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9 results for "Xenakis"
Thesis 2011: Krissi Xenakis By Krissi Xenakis
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The Designer as Editor
Thesis 2011: Krissi Xenakis By Krissi Xenakis
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The Designer as Editor
Xenakis in America By Charles Turner
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Iannis Xenakis had a long-standing interest in the U.S., but given the five years he spent here, little has been written about his experiences. This study attempts, through archival research and... More > interviews, to document Xenakis’ time in the United States. Its subject is his relationship to American cultural institutions, and in what lured Xenakis here for musical composition and research.< Less
Resonance: Essays on the Intersection of Music and Architecture By Mikesch W. Muecke, Miriam S. Zach
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"Essays on the Intersection of Music and Architecture" is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary... More > conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance. The book includes illustrations, author biographies, and an index. For more information see the review.< Less
Resonance: Essays on the Intersection of Music and Architecture By Mikesch W. Muecke, Miriam S. Zach
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"Essays on the Intersection of Music and Architecture" is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary... More > conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance. The book includes illustrations, author biographies, and an index. For more information see the review.< Less
Foliage By Elliott Sharp
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With Foliage, composer and conceptualist Elliott Sharp presents both the score to a graphic composition open for any orchestration and a visual work. As Sharp describes it: “The roots of this... More > project lie in my desire to depict the musical processes at play in my Inner Ear and to use them as performance strategies for their realization by any musician.” But Foliage is a piece of retinal art as much as it is an instruction set for sound: form and function interlocked. Each individual page is complete in itself, some more simple, others not so. One may also look at the pages as sequences and sub-sequences – when quickly scrolled, they become animations. All have been created through multiple layers of processing. The result is a manifestation of an internal synesthesia that is the translation of thought, emotion, and process from one part of the spectrum to another. Includes a written Introduction by Sharp and a Forward by media artist Christian Marclay.< Less
Burning Ambulance 4 By Philip Freeman
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Fourth issue of quarterly journal of music and the arts. Includes interviews with saxophonist JD Allen, jazz-rock trio Harriet Tubman, bassist/producer Bill Laswell, guitarist Dylan Carlson of Earth,... More > pianist ELEW, and electronic musician Nicolas Jaar, plus articles on Posi-Tone Records, the Ramones, fascist art and classical composers' musical responses to the events and political climate of the 1960s.< Less
Burning Ambulance 4 By Philip Freeman
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Fourth issue of quarterly journal of music and the arts. Includes interviews with saxophonist JD Allen, jazz-rock trio Harriet Tubman, bassist/producer Bill Laswell, guitarist Dylan Carlson of Earth,... More > pianist ELEW, and electronic musician Nicolas Jaar, plus articles on Posi-Tone Records, the Ramones, fascist art and classical composers' musical responses to the events and political climate of the 1960s.< Less
Au diable vos verres By Bernard Pasobrola
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Nous sommes au début des années 70. Le narrateur se laisse entraîner sur des îles lointaines, voyage qui menace de virer au cauchemar. Il parcourt un chemin parsemé... More > de signes étranges et finit par s’éprendre d’une grotte située au bord d’une petite plage. Or c’est là que vit un groupe de hippies qui n’ont pas l’air décidés à se laisser déloger… « Quelle maîtrise d'écriture, quel humour ! » Françoise Xenakis, Le magazine des livres< Less