read through them. These are scripts that range from small one-acts to full-length. The shorter ones are funny, weird, and downright lovable- in The Greatest a father tells his son a bedtime story that feels more like an epitaph than a lullaby; In Cloudy All Day dialogue is reduced to open verse and the reader cannot help but be affected by the language; In The Owners, which I actually saw performed in a New York theater, the male role of Bob, being played by a women transforms the play into a statement about women’s power in social culture. Jay Amari’s Crosstown Traffic is a real joy to own and read for the pleasure of the words, and hopefully more productions will follow.
  • By dawntreader27
    Feb 23, 2011
    When I began reading Jay Amari's CROSSTOWN TRAFFIC, I didn't know what to expect. What I found was some of the most powerful drama I'd come across in years, fueled by a raw-boned honesty and the characters' own fierce yearnings. The imagery was vivid and original -- the characters edgy, often angry, and always believable -- and many of the lines so neatly turned, they dove-tailed right elegantly into the action. The creativity in this book runs not-so-silent and very deep.
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Product Details

Edition
First
Publisher
Jay Amari
Published
March 9, 2007
Language
English
Pages
79
Binding
Saddle-stitch Paperback
Interior Ink
Black & white
Weight
0.44 lbs.
Dimensions (inches)
6.63 wide x 10.25 tall
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