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Mozart Symphony 25 Organ Transcription By Eugenio Maria Fagiani
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The 25th Symphony, in g minor K. 183 (K6 173dB), is certainly one of the most important and well known youth works composed by Mozart (also because of its being the initial soundtrack of the renowned... More > movie "Amadeus" by Milos Forman). The "Allegro con brio" hereby transcribed takes the role of the "Allegro Spiritoso" of the previous Symphonies. The key generating cell of the page is the syncopated rhythm which creates a rhythmical boost which pervades all the movement. This brings to a short theme which is presented several times and then re-presented and variated by the oboe in a melancholy and delicate way. In all the movement the rhythm keeps on quite tightly and seems to anticipate the taste for Turkish-like-style which will be developed in the next works.< Less
Mozart Jupiter Symphony Organ Transcription By Eugenio Maria Fagiani
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The Symphony K 551, composed in a very short time, is the last one of mozart's catalogue, and perhaps the peak of his writing. Unlike its twin symphony K 550, whose character is intimate and... More > melancholic, it is quite exuberant and at the same time majestic and marmorean. Starting from the orchestration,with trumpets and timpani, we can see the light which pervades the work; looking at the structure, in the last movement of the composition the Rondò is replaced by a fugato movement which is dense and wonderful from a contrapuntal point of view. This is a sign of Mozart's attempt to go beyond the formal structure of the classical symphony which so far consolidated in his works and his friend Haydn's ones. This transcription was commissioned by the XXIV Organ Rassegna of Bergamo's Province under the Artistic Supervision of Don Gilberto Sessantini and M° Fabio Galessi.< Less
Mozart Magic Flute Ouverture Organ Transcription By Eugenio Maria Fagiani
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The Magic Flute is a too much well-known and complex opera to be described shortly. The idea of the overture transcription was born from two main reasons: a) it is an absolute musical masterpiece,... More > with the idea of the old French overture two-movements structure (grave-allegro fugato) which is genially synthetized; b) the fugato writing made me think about how Mozart should have improvised on the organ (that period's chronicles describe his improvising style with superlative terms). This ouverture was transcribed by me in two versions: one (this one) for one organist and another for two organists which was published by Editions Delatour France.< Less
Tchaikovsky Ballet Music 3 Transcriptions Organ By Eugenio Maria Fagiani
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These Transcriptions from Tchaikovsky entail some of the most beautiful pages of his Ballets adapted to the organ. The Ballet is perhaps one of the most representative genres for his musical concept.... More > The elegance, the refinement in the orchestration, the absolute formal mastery (from the smallest to the most developed structure) are hereby represented at the highest level. Curiously, these pages were performed outside the Russian borders only a long time after the composer’s death. This volumes include pages extracted by the following Ballets: The Swan Lake (1875-1876), first performance at Bol'šoj theatre on March, 4th 1877; The Sleeping Beauty (1888-1889), first performance at Mariinskij theatre in St.Petersburg on January,15th 1890; The Nutcracker (1891-1892), first performance at Mariinskij theatre in St.Petersburg on December,18th1892.< Less
Mozart Haffner Symphony Organ Transcription By Eugenio Maria Fagiani
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The Symphony n°35, Haffner, in D major, K 385, is one of the most brilliant works by Mozart. The works has a very interesting genesis: it was born as a Serenade commissioned by the Haffner family... More > (they had been friends to the Mozarts for long. The father of the family, Sigmund, was the Salzburg burgomaster), whom Mozart had already composed the famous Haffner-Serenade K 250 for a few years before. This was actually entertainment music, supposed to be performed during the Haffners' celebration for the "von Imbachhausen", the attainment of the title of nobility. It's a quite excited, restless, vital Symphony, whose exuberance reflects the period Mozart was living in Wien in his first maturity.< Less
Adagio Gran Partita Mozart By Eugenio Maria Fagiani
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"On the page it looked nothing! The beginning simple, almost comic. Just a pulse. Bassoons, basset horns... like a rusty squeezebox. And then suddenly... high above it... an oboe. A single note,... More > hanging there, unwavering. Until... a clarinet took it over... sweetened it into a phrase of such delight. This was no composition by a performing monkey. This was a music I had never heard. Filled with such longing, such unfulfillable longing. It seemed to me I was hearing the voice of God." Antonio Salieri in Peter Shaffer's "Amadeus".< Less
Beethoven Finale Eroica Symphony Organ Transcription By Eugenio Maria Fagiani
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The Eroica Symphony is always moine with the figure of Napoleon Bonaparte, whom initially the Symphony was dedicated in order to celebrate the ideals of the French Revolution. When Napoleon appointed... More > himself as Emperor, Beethoven felt it like a betrayal, and his reaction is directly testified on his manuscript, where he eliminated the original dedication. So, the new title given to the Symphony was “Heroic Symphony”, composed to “celebrate the memory of a great man”. The Final hereby transcribed is composed of a Theme and Variations (with the theme taken from the “Die Geschopfe des Prometheus” ballet). The score is quite suitable for an organ transcription structured on several sound levels, which can be highlighted by a good instrument. In this perspective, the composition presents a direct relationship with the famous “Eroica Variations” for piano, op. 35.< Less
Allegretto Beethoven's Seventh Symphony Organ Transcription By Eugenio Maria Fagiani
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The Seventh Symphony by Beethoven was composed between 1811 and 1812. This work seems to coincide with the beginning of a new period in the life of the composer. The Allegretto hereby transcribed was... More > composed with a similar structure as the Funeral March’s one. This is a genre Beethoven went through in several works, like for instance the Second Movement of the Heroic Symphony. The circular structure of the movement begins with the presentation of the main theme in minor mode, followed by a Trio in major mode (with the second theme of the movement) ending up in a fugue on the main theme. A new entrée by the trio and a final part, like a mirror of the beginning, lead to the conclusion of the work. This transcription does not require a predetermined choice of stops, but it gives a main idea about the internal dynamics of the work, as the frequent manual changes show. The performer has, as always, the chance to choose solo stops and different manual options. < Less
Adagio (Seventh Symphony) - Bruckner By Eugenio Maria Fagiani
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This is the transcription of the Adagio from Bruckner's Seventh Symphony. I have done this in order to make available for all organists one of the greatest masterpieces of all symphonic music. Music... More > that is so linked with the idea of eternity. Sergiu Celibidache once said: For him, the tempo is different than the other composers. To an ordinary man, the tempo is what comes after the start. For Bruckner, the tempo is what comes after the end. All his final apotheosis, the hope in another world, hope to be saved, to be baptized again in the light - all this does not exist anywhere else in the same way.< Less
La Valse Ravel Organ Transcription By Eugenio Maria Fagiani
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Welcome to Maurice Ravel's La Valse, transcribed for organ solo by Eugenio Maria Fagiani. Several interpretations have been given to this masterpiece by Ravel. The work, commissioned to the author... More > first in 1909 by the Russian theatre producer Djagilev, was actually written between 1919 and 1920 and first premiered in Paris on December, 12th 1920. In these ten years, Ravel experienced both the culmination of the Viennese waltz, symbolically representing also the climax of the glory of the Austrian empire, the decay brought about by the World War I and the deep grief linked to the death of his mother, whom he was particularly attached. But, even if La Valse is a growing progression of waltzes blooming and spreading finally into a heated final dance between life and death, Ravel himself denied these interpretations and described the work’s scenario as a “scene that grows progressively brighter” where couples in an imperial dance court dance like “swirling clouds that afford glimpses”.< Less

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