Search Results: 'David Reinfurt'

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9 results for "David Reinfurt"
Center for Advanced Visual Studies By David Reinfurt
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The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We facilitate exchange between internationally known and emerging contemporary... More > artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming. http://cavs.mit.edu< Less
Myself, I Think We Should Keep Collecting Titles (Book 2) By David Reinfurt
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This publication and exhibition have been organized in conjunction with HUM598 Contemporary Art an the Amateur, a graduate seminar investigating the mutual influence between the idea of the amateur... More > and contemporary art; and VIS415 Advanced Graphic Design, a studio course dedicated to the theory, design, and production of design strategies as objects.< Less
Myself, I Think We Should Keep Collecting Titles (Book 1) By David ReInfurt
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This publication and exhibition have been organized in conjunction with HUM598 Contemporary Art an the Amateur, a graduate seminar investigating the mutual influence between the idea of the amateur... More > and contemporary art; and VIS415 Advanced Graphic Design, a studio course dedicated to the theory, design, and production of design strategies as objects.< Less
Myself, I Think We Should Keep Collecting Titles (Book 4) By David Reinfurt
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This publication and exhibition have been organized in conjunction with HUM598 Contemporary Art an the Amateur, a graduate seminar investigating the mutual influence between the idea of the amateur... More > and contemporary art; and VIS415 Advanced Graphic Design, a studio course dedicated to the theory, design, and production of design strategies as objects.< Less
Myself, I Think We Should Keep Collecting Titles (Book 3) By David Reinfurt
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This publication and exhibition have been organized in conjunction with HUM598 Contemporary Art an the Amateur, a graduate seminar investigating the mutual influence between the idea of the amateur... More > and contemporary art; and VIS415 Advanced Graphic Design, a studio course dedicated to the theory, design, and production of design strategies as objects.< Less
Root & Branch By David Reinfurt
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In “Root & Branch,” an exhibition at the Princeton University Art Museum from July 14 – December 2, 2012, curator Joel Smith assembled a collection of artworks and objects... More > around the form of a tree. In its introduction, he describes the tree as a pervasive and fundamental metaphor—the road “branches,” one problem is “rooted” in another. But he also shows how the tree is a tool. The hierarchy, grouping and subdivision implicit in its form can be used as a structuring device for organizing complex information or giving static representation to a dynamic process. A tree’s structure implies this use: as Joel describes, its “splitting paths signify causes and effects, an event and its ramifications.” Collaboratively produced by Diana Shi, Lily Healey, Devin Karbowicz, Erin Byrne and John O’Neill in VIS 415: Advanced Graphic Design at Princeton University in Fall 2012.< Less
Delirious New York and the Scrapbook of America By Jason Roberts
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Companion piece to Rem Koolhaas's "Delirious New York." Project for David Reinfurt's PDF Visual Studies course at Columbia University's GSAPP, Spring 2010. Madelon Vriesendorp’s... More > images in “Delirious New York” are widely considered by architectural historians to be the subtext, or commentaries, to Rem’s work. My project hopes to subvert this established relationship, creating an inverse dialogue in which Rem’s text becomes the captions to Madelon’s projects. By first privileging Madelon’s cover art with a proportion more suitable to her original piece, the narrative of the book’s history is constructed through the use of a semi-fictional screenplay, one that illustrates the genesis and parallels the content and context of “Delirious” through Madelon’s collections, postcards, and paintings from her early years on into the present day.< Less
ARCHIGRAM according to ARCHIGRAM By tjmb
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Companion piece to the Archigram collection. Graduate Student Project for David Reinfurt's PDF course at Columbia University, Fall 2009.
ARCHIGRAM according to ARCHIGRAM By tjmb
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Companion piece to the Archigram collection. Graduate Student Project for David Reinfurt's PDF course at Columbia University, Fall 2009.