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198 results for "antagonistics"
The Astounding Antagonists By Rafael Chandler
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A cryogenic drug lord, a hellbound jewel thief, a metallokinetic communist, a church-burning psychopath, and a megalomaniacal inventor: they are the Antagonists, the most dangerous supervillains... More > alive. Pursued by violent superheroes and high-tech billionaire vigilantes, these villains have assembled in order to pull off the perfect crime. There's just one catch: if they succeed, they might just save the world. From the skyscrapers of Apex City to the depths of the Marianas Trench, the Antagonists wage war on their jackbooted enemies. But as loyalties are tested and old hatreds are rekindled, the line between friend and foe begins to blur...< Less
Reflection of an antagonist By Hugues Cote
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Il s'agit de réflexions sous forme de poèmes
Reflection of an antagonist By Hugues Cote
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Il s'agit de réflexions sous forme de poèmes
Steampunk Crescendo - Antagonist Sheet By Dave M
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Antagonist Sheet for Steampunk Crescendo
Reflection of an antagonist By Hugues Cote
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C'est une réflexion sur la vie
Reflection of an antagonist By Hugues Cote
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C'est une réflexion sur la vie
The Bartitsu Compendium, Volume II: Antagonistics By Tony Wolf
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IN 1899, E.W. Barton-Wright devised the martial art of Bartitsu as a process of cross-training between jujitsu, boxing, savate and stick fighting, designed to beat the fearsome street gangsters of... More > Edwardian London at their own game. The second volume of the Bartitsu Compendium provides resources towards continuing Barton-Wright’s experiments. It combines extensive excerpts from fifteen classic Edwardian-era self defence manuals, including well over four hundred illustrations.Volume II also offers an extensive collection of long-forgotten newspaper and magazine articles on Bartitsu exhibitions and contests; original articles on Bartitsu history and training; a complete course of Edwardian-era “physical culture” exercises; personality profiles, essays and more besides. The Bartitsu Compendium, Volume II is a must-have companion piece for the first volume in this series, and offers further fascinating insight into the world of “antagonistics” in Edwardian England. < Less
L'ANTAGONISTE By Laura PYZIK
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Après avoir servi du café, Colette s’assit derrière son bureau et se mit à réfléchir. « Je vais mettre ma date de naissance,... More > décida-t-elle. – Je vous le déconseille, dit Paul. Une date de naissance ne va pas au-delà de 31 et vous minimisez alors vos chances de gagner. – Sinon, quelles sont mes chances ? – On a une chance sur quatorze millions de trouver les six bons numéros, répondit Paul sérieusement. – Une sur quatorze millions ? s’étonna Colette. Trouver une aiguille dans une botte de foin semble plus probable que de gagner, même si on joue toute sa vie ! – Oui, c’est vrai, acquiesça Paul en souriant. On a environ une chance sur 800 de gagner un jour, à condition de ne manquer aucun des quatre tirages hebdomadaires. – Et vous, vous jouez régulièrement ? – Non, d’habitude, je ne remplis qu’une grille par semaine. – Pourquoi les gens jouent-ils alors, si ce n’est pas pour gagner ? Colette ne semblait plus rien comprendre. Pourquoi jouez-vous ?< Less
Two lines of dialogue for the antagonist is printed on p.55, and the stage direction for the protagonist is on p.456 (a play) By Todd Van Buskirk
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“The basic unit of construction in the theatre is the scene, and the amount of dramatic time that elapses during a scene is roughly equal to the length of time the scene takes to perform. To be... More > sure, some plays cover many years, but in general these years pass 'between curtains.' Drama has to chop out huge blocks of time between the relatively few scenes and acts...” - Louis D. Gianetti< Less
Theory for learning the cane in 25 lessons By Louis A.V. Leboucher
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“If he had been a little less brutal he’d have made his fortune” J. Charlemont Louis-Armand-Victorin Leboucher was a small, stout and well-muscled, but rough, fencer originally from... More > Rouen who trained in Paris known for his excellence with a cane as well as his generous spirit He went on to establish a salle at 20, Rue de la Michodiere, and then published this first ever work on the cane in 1843, a method renowned for being tough, spontaneous and instinctive where every blow must be effective, and thus suitable for fitness and self-defence as well as useful preparation for using a sabre.< Less