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9 results for "Olchar E. Lindsann"
ARTHUR DIES Chronicle One Vol. 1 By Olchar E. Lindsann
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ARTHUR DIES is well-suited as a performance text (via a three hour stint), and performance poetry is definitely Olchar Lindsann's area of expertise. He studied performance, writing and critical... More > theory at Dartington College of Arts in England. The long-term project ARTHUR DIES approaches Epic Poetry through the experience of the avant-garde tradition--Lettristic, Otherstream, Symbolist & Post-Structuralist in inspiration. Of this text, Olchar says that it "relates to the impossibility of permanent utopia that is at the root of the Arthurian mythos, and at the heart of any attempt to compose an Epic at our particular historical and cultural moment. How do we respond to the problematic associations with monarchism, nationalism, patriarchy, patriotism, organised religion, etc.? How do we reconcile the element of epic & lyric inspiration in Speech with the subversive, annihilating nature of Writing?"< Less
The Ecstatic Nerve: Speculations on Several Dubious Subjects By Olchar E. Lindsann
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From one perspective, a programme for a radicalized practice of Thought; from another perspective, a fractured history of certain 19th and 20th Century avant-gardes; from yet another perspective, an... More > experiment in utopian historiography. Or possibly a meticulously researched speculative novel. In any case the most comprehensive presentation to date of Lindsann’s over-arching (theoretical/political/metaphysical) project, and his conceptualization of the potential of radically engaged avant-gardes acting multigenerationally.< Less
ARTHUR DIES First Chronical Vol.2 By Olchar Lindsann
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As one proceeds through "ARTHUR DIES First Chronicle Vol.2" familiar characters, such as Merlin or Vivienne, are encountered beyond the reach of common language, in a world of divinations... More > and sepulchers, in domains where chaotic punctuation  and syntactic disorder abound.  This is in fact an epic both in the traditional sense of the word, and in the approach of an anti-poetics perspective of what can be undone in that tradition. In its sweeping texts and and contexts it embodies not only the imagined or fictive culture of the twilight era alluded to, but those of our own post-modern and failed civilization with all its cultural and literary -isms that have arisen from an original "avant-garde".  Lindsann combines the mythical Avalon with Blake's Albion, pursuing these emblematic nomenclatures to their illogical fusion in an always enigmatic concatenation of events and personages flung about in a supreme and deft literary whirl. -Ivan Argüelles < Less
ARTHUR DIES First Chronicle Vol.3 By Olchar Lindsann
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This is an epic poem of that eldritch troubling time, issuing from a vast swarming archaeology as it might have been. Discover a land in which history, legend, death, language, and the world itself... More > are otherwise than even if we think it, where magic infuses, confuses the words that describe it, as if - where discontinuity even infects the grammar of another, a bleary consciousness of another, reality – drift-read upon the current scene of bloodshed, deceit, and the insistent gnarled hope and striven mourning for a better world: ARTHUR symbolized the dream to come, where meaning flows as music overpast; a dank vanished temporal slaughter swale (that of Albion, womb of Blake) where the spells of words became cemented never – where rhythmic abstraction and storytelling tangle in mutabilitous dance: shamanic trance-speech, a fantasy uttered from within: for such is Arthur's dream – Jack A. Withers Smote< Less
Textis Globbolalicus Vol. III By John M. Bennett
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Spanning three volumes and nearly 1,000 pages, this is THE DEFINITIVE collection of texts in that that most indecipherable of tongues, Globbolalia, by its only native speaker, the inimitable Dr. John... More > M. Bennett. Vol. III is graced with an introduction by Olchar E. Lindsann & cover by Musicmaster.< Less
Textis Globbolalicus Vol. III By John M. Bennett
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Spanning three volumes and nearly 1,000 pages, this is THE DEFINITIVE collection of texts in that that most indecipherable of tongues, Globbolalia, by its only native speaker, the inimitable Dr. John... More > M. Bennett. Vol. III is graced with an introduction by Olchar E. Lindsann & cover by Musicmaster.< Less
unRecordists Pamphlet By Jaan Patterson
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Das erste UnRecordistische Pamphlet veröffentlich 2009 von Jaan Patterson (suRRism). Mitglieder sind z.B. William Davison (Recordism, Gründer von The Recordists), Acedia Nuit (suRRism),... More > Eternal Holy Youth, Murmurists, Lee Kwo Olchar E. Lindsann, Matina L. Stamatakis, Zaph Arz, Iryna Harpy and Robert Chrysler.< Less
rascible & kempt: meditations and explorations in and around the poem By Jim Leftwich
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VOLUME 1 (of 3) Rascible & Kempt bears geode-like secrets, exposing the living nerves of a geography where the beating heart of the avant guard glows lava red, while the book itself is a geology... More > of Leftwich's life-long question to his own calling: How to keep all modes of writing “absolutely as OPEN as possible.” This book is as much a training manual as it is a mechanism to reignite the fires of poetry. -Michael Peters, author of Vaast Bin and other language artworks. About Rascible & Kempt: From reading to writing, thought to non-thought, vast macrohistorical analysis to sub-lettral investigations, epistemology to pragmatics, discourses: poetics, linguistics, hermeticism, economics, history, psychology, politics, metaphysics, and more. -Olchar E. Lindsann, author of ARTHUR DIES and other books, editor of mOnocle-Lash Anti-Press< Less
FIAT LUX By Ivan Argüelles
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Fiat Lux is Ivan Argüelles’ Odyssey through all human history and literature, as well as through the kaleidoscope of his own life memories.... Portions of Fiat Lux soar as high as any... More > American poetry since Pound's Pisan Cantos.- Fred Bauman. Fiat Lux is most of all about language, the great gibberishes out of which creation and languages come, and the Law of Time...- Sharon Doubiago. One can read in Fiat Lux an epic poem as it might be dreamed; or perhaps the dream of a culture in which the epic consciousness has been repressed, yet endlessly renews just beneath the skin of thought, in endless metamorphosis, pursuing mortal pleasure....In this world where Chronos is playful, Freud has shacked up in Pythia, one reads our culture's fevered dreams as oracles and symptoms. These prophetic anxieties are a babel of stories, of voices, of worlds, they are the fragments of languages, scattered like shattered beer bottles or amphorae along the highway. - Olchar E. Lindsann.< Less

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