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There are 383 instances of the printed name "Catherine" that grow to 859 instances because "Catherine" appears once within the 23 word character description (“An Orphan Brought To Live At Wuthering Heights By Mr. Earnshaw... By Todd Van Buskirk
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There are 383 instances of the printed name "Catherine" that grow to 859 instances because "Catherine" appears once within the 23 word character description (“An Orphan... More > Brought To Live At Wuthering Heights By Mr. Earnshaw, He Falls Into An Intense, Unbreakable Love With Mr. Earnshaw’s Daughter Catherine”) that replaces all 476 instances of the printed name “Heathcliff." After which a 15 word character description (“The Daughter Of Mr. Earnshaw And His Wife, She Falls Powerfully In Love With Heathcliff”) replaces the printed name “Catherine” 859 times (and it’s variant “Cathy” 124 times). The (now) 983 instances of the name “Heathcliff” that now reside in each appearance of the 15 word character description for “Catherine” (and “Cathy”) and the (now) 37 word character description for “Healthcliff” are in turn replaced by the 23 word character description of “Heathcliff.” Likewise, the 983 instances of the name “Catherine” that now reside in each appearance of the (now) 59 word character description...< Less
The eighty-six “Beklan Empire” terms that are printed in italics are taken from Richard Adams’s novel “Maia” adding up to 12 italicized words on page 8, 15 italicized words on page 9, 14 italicized words on page 10, 13 italicized words on page... By Todd Van Buskirk
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The eighty-six “Beklan Empire” terms that are printed in italics are taken from Richard Adams’s novel “Maia” adding up to 12 italicized words on page 8, 15 italicized... More > words on page 9, 14 italicized words on page 10, 13 italicized words on page 11, 12 italicized words on page 12, 13 italicized words on page 13, and 6 italicized words on page 14. The twenty-four “Beklan Empire” terms that are printed in Roman are taken from Richard Adams’s novel “Shardik” adding up to 5 Romanized words on page 8, 0 Romanized words on page 9, 3 Romanized words on page 10, 3 Romanized words on page 11, 5 Romanized words on page 12, 4 Romanized words on page...< Less
There are also 59 instances of a paragraph break after the word “well” within the phrase “well read and dog eared” (see pages 12, 14, 23, 29, 32, 33, 38, 49, 50, 55, 60... By Todd Van Buskirk
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There are also 59 instances of a paragraph break after the word “well” within the phrase “well read and dog eared” (see pages 12, 14, 23, 29, 32, 33, 38, 49, 50, 55, 60, 72... More > [2x], 78, 85, 92, 95, 101, 104, 105, 117, 125, 130, 139, 147, 148, 159, 162, 163, 175, 178, 180, 181 [2x], 182, 186, 189, 193 [2x], 202, 206, 210, 211, 212, 219, 221, 226 [2x], 237, 244, 248, 253, 257, 264, 267, 275, 278, 282, and 290), and 50 instances of a paragraph break after the word “study” in the phrase “in order to study literature” (see pages 5, 16, 17, 19, 20, 35, 66, 68, 69, 75, 95, 102, 107, 109, 111, 121, 126, 133, 135, 144, 146, 152, 161, 169, 170 [2x], 174, 175, 183, 189, 207, 208, 218 [2x], 225...< Less
The musical incipits start on page 646 and end on page 1057. The incipits are arranged into 12 groups and there are 2 to 6 incipits a page. Each incipit has a title, opus number, specification and/or instrumental forces employed. Sub-sections give a... By Todd Van Buskirk
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The musical incipits start on page 646 and end on page 1057. The incipits are arranged into 12 groups and there are 2 to 6 incipits a page. Each incipit has a title, opus number, specification and/or... More > instrumental forces employed. Sub-sections give a lower case identification, e.g., (a), character name(s), e.g., “Deifila,” the bar numbers of the section, e.g., (m. 1-5), and the scoring when this is in doubt, e.g., (V1 V2 Bc). “C” (meaning Cantus) is used in the vocal part with a C’ clef except when Giovanni Legrenzi specifies soprano. “Cantus” however establishes no preference for the type of voice required (e.g., treble, soprano or castrato). A commentary at the end of a group of incipits (see pages 786-791) provide the name and origin of the text, the collection, the sources used, clefs employed in the sources, a table with the tonality of the incipits, literary references, and observations concerning the group.< Less
A 17,319 word epistolary (non-fiction) memoir (Winkels, T. [2009]. Further in Summer. Unpublished manuscript, Southwestern University of the Visual Arts, Tucson, AZ) is printed on the even numbered pages... By Todd Van Buskirk
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A 17,319 word epistolary (non-fiction) memoir (Winkels, T. [2009]. Further in Summer. Unpublished manuscript, Southwestern University of the Visual Arts, Tucson, AZ) is printed on the even numbered... More > pages (starting on page 6) in comparison with a 36,565 word (fiction) novel (Van Buskirk, T. [2012]. Apple and Leo. Tucson, AZ: Createspace Independent Pub.) which is adapted from the 17,319 word epistolary (non-fiction) memoir (Winkels, T. [2009]. Further in Summer. Unpublished manuscript, Southwestern University of the Visual Arts, Tucson, AZ) and is printed on the odd numbered pages (starting on page 7) after which a 247,255 word...< Less
The name "Rochelle" is seen inside double quotes within the sentence that is not italicized, inside double quotation marks or placed within parentheses on the cover, within the sentence that is not italicized, inside double... By Todd Van Buskirk
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The name "Rochelle" is seen inside double quotes within the sentence that is not italicized, inside double quotation marks or placed within parentheses on the cover, within the sentence... More > that is not italicized, inside double quotation marks or placed within parentheses on the half-title page, within the sentence that is not italicized, inside double quotation marks or placed within parentheses on the title page, and within the sentence “Rochelle's name is seen on page 120” that is not italicized, inside double quotation marks or placed within parentheses on pages 5 through 119 and within the sentence “Rochelle's name is seen on page 120” that is not italicized, inside double quotation marks or placed within parentheses on pages 121 through 298. The name "Rochelle" appears by itself on page 120 and is not italicized, inside double quotation marks or placed within parentheses...< Less
The Sound of the Given Name ‘Angela’ is three syllables (the first syllable is accented). The name Itself is located Individually on page 428 and once within the 30 word dedication on (unnumbered) page 5. The header and the page number... By Todd Van Buskirk
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The Sound of the Given Name ‘Angela’ is three syllables (the first syllable is accented). The name Itself is located Individually on page 428 and once within the 30 word dedication on... More > (unnumbered) page 5. The header and the page number (printed on each page starting on page 8) are intentionally left off of page 428 and the text is set in Arial font. The text of the name Angela on page 428 is set in Garamond.< Less
The six sentences of the header (on every numbered page, starting on page 7 and going to page 194) are printed in a different colored ink to indicate a time shift as specified by the Folio Society in their edition of “The Sound and the Fury”... By Todd Van Buskirk
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The six sentences of the header (on every numbered page, starting on page 7 and going to page 194) are printed in a different colored ink to indicate a time shift as specified by the Folio Society in... More > their edition of “The Sound and the Fury” (this first sentence being light blue for spring, 1910, with Benjy pining at gate for Caddy and chasing the girl) with words in italics “indicating changes of events.” This second sentence being alpine green (December 23, 1908). This third sentence being dark red (1900, Benjy’s name change). This fourth sentence being purple (1910, father’s death). This fifth sentence being orange (1906, when Caddy gives perfume to Dilsey). This six sentence being yellow (spring or early summer 1908).< Less
Six groups (of two interior monologues) are located at six different locations, with Group 1 and 2 separated by 206 pages, 2 and 3 separated by 30 pages, 3 and 4 separated by 230 pages, 4 and 5 separated by 160 pages, and 5 and 6 separated... By Todd Van Buskirk
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Six groups (of two interior monologues) are located at six different locations, with Group 1 and 2 separated by 206 pages, 2 and 3 separated by 30 pages, 3 and 4 separated by 230 pages, 4 and 5... More > separated by 160 pages, and 5 and 6 separated by 90 pages. Groups are located on pages 217 (interior monologue A on page 219 and interior monologue B on page 223 is Group 1), 11 (interior monologue A on page 13 and interior monologue B on page 15 is Group 2), 41 (interior monologue A on page 43 and interior monologue B on page 47 is Group 3), 271 (interior monologue A on page 273 and interior monologue B on page 277 is Group 4), 111 (interior monologue A on page 113 and interior monologue B on page 117 is Group 5) and 21 (interior monologue A on page 23 and interior monologue B on page 27 is Group 6) (See page 9 for details.)< Less
74 citations from 7 Beckett plays are presented on the original pages in which they appear in Andrew K. Kennedy's book, "Samuel Beckett" (1989) for the "British and Authors Introductory Critical Studies" series published... By Todd Van Buskirk
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74 citations from 7 Beckett plays are presented on the original pages in which they appear in Andrew K. Kennedy's book, "Samuel Beckett" (1989) for the "British and Authors... More > Introductory Critical Studies" series published by the Press Syndicate of the University of Cambridge (and with a dedication to Ruby Cohn), but with Kennedy’s body text removed from pages with citations, i.e., pages 13 (1 citation from Three Dialogues and 1 citation from Krapp's Last Tape), 14 (1 citation from Collected Shorter Plays), 25 (1 citation from Waiting for Godot), 27 (1 citation from Waiting For Godot), 29 (1 citation from Waiting For Godot), 30 (1 citation from Waiting For Godot), 37 (1 citation from Waiting For Godot), 38 (1 citation from Waiting For Godot continued from page 37 and 1 citation native to page 38), 39 (2 citations from Waiting For Godot), 42 (1 citation from Waiting For Godot), 44 (2 citations from Waiting For Godot), 45 (1 citation from Waiting for Godot), 48 (1 citation from...< Less

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LIFT LIFT By Dan Ward
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