Search Results: 'Electroacoustic music'

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22 results for "Electroacoustic music"
A collection of papers on spatial sound for electroacoustic music By Philippe-Aubert Gauthier
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This is a collection of english and french papers by Philippe-Aubert Gauthier. These papers are all related to spatial sound, sound localization, electroacoustic music and sound art.
The Music of ONCE: Perpetual Innovation By Emily Weingarten
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This book discusses the music of the ONCE Festival, a new music festival that took place in Ann Arbor, Michigan between 1961 and 1966.
The Music of ONCE: Perpetual Innovation By Emily Weingarten
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This book discusses the music of the ONCE Festival, a new music festival that took place in Ann Arbor, Michigan between 1961 and 1966.
MAKING ELECTRONIC MUSIC By Audio Visual Inc 1975
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A fascinating 1975 manual of techniques for composing electronic music using magnetic tape and analogue synthesizers. Chapters include: Sound Transformation, Recording Experiments, Collecting Sounds,... More > Tape Techniques, Tape Experiments, Acoustics, Synthesizer Experiments, and Electronic Composition Projects. This title will be of particular interest to fans of Delia Derbyshire and The BBC Radiophonic Workshop, electronic art music, experimental music, musique concrète, and other forms of electronic and electro-acoustic music. E-book download, £2.95 (admin)< Less
Computer Music using SuperCollider and Logic Pro By David Michael Cottle
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College level music tech. The first half covers the nature of sound, formats, mic types and placement, recording techniques, DAWs (Logic Pro), DSP (reverbs, delays, compression, EQ), mix styles, and... More > auxiliary sends for effects and monitors. The second half continues with electro-acoustic composition using SuperCollider and Logic Pro; concrete styles, voltage control, wave generators, control sources, GUIs, filtering synthesis, frequency and phase modulation synthesis, physical models and additive synthesis. Finally, computer music methods are discussed, including random number theory, generative composition, computer assisted algorithmic composition, 12-tone and set theory, probability, microtonality, and working with data files. The SC examples have been tested and conform with SC 3.6.5, including the new IDE. (Code only file available on request.) While the recording chapters target Logic Pro users on OS X, all of the techniques can easily be adapted to other platforms and DAWs.< Less
Catatonic Vision of the Spring-Loaded-Case By Richard Zarou
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Second in a series of pop-influenced pieces for bass trombone and CD.
To the Voices in His Head By Richard Zarou
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A work for live clarinet and CD playback. This bundle includes a .pdf score and a file for stereo playback. I- Shadows in the Hallway; II- Painted Blue; III- At a Loss. (8 min.)
A STUDY OF BRIAN BEVELANDER'S SYNTHECISMS NO. 2 FOR PIANO AND PRE-RECORDED TAPE By Wei Tuck Chan
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Brian Bevelander's Synthecisms No. 2 of 1990, dedicated to and premiered by pianist Philip Mead, showcase performance challenges and technical demands of the performer. The author discusses... More > electroacoustic music from its inception, leading to the establishing of many studios in universities across the United States and abroad. The original tape part in Bevelander's Synthecisms No. 2 requires the starting and stopping of the tape, involving assistance in operating the tape playback. The author examines the structure, stylistic, and thematic materials of Bevelander's work, and suggests the possibility of performance of the work without an assistant using more current technology.< Less
ACMC 2009 By ACMA inc.
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The proceedings of the 2009 Australasian Computer Music Conference, held in Brisbane Australia.
ACMC 2009 By ACMA inc.
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The proceedings of the 2009 Australasian Computer Music Conference, held in Brisbane Australia.