Book not ready yet. BOOK READY: Fall 2011. Moshé Liba, b. 1931, Israel, diplomat, lecturer,journalist, poet, writer,literary critic, painter, sculptor. Has represented the State of Israel for... More > 31 years as Ambassador and Consul General in 15 countries.
Was Director General of the Central Institute of Cultural Relations, Director of the School of Diplomats, Deputy Director of the International Cooperation and Director of the African Department, in the Ministry of Foreign Affairs.
As lecturer, writer and poet, a.o. member of the Hebrew Writers Association in Israel. Writing in several languages, he has published 65 books, history books, short stories, children’s books, theater-plays, text-books, albums, brochures, between them 37 books of poetry-including bilinguals.< Less
Chronicaling the college life of Stew and his experiences in the city of Scarabintra, Michael Bender weaves poetic, lyric and experminetal narrative elements to convey the struggle for self with an... More > uncertain past and a chaotic present. This second edition is Michael Bender's first published work and features new edits by the author.< Less
Chronicaling the college life of Stew and his experiences in the city of Scarabintra, Michael Bender weaves poetic, lyric and experminetal narrative elements to convey the struggle for self with an... More > uncertain past and a chaotic present. This second edition is Michael Bender's first published work and features new edits by the author.< Less
Where prior works concentrated deeply on decentralizing the viewer with opposed materials and suppositions this group of Sanguinary Assemblages is blind to an audience. They are composed of an odd... More > amalgamation of my objects of fascination which I have found to repeat incessantly over years of making. The reoccurring themes of my work have fused and been released on paper for later synthesis. My natural tendency is to use symbolic forms of the Gothic, imbuing the inanimate with emotion, the allure of violence, the drive towards death, and the return to the primordial.< Less
Where prior works concentrated deeply on decentralizing the viewer with opposed materials and suppositions this group of Sanguinary Assemblages is blind to an audience. They are composed of an odd... More > amalgamation of my objects of fascination which I have found to repeat incessantly over years of making. The reoccurring themes of my work have fused and been released on paper for later synthesis. My natural tendency is to use symbolic forms of the Gothic, imbuing the inanimate with emotion, the allure of violence, the drive towards death, and the return to the primordial.< Less
Where prior works concentrated deeply on decentralizing the viewer with opposed materials and suppositions this group of Sanguinary Assemblages is blind to an audience. They are composed of an odd... More > amalgamation of my objects of fascination which I have found to repeat incessantly over years of making. The reoccurring themes of my work have fused and been released on paper for later synthesis. My natural tendency is to use symbolic forms of the Gothic, imbuing the inanimate with emotion, the allure of violence, the drive towards death, and the return to the primordial.< Less
Artist Heidi Lewis Coleman creates mixed media assemblage pieces using acrylic paint and cut paper on canvas. Her work reflects an ongoing exploration into the aesthetics of using language in art.... More > While most conceptual artists incorporate text into their work as a means of analyzing popular culture or for making political and social commentary, Coleman is focused on developing text as a visual design element. Her work incorporates abstract writings which are invented languages she has developed as she creates. The artist feels that because her artwork communicates in the abstract and is not literal, individual viewers are not forced to translate it specifically, allowing them to experience each piece in a way that is personal and unique.< Less
Artist Heidi Lewis Coleman creates mixed media assemblage pieces using acrylic paint and cut paper on canvas. Her work reflects an ongoing exploration into the aesthetics of using language in art.... More > While most conceptual artists incorporate text into their work as a means of analyzing popular culture or for making political and social commentary, Coleman is focused on developing text as a visual design element. Her work incorporates abstract writings which are invented languages she has developed as she creates. The artist feels that because her artwork communicates in the abstract and is not literal, individual viewers are not forced to translate it specifically, allowing them to experience each piece in a way that is personal and unique.< Less
Artist Heidi Lewis Coleman creates mixed media assemblage pieces using acrylic paint and cut paper on canvas. Her work reflects an ongoing exploration into the aesthetics of using language in art.... More > While most conceptual artists incorporate text into their work as a means of analyzing popular culture or for making political and social commentary, Coleman is focused on developing text as a visual design element. Her work incorporates abstract writings which are invented languages she has developed as she creates. The artist feels that because her artwork communicates in the abstract and is not literal, individual viewers are not forced to translate it specifically, allowing them to experience each piece in a way that is personal and unique.< Less
