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Three Knightley Dances By Andrew Feazelle
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If one is interested in performing this work, please contact the composer to acquire an 11 x 17 inch performance score at or text 818-858-3910. Three Knightley Dances is a... More > piece for full orchestra with an approximate performance time of 5 minutes and 45 seconds. The piece is built from three period film inspired themes and a brass fanfare, written during the period 2005 to 2007, when the composer had had a brief dalliance with the film music industry. In 2007 these individual components were merged to form the composition, but such was orchestrated for a reduced, or ‘studio sized’ orchestra. In the last quarter of 2016 the composer began work reorchestrating the piece for a full, concert sized orchestra only to suffer a series of setbacks related to the failure of his main music computer and debacles in acquiring a similar machine that could run its dated software. By the first quarter of 2017 the reorchestration was finally completed and months later...< Less
Symphony in C: Parts II and III By Andrew Feazelle
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Symphony in C: Parts II and III are the final two movements of Andrew Feazelle's first symphony; the first movement at present withdrawn by the composer for revision. Symphony in C illuminates the... More > transformation of a young composer into a more developed one: moments of immaturity are interwoven with those of immensity; by the end the man is certainly warmed up to produce credible writing with regard to large scale form. Influence from Walton to Vaughan Williams and Bax flourishes, as the composer looks backward (or perhaps forward) to an era where modernity courted the old world, the former thriving in small enough magnitude that there was some measure of peaceful coexistence.< Less
Symphony No. 2 By Andrew Feazelle
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Study Score and Parts for Second Symphony. Full Score and Parts.
Come Away for Baritone and Piano By Andrew Feazelle
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Come Away for Baritone and Piano, of the duration 3 minutes and 10 seconds, is a romantic art song concerning two lovers who disappear into the wooded countryside and encounter a strong thunderstorm... More > from which they take shelter under a great oak tree. The piece was written in December of 2012, and illustrates the composer’s love of early twentieth century English classical music.< Less
Serenade for Violin and Orchestra By Andrew Feazelle
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Music for violin soloist and reduced orchestra (2,2,2,2/2 to 4 horns/timp/small-large string section). 10 minutes in length. Premiered with Ivan Shulman, Sam Fischer and the Los Angeles Doctor's... More > Symphony Orchestra in 2009 in Plummer Park, Hollywood. Constructed for community orchestras in mind. Score and Parts.< Less
Music for Clarinet and String Quartet By Andrew Feazelle
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Seven minute two movement piece for clarinet and string quartet. Music influenced by Vaughan Williams, Arnold Bax, Gerald Finzi, and other composers from the early 20th century British school of... More > music.< Less
Piano Quintet - Part II By Andrew Feazelle
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Second & Third Movements to a Piano Quintet by Andrew Feazelle. First Movement is not yet available - I've made this particular sheet music for those that follow my music on my YouTube channel. ... More > Bleak, subdued, mournful, with unreserved moments. Kind of a dirty style of writing, with little editing I've adopted this year secondary to lack of time to write, family tragedy, carpal tunnel pain, and long spells between compositional practice.< Less
Sophia, Andrew, Alexa By Andrew Feazelle
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Music for Flute, Clarinet, and Piano written in June 2018. Piece is approx. 3 minutes and is in the composer's signature neoromantic style influenced by early 20th century British classical music.
Wooded Walk Upon the Advancement of the Autumn Equinox By Andrew Feazelle
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‘Wooded Walk Upon the Advancement of the Autumn Equinox’ is a short piece for clarinet and pianoforte of approximately four minutes and twenty seconds of length, written in the late... More > summer of two thousand and thirteen by the composer Andrew Feazelle. Reflections of Bax, Vaughn Williams, and Walton are displayed as the composer describes a walk – companionless; perhaps comfortless – along a deep wooded path, cooled from the advent of the fall season. Brief moments of excitement, of romance and nobility do occur, yet there is always present the capitulation and reconversion to darkness. The sun is of little warmth, what little there is through the leaves actively dressing for the equinox, that but wisps of chilled air, dilute with the smell of chimney smoke, keep the walker roused, contriving thoughts of a hot, savory meal and a fireplace to have it by. {Artwork by J.A. Grimshaw and compliments of Wikimedia Paintings.}< Less
Piano Quartet By Andrew Feazelle
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Written at the height of the composer’s creativity in the summer of 2017, Piano Quartet is the last concert piece Feazelle completed before thoroughly abandoning the practice of composition to... More > alleviate himself from the social darkness necessary in conjuring such a state of inventiveness. The piece is in two movements utilizing his ‘miniature’ style of writing; the first concerned with climatic driven storms and peril; the second, with mourning intersticed with moments of great joy, dedicated to a friend that reawoke the composer’s emotive and social vitality during its construction, which had been diminished after the death of his mother in 2015.< Less

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Genius Matters Genius Matters By Angela Maiers
Paperback: $22.00