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They Came to See Who Came By Steve Rushton
eBook (PDF): $0.00
Some media events have real effects on the world simply by taking place, states writer and editor Steve Rushton. They are “pseudo events”, a concept coined by Daniel Boorstin in 1962 to... More > describe events designed only to be reported. Rushton collaborated in the visual artist Rod Dickinson’s Closed Circuit – Who, What, Where, When, Why and How, a live performance in which a totally realistic presidential speech to the press is staged. The script was created by Rushton, who composed it from fragments of speeches delivered on both sides of the Iron Curtain since the Cold War, with the aim of showing how rhetoric works to justify violence. The performance is also a reflection on television’s stream of news, a continuous flow that creates a permanent state of crisis, fed by media events. As the artistic background to Close Circuit, Rushton recalls two media events, both performed at the beginning of the video revolution, Media Burn and The Eternal Frame, produced by the group Ant Farm in 1975.< Less
They Came to See Who Came By Steve Rushton
Paperback: $4.50
Prints in 3-5 business days
Some media events have real effects on the world simply by taking place, states writer and editor Steve Rushton. They are “pseudo events”, a concept coined by Daniel Boorstin in 1962 to... More > describe events designed only to be reported. Rushton collaborated in the visual artist Rod Dickinson’s Closed Circuit – Who, What, Where, When, Why and How, a live performance in which a totally realistic presidential speech to the press is staged. The script was created by Rushton, who composed it from fragments of speeches delivered on both sides of the Iron Curtain since the Cold War, with the aim of showing how rhetoric works to justify violence. The performance is also a reflection on television’s stream of news, a continuous flow that creates a permanent state of crisis, fed by media events. As the artistic background to Close Circuit, Rushton recalls two media events, both performed at the beginning of the video revolution, Media Burn and The Eternal Frame, produced by the group Ant Farm in 1975.< Less
Prišli So Pogledat, Kdo Je Prišel By Steve Rushton
eBook (PDF): $0.00
Nekateri medijski dogodki na svet resnično vplivajo le s tem, da se zgodijo, pravi pisec in urednik Steve Rushton. To so »psevdodogodki«; izraz je l. 1962 skoval Daniel Boorstin za... More > dogodke, katerih edini namen je to, da se o njih poroča. Rushton je sodeloval z umetnikom Rodom Dickinsonom pri njegovem performansu Closed Circuit – Who, What, Where, When, Why and How, ki uprizarja povsem realističen predsednikov govor za predstavnike medijev. Scenarij je Rushtonovo delo, ki vsebuje odlomke tovrstnih govorov z obeh strani železne zavese po koncu hladne vojne. Njegov namen je pokazati, kako retorika pripomore k upravičevanju nasilja. Performans je tudi razmislek o nenehnem toku novic na televiziji, ki pripomore k ustvarjanju trajnega kriznega stanja in ki ga vzdržujejo medijski dogodki. V smislu umetniškega ozadja performansa se Rushton spominja dveh medijskih dogodkov, uprizorjenih na začetku videorevolucije, Media Burn in The Eternal Frame, nastalih v produkciji skupine Ant Farm l. 1975.< Less
Prišli so pogledat, kdo je prišel By Steve Rushton
Paperback: $4.50
Prints in 3-5 business days
Nekateri medijski dogodki na svet resnično vplivajo le s tem, da se zgodijo, pravi pisec in urednik Steve Rushton. To so »psevdodogodki«; izraz je l. 1962 skoval Daniel Boorstin za... More > dogodke, katerih edini namen je to, da se o njih poroča. Rushton je sodeloval z umetnikom Rodom Dickinsonom pri njegovem performansu Closed Circuit – Who, What, Where, When, Why and How, ki uprizarja povsem realističen predsednikov govor za predstavnike medijev. Scenarij je Rushtonovo delo, ki vsebuje odlomke tovrstnih govorov z obeh strani železne zavese po koncu hladne vojne. Njegov namen je pokazati, kako retorika pripomore k upravičevanju nasilja. Performans je tudi razmislek o nenehnem toku novic na televiziji, ki pripomore k ustvarjanju trajnega kriznega stanja in ki ga vzdržujejo medijski dogodki. V smislu umetniškega ozadja performansa se Rushton spominja dveh medijskih dogodkov, uprizorjenih na začetku videorevolucije, Media Burn in The Eternal Frame, nastalih v produkciji skupine Ant Farm l. 1975.< Less

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My Wars My Wars By Richard Bushong
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Vein Book Vein Book By Eric Dohner
Paperback: $10.00
 
 
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About Face About Face By Eric Dohner
Paperback: $10.00
 
 
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What May Come What May Come By Robert Grant
Paperback: $12.71
 
 
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