A number of years ago, I was frustrated with my playing over static major and minor grooves. At that time, although I could play in all keys, more often than not I was held back to the same old... More > diatonic patterns and licks I had studied as a kid. As a solution, I decided to come up with a comprehensive method using approach notes that I could use to systematically solve these perceived weaknesses in my playing. I started by writing out every approach I could think of in every major and minor key. As I worked on, and added to, my collection of approaches, I saw the positive results in my performances.I really believe that working on these exercises has helped my playing immensely. I hope that you get as much out of these exercises as I have and that they will improve your performances. This book is 191 pages long and the patterns are transposed into all 24 major and minor keys. Visit my website at www.neffmusic.com for more information and sound clips.< Less
The II-V-I pattern is the most common pattern in jazz music. The more adept you are at playing this pattern in all the keys the better your facility in the jazz language. In the past 20 years I have... More > been keeping a notebook of these patterns. I've tried to limit the ones in this 200 page book to the hippest ones and to strain out the ones that are more popular or overused. In my opinion these are the best II-V-I licks that I've come across in the past 20-25 years. There are 200 licks in this 204 page pdf file.(120 Major Licks and 80 Minor Licks) Each lick is transposed into all 12 keys using Finale and is easy to read.Trust me when I say that these things will keep you busy for a long time but once mastered your playing will improve incredibly. Visit my site at www.neffmusic.com for more information and sound clips.< Less
An inside approach to outside playing using pentatonics, chromaticism, 3-tonic systems and intervallic patterns to produce modern lines in the style of Michael Brecker and Bob Berg. There are 100... More > 16th note lines written out in all 12 keys that can be used over minor tonalities. These lines give the student functional ideas that weave in and out of the tonality to produce a modern and “outside” sound.< Less
The first scale most musicians learn is the major scale. We learn it in all 12 keys up and down our instruments. Even though this is one of the first scales we learn many intermediate jazz musicians... More > are quite frustrated when trying to improvise over a major tonality. I was one of those frustrated musicians. I could never come up with interesting and fresh ideas when playing over those major sounds. The material in this book comes from years of learning how to play over those major chords. I explain the major bebop scale and how to use it so you sound great. I then give you 26 major bebop links to add into your lines and ideas. These are ideas, licks and patterns that have come from years of listening to jazz and practicing improvisation. As you work through this book you will see your jazz playing change in an incredible and exciting way.< Less
A Major diatonic pattern is a pattern of notes that travel through a major tonality. Learning your diatonic patterns thoroughly is an important step in mastering the fundamentals of technique,... More > melodic development, tonal center improvisation, more modern intervallic lines and chromatic approaches. Learning these diatonic patterns in all 12 keys will give a jazz improvisation student access to thousands of melodic ideas that they can use in their improvisations. Learning these lines will also give a student the confidence and technical skill they need to play in all 12 keys.
In this book, I have included 150 diatonic patterns in all 12 keys. Once mastered, these patterns will give you the building blocks from which you can create improvised solos. Each group of notes is not just a pattern, lick or technical exercise but a melody and idea that can be used while improvising. The more melodies and ideas you have in your mind the more creative you can be as an improviser.< Less
The dominant bebop scale is an essential tool in playing jazz. It is used all over the place in jazz music. If your transcribing jazz solos you won't have to go long before you find some variation of... More > this scale being used. In this book I focus on the dominant tonality and what to play over it. The book starts out with the basic dominant bebop scale. The next section deals with what I call "Bebop Scale Links". These are small phrases or patterns that can be inserted into the bebop line to add variation. The next section deals with "Dominant Resolution Links". These can be added to the bebop scale when the dominant chord is resolving down a fifth. In the last section of the book, I write about how to use and practice these scales and links over a standard blues progression. I provide a 4 chorus blues solo to demonstrate. This book is filled with many musical gems that once mastered will add greatly to your jazz vocabulary. Have fun. I hope you dig these as much as I have over the years.< Less
In Mastering the Blues Scale Volume 2, I demonstrate using the Blues Scale to create great blues licks you can use over dominant grooves on the blues, funk or rock and roll. I show you how to go... More > about getting your blues vocabulary together as you greatly improve your technique with these essential blues licks and scales. Play along with this book at your own pace, as you learn hundreds of great sounding and easily adaptable blues licks and patterns in all 12 keys. Playing these patterns is a fun and exciting way to make that transition from knowing the Blues Scale, to actually having it in your ears and under your fingers.< Less