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". . .Loudon's poetic sensibilities, echoing the outrage and eroticism of Jorie Graham and Sylvia Plath at times, and the matter-of-factness of William Carlos Williams at others, navigate... More > through the destabilizing mythos surrounding the historical Earhart. . . The tone of these Earhart poems is both wild and restrained, with a well-intoned formal diversity that mirrors the becalmed panic edging each poem. What we are treated to in this this small, provocative book is a vision of loss and forgetfullness almost too close to bear, making it easy to marvel at Loudon's poetic range, her prescience and daring in the face of such cataclysm." — Derek Pollard, American Book Review (March/April 2007) "The pleasure in reading this book is putting all the little pieces together so that we can examine the whole and in constructing a story for these characters and these thoughts that make sense, given the little we know about the speaker." — Laurel Snyder, Atlanta Style & Design, (Spring 2007)< Less
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The images in this book vibrate. “Mars hangs above you like a meat chime.” “An ovary red dress.” “Let me release the thin broth tadpole-/sticky lake from between my... More > legs.” Cadaver Dogs gives us a fast and furious poetry of “linguistic impulse” (poet Denise Levertov’s term) fused with a poetry of visceral impulse, and rushes of hyped up innuendo. Multiple sensory cataracts pour forth on every page. Whether their mode is pensive, elegiac, sexual or all of the above, these poems embrace the undomesticated, taking as a given the fact that humans are perpetually channeling the various animals we contain. Want vividness and gusto, postmodern sensitivity, lingual rapture? Consume this book, or let it consume you. -- Amy Gertsler< Less
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