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random ransoms [01-34] By Peter Ganick
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new text by the author continuing the material already started. there is 'lived' nature of the text. one should go word by word in these matters. then there are spaces between words and/or letters.... More > language dissected and put back together again< Less
Of Language By Peter Ganick
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a fun little text concerning the relationships between language and language
silence. context. emptiness. By Peter Ganick
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experimental writing by peter ganick. part 2 of the silence sequence. silence. context. emptiness. these three words are more than mere words – they are all attributes that allow the arts to... More > have an affinity for each other. silence builds bridges between art forms – e.g., the silence of the static page and the silence of the static canvas connect literature to painting. context converts art into language, the kind that can be universalized, and emptiness converts language into poetry. this text by peter ganick serves to demonstrate the power and flexibility of these attributes – not only what each one does but also where each one travels. -- matt margo< Less
silence, in-action. By Peter Ganick
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(1 Ratings)
new experimental writing by peter ganick. published by snffbx press, a new press from suffield ct. cover art by christa whitten.
on concrescence By Peter Ganick
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a book of pure experiential writing. two columns of words flow for 218 pages. experiential text here.
Theory as Architecture : 2nd Edition. By Peter Ganick
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This is a text that is 1] a discourse about architecture in language as exemplified by its structure, 2] a theoretical text concerning the free-flow of language, and 3] a chance for the reader to... More > take an active role in processing the text. What can the reader expect? a chance to increase contextual-mindstylism therefore reflected-insight.< Less
theory as architecture, 2nd edition. By Peter Ganick
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this is a text that is 1] a discourse about architecture in language as exemplified by its structure, 2] a theoretical text concerning the free-flow of language, and 3] a chance for the reader to... More > take an active role in processing the text. what can the reader expect? a chance to increase contextual-mindstylism therefore reflected-insight.< Less
ENTRANC-VERISSISSIMO By Peter Ganick
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a dense text with a feeling of speed and hurry. not for the faint of heart.
format matrix: [zyx-abc] By Peter Ganick
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an abstract text consisting of stanzas of 3 lines with 3 words per line.
Naming -e By Peter Ganick
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Of Naming -e, Noel Canlas writes: 'These super-free elements comprise a rain of lexicon in zero structure. Voiceless, subject-less, object-less, they populate the page without any restraint, without... More > telos. It is as if language flowed out in all directions, becoming the true free flowing stream of language, unburdened by thought or by the unconscious, anchored nowhere, just moving stylelessly, with no external or internal intervention to coax them into a form, an argument, a point, a theme, a voice, a view, an order. It is a language freed of all its expressive, epistemic and stylistic burdens.'< Less