Search Results: 'Hay(na)ku'

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9 results for "Hay(na)ku"
Chained Hay(na)ku By Ernesto Priego et al.
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The hay(na)ku poem's swift popularity would not have been possible without internet-based communication. With the internet's capacity for engendering collaborations, it was inevitable that a... More > collaborative hay(na)ku project such as THE CHAINED HAY(NA)KU would arise. It, of course, was fitting that THE CHAINED HAY(NA)KU began with an invitation from a blog. On June 24, 2007, an invitation was posted on http://chainedhaynaku.wordpress.com/ for poets to participate in hay(na)ku collaborations. Nearly a hundred poets and artists from around the world responded, and this anthology is one result, along with friendships and much fun!< Less
Port Light: A Hay(na)ku Collection By William Allegrezza
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Port Light: A Hay(na)ku Collection brings together hay(na)kus that have been written over a number of years. The pieces vary greatly in terms of content from the personal lyric to poems that push at... More > language’s communicative limits. The occasions of the poems are also diverse. “Through Having Been” was written as a reaction to storm devastation in Haiti, but many of the poems are daily poems responding to family or friends. William Allegrezza has written in the hay(na)ku format for almost ten years, but Port Light is his first book to collect and attempt to show a similarity between the pieces.< Less
DREDGING FOR ATLANTIS By Eileen Tabios
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EILEEN TABIOS' publications include 14 poetry collections, an art essay collection, a poetry essay/interview anthology, and a short story book. DREDGING FOR ATLANTIS, her 11th print poetry... More > collection, extends a body of work unique for melding ekphrasis with a transcolonial perspective. Here, she introduces her translation of the painterly technique of scumbling to create poems from other poets' words. From other writers' texts, she also extracts sequences of the hay(na)ku, a poetic form she inaugurated on June 12, 2003 to mark the 105th Anniversary of Philippines' Independence Day from Spain.< Less
AutopsyTurvy By Thomas Fink, Maya Diablo Mason
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AUTOPSY TURVY, a collaborative book of poems by father-daughter Thomas Fink and Maya Diablo Mason. A book of "utterly wishful miraculously wistful costumed poems" (Tan Lin), AUTOPSY TURVY... More > gathers terse, springy, psychologically intense eleven-line lyrics and hay(na)ku-based pieces, a 15-poem series called "Bee" that spells out the tangles of family and finances, a surreal poetic play entitled "Invisible Surgeon," and much else. According to Denise Duhamel, Fink and Mason's "poetry. . . goes to the brink, peering off the cliff, before they pull one another back to safety."< Less
Traje de Boda By Aileen Ibardaloza
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Aileen Ibardaloza’s first book is a charmer more than a disarmer of the complicated relationships between men and women, mothers and daughters, or colonized and colonizer. The intensity of her... More > voice is not unlike the Chilean poet Gabriela Mistral with llantos like these: “I say it’s all right./Yes, if I ever lose my mouth,” and “My old same hides/her face behind a fan.” traje de boda belongs on any serious bookshelf of contemporary poetry. —Nick Carbó, author of Chinese, Japanese, What are These?< Less
Not Even Dogs By Ernesto Priego
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NOT EVEN DOGS is not only Ernesto Priego's debut poetry collection but also the first single-author hay(na)ku poetry book. The hay(na)ku is a "diasporic" poetic form created by Eileen... More > Tabios. Of Priego's book, respected poet Eric Gamalinda says: "The weirdly christened, pun-intended brainchild of that Thomas Alva Edison of contemporary poetry, Eileen Tabios, the jainakú (aka hay(na)ku) becomes truly global in NOT EVEN DOGS, and Ernesto Priego may rightfully claim to have elevated it to an art form." Born in Mexico City, Ernesto Priego is an essayist, teacher and translator. He is interested in everything having to do with poetry, graphic narratives and pop music.< Less
147‭ ‬MILLION ORPHANS (MMXI-MML) By Eileen R. Tabios
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While no one knows the number of orphans worldwide, a common estimate is 147 million. These children represent one of the greatest humanitarian tragedies of our time even as their plight fails to... More > receive as much attention as natural disasters or wars. 147 MILLION ORPHANS: MMXI-MML is the first book-length haybun poetry collection. A “haybun” is a combination of hay(na)ku and other text. The hay(na)ku is a 21st century diasporic poetic form; its core is a tercet-based stanza with the first line being one word, the second line being two words, and the third line being three words.< Less
Flux, Clot and Froth, Vol. 2 By John Bloomberg-Rissman
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Flux, Clot & Froth is a two-volume project comprised of a Volume 1 of poems a Volume 2 containing 2,700+ notes which source the approximately 4,000 sampled texts. On 23 Nov 08, John... More > Bloomberg-Rissman finished transforming his crazy stacks of later 20th- and early 21st-century Anglophone literature into organized shelves. Looking at those shelves, he decided to "unpack" them through a longish poem: "Find something from the 1st book on the 1st shelf. Follow that with something from the 1st book on the 2nd shelf. Etc etc. Intersperse whatever I like from whatever source appeals to me. Intersperse a number of Autopoetic recursions. Form: hay(na)ku. I expect this to go on for several months.” Several became many, and the result is an epic-length mixtape composed of thousands of algorithmically/intuitively-derived fully annotated oft-mangled bits of écriture/parole.< Less
Flux, Clot & Froth, Vol. 1 By John Bloomberg-Rissman
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Flux, Clot & Froth is a two-volume project comprised of a Volume 1 of poems a Volume 2 containing 2,700+ notes which source the approximately 4,000 sampled texts. On 23 Nov 08, John... More > Bloomberg-Rissman finished transforming his crazy stacks of later 20th- and early 21st-century Anglophone literature into organized shelves. Looking at those shelves, he decided to "unpack" them through a longish poem: "Find something from the 1st book on the 1st shelf. Follow that with something from the 1st book on the 2nd shelf. Etc etc. Intersperse whatever I like from whatever source appeals to me. Intersperse a number of Autopoetic recursions. Form: hay(na)ku. I expect this to go on for several months.” Several became many, and the result is an epic-length mixtape composed of thousands of algorithmically/intuitively-derived fully annotated oft-mangled bits of écriture/parole.< Less