Search Results: 'Brazilian Music'

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27 results for "Brazilian Music"
Brazilian Impression By Mr. SHUM
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Listen: http://www.youtube.com/watch?v=qnzGSvtWN40 Brazilian Impression composed by Jimmy Shum (Mr. SHUM). Published by JS Music (S0.21050). For Marimba Solo. Difficulty: medium. 5 pages. Duration... More > 2:50.< Less
100 Years Brazilian Music History By Anna Elis de Jong
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This book tells about the Brazilian Music History of the last 100 years. It's artists, instruments, composers and musical styles from a musicians point of view. You will find examples of how... More > different styles sound in rhythm, melody and harmony and where they originated and how was their development.< Less
PORTRAITS OF BRAZILIAN MUSICIANS By Biagio Di Carlo
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‘PORTRAITS OF BRAZILIAN MUSICIANS’ as well as being a collection of portraits of Brazilian musicians it is also a catalogue of the exhibition of the same name. Most of the drawings are... More > in the collection with the help of the online magazine 'Musibrasil', a collaboration that lasted from 2001 until 2010, the year the portal closed. 2001 was also the year of my inclusion in the 'DICTIONARY OF CONTEMPORARY ILLUSTRATORS by Egisto Bragaglia and Teresa Grossi. The book wants to commemorate some of the leading exponents of mpb. All the drawings were made of paper or card in A3 or A4 using various graphic techniques: watercolors, tempera, ink, pencils, pastels and charcoal. The designs are freehand sketches, light watercolors and delicate as the bossanova.< Less
Samba De Uma Nota Só (One Note Samba) (piano music sheet) By Maurizio Colì
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MauColi's original arrangement for the piano of this brasilian song by Newton Mendonça and Tom Jobim. Arreglo original de MauColi para piano de esta canción brasileña de Newton... More > Mendonça and Tom Jobim. Arrangiamento originale di MauColi per pianoforte di questa canzone brasiliana di Newton Mendonça e Tom Jobim.< Less
La Producción Musical durante el Surgimiento del Tropicalismo By Felipe Reinoso Carvalho
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Este trabajo de investigación está centrado en el movimiento musical denominado Tropicalismo, el cual a fines de los años 60, mediante la fusión entre la Música... More > Popular Brasilera y la Psicodélia, logró universalizar la música en Brasil. En el mundo entero se tiene conciencia de la importancia que este reciclaje artístico aportó a las nuevas propuestas musicales que surgen en Brasil a partir de los años 70. La Tropicália debería ser catalogada como un modus operandi cíclico, que permita que cada país se reinvente cultural y artísticamente, cada vez que sienta la necesidad de hacerlo.< Less
Imaginary Lands, Op. 11, no. 1b By Ronaldo Cadeu
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Ronaldo Cadeu's "Imaginary Lands" is based on a musical genre popular in Brazil during the 19th-century: the modinha. This genre has its roots in Portugal, but became quite famous in Brazil... More > during the end of 18th-century, lasting until the beginning of the 20th-century. Although the melodic shape of Imaginary Lands is closely inspired in that of the Brazilian modinha, its harmony brings a more dissonant and aggressive type of chords, based on modern popular Brazilian music, mostly the Bossa Nova - a genre perpetuated by composers like Tom Jobin and João Gilberto. Imaginary Lands'lyrics were originally written by the composer, and portray a feminine character in deep emotional conflict who prefers to invent an imaginary controlled reality in which ideal love and safe happiness could be achieved. That intent seems to fail, once it is clear that the emotions and images of her unhappy romantic past experiences come to surface, even when she tries to get absorbed into her programmed delusion.< Less
Imaginary Lands, Op. 11, no. 1b By Ronaldo Cadeu
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Ronaldo Cadeu's "Imaginary Lands" is based on a musical genre popular in Brazil during the 19th-century: the modinha. This genre has its roots in Portugal, but became quite famous in Brazil... More > during the end of 18th-century, lasting until the beginning of the 20th-century. Although the melodic shape of Imaginary Lands is closely inspired in that of the Brazilian modinha, its harmony brings a more dissonant and aggressive type of chords, based on modern popular Brazilian music, mostly the Bossa Nova - a genre perpetuated by composers like Tom Jobin and João Gilberto. Imaginary Lands'lyrics were originally written by the composer, and portray a feminine character in deep emotional conflict who prefers to invent an imaginary controlled reality in which ideal love and safe happiness could be achieved. That intent seems to fail, once it is clear that the emotions and images of her unhappy romantic past experiences come to surface, even when she tries to get absorbed into her programmed delusion.< Less
Playing Samba and Bossa Nova: A Field Manual for Drummers By Todd Bishop
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Playing Samba and Bossa Nova: A Field Manual for Drummers Written by Todd Bishop, author of the popular drumming blog, Cruise Ship Drummer!, this is the first in a series of style manuals focused... More > on the musical essentials you really need in the field, playing professionally. With this book the subject is the Brazilian styles Samba and Bossa Nova, and how to play them in a jazz band/lounge band setting. Topics include: your job as drummer, how to build your own grooves, how to play with a band, how to play creatively and authentically, and more! Level: high school, through college, through professional. An excellent resource for teachers and band directors, as well. Visit www.cruiseshipdrummer.com for more information.< Less
Pour Aline By Ronaldo Cadeu
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“Pour Aline” is a chamber piece written for recorders, violin and classical guitar. Both the classical guitar and the entire recorder family are lack of an extensive chamber repertoire.... More > This piece is one more option for these instruments. Concerning the form, “Pour Aline” presents a theme A, a small development section B, a recap and a coda. Concerning the harmony the piece is modal. Harmonic functions in it are not very strong which brings a nice air of distance. Both E minor and G major are the most important harmonic poles.< Less
Pour Aline By Ronaldo Cadeu
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(2 Ratings)
“Pour Aline” is a chamber piece written for recorders, violin and classical guitar. Both the classical guitar and the entire recorder family are lack of an extensive chamber repertoire.... More > This piece is one more option for these instruments. Concerning the form, “Pour Aline” presents a theme A, a small development section B, a recap and a coda. Concerning the harmony the piece is modal. Harmonic functions in it are not very strong which brings a nice air of distance. Both E minor and G major are the most important harmonic poles.< Less