Search Results: 'LRL e-editions'

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15 results for "LRL e-editions"
DARKNESS (CHAPTER 1) COLOR By Yedda Morrison
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In Darkness, Yedda Morrison erases—or, significantly, “whites out”—chapter 1 of Conrad’s Heart Of Darkness leaving behind only the words and phrases that reference the... More > natural world. Morrison’s aim is not to comment on the original, but to cull or reframe the remains: “luminous estuary / brooding gloom / sea.” In this brilliantly dark contribution to the emerging fields of conceptual writing and erasure poetics, Morrison gives us (back) our natural world—plucked violently, sadly, beautifully from the “master work.” In Darkness, the reader will discover for herself what is being borrowed, plundered, recycled, purloined. -- Robert Fitterman< Less
PERMANENT RECORD By Ted Greenwald
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Stripped down to what sticks, the patterns that emerge from these discreet accretions are as satisfying to the ear as they are to the eye. Modular lines are the daily grind; finding their way to work... More > and reworking their ways, potshards and particulars have an inexplicable emotional edge, an edge that has little to do with ‘self-expression’ as such. Let the language fend for itself, “Off on / Signs of life / Clear out.” This will go on Ted Greenwald’s Permanent Record. -- Kyle Schlesinger< Less
PROSTHESIS : : CAESAREA By Susan Gevirtz
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"I speak not, I trace not, I breathe not thy name” begins a section from Byron’s “Stanzas for Music.” This is the one part from the Hebrew Melodies that he suppressed,... More > allowing the other poems to be set to music by Isaac Nathan. This strange model, the model of absence, stands behind Susan Gevirtz’s CAESAREA: Herod’s City as metamodel, containing and generating a structure of strange models. It silently introduces and permits, 'like the night,' the many intersecting and merging arms or armatures ('the woman’s hundred arms'—Thrall, Gevirtz) that create the multiple rhythms, tones and trajectories of Gevirtz’s long poem. -- Norma Cole, from "For Susan Gevirtz's CAESAREA: Herod's City" in How2 (V.1, no. 6)< Less
TECHNIQUE OF BANDAGING AND SPLINTING By Harold Abramowitz
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Abramowitz’s “technique” doesn’t simply describe a method of composition—it establishes a relationship to collage poetics that sees a regenerative potential in the... More > practice. These poems are an effort at repair. -- C.J. Martin< Less
DEEP ECO PRE By Tina Darragh, Marcella Durand
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Filtered through Ponge’s approximate presque, the pre of the ”Ding an sich,” this collaboration between Tina Darragh and Marcella Durand writes and rewrites the endlessly rewritten... More > eco-/ego-poetics of our moment. All too human, these bellwethers appeal to the sentient and non-sentient, repeal the very sentences they parse into phrases, and limp toward, having lost or misplaced what can only be found at the dead letter office—the poem, the book, etc. “…and what becomes of this in the end? A habitable place,/ strollable justification for aggregable surface gables, gagle…active-ish, a little stream in the bed.”---Tyrone Williams< Less
Do the Monkey By Norma Cole
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So we arrive at a consideration of death, time, the body, signification and patriotism, guided light-heatedly by one who has been there and back. “Before the mind catches up/the body’s... More > been and gone” serves as the epigraph of the book and is part of “THE BODY IS SOFT.” We are reminded by this passage of how life actually works, as well as of how we think and speak about it. For the reader, in each reading, the book becomes that moment when things and language fall together with oneself. It is a great dance.---Laura Moriarty< Less
Any Time Soon By Gloria Frym
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Poems.
Economy By David Brazil
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A book of poems by David Brazil
The First Three Books By Beverly Dahlen
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LRL e-editions is thrilled to bring Beverly Dahlen's first three books back to print in a single volume: Out of the Third (Momo's Press, 1974), A Letter at Easter: To George Stanley (Effie's Press,... More > 1976), and The Egyptian Poems (Hipparchia Press, 1983). Also included are Robert Duncan's afterword to the Hipparchia edition, as well as a new interview with Dahlen about her early work. With these long out-of-print publications newly accessible, readers can mine the formative explorations that open onto Dahlen's life work, A Reading. According to Duncan in his afterword: "The creative field addressed, worked, and kept at work in Out of the Third, A Letter at Easter, and the present set of Egyptian poems sets into motion resonant elements in my own poetic consciousness so that I hear new harmonics. She has deepened my apprehension of the oracular voice in Poetry..."< Less
Three American Letters By Brian Mornar
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Poems.