Search Results: 'antagonistics'

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195 results for "antagonistics"
Reflection of an antagonist By Hugues Cote
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Il s'agit de réflexions sous forme de poèmes
Reflection of an antagonist By Hugues Cote
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Il s'agit de réflexions sous forme de poèmes
Steampunk Crescendo - Antagonist Sheet By Dave M
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Antagonist Sheet for Steampunk Crescendo
Reflection of an antagonist By Hugues Cote
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C'est une réflexion sur la vie
Reflection of an antagonist By Hugues Cote
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C'est une réflexion sur la vie
The Bartitsu Compendium, Volume II: Antagonistics By Tony Wolf
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IN 1899, E.W. Barton-Wright devised the martial art of Bartitsu as a process of cross-training between jujitsu, boxing, savate and stick fighting, designed to beat the fearsome street gangsters of... More > Edwardian London at their own game. The second volume of the Bartitsu Compendium provides resources towards continuing Barton-Wright’s experiments. It combines extensive excerpts from fifteen classic Edwardian-era self defence manuals, including well over four hundred illustrations.Volume II also offers an extensive collection of long-forgotten newspaper and magazine articles on Bartitsu exhibitions and contests; original articles on Bartitsu history and training; a complete course of Edwardian-era “physical culture” exercises; personality profiles, essays and more besides. The Bartitsu Compendium, Volume II is a must-have companion piece for the first volume in this series, and offers further fascinating insight into the world of “antagonistics” in Edwardian England. < Less
L'ANTAGONISTE By Laura PYZIK
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Après avoir servi du café, Colette s’assit derrière son bureau et se mit à réfléchir. « Je vais mettre ma date de naissance,... More > décida-t-elle. – Je vous le déconseille, dit Paul. Une date de naissance ne va pas au-delà de 31 et vous minimisez alors vos chances de gagner. – Sinon, quelles sont mes chances ? – On a une chance sur quatorze millions de trouver les six bons numéros, répondit Paul sérieusement. – Une sur quatorze millions ? s’étonna Colette. Trouver une aiguille dans une botte de foin semble plus probable que de gagner, même si on joue toute sa vie ! – Oui, c’est vrai, acquiesça Paul en souriant. On a environ une chance sur 800 de gagner un jour, à condition de ne manquer aucun des quatre tirages hebdomadaires. – Et vous, vous jouez régulièrement ? – Non, d’habitude, je ne remplis qu’une grille par semaine. – Pourquoi les gens jouent-ils alors, si ce n’est pas pour gagner ? Colette ne semblait plus rien comprendre. Pourquoi jouez-vous ?< Less
Two lines of dialogue for the antagonist is printed on p.55, and the stage direction for the protagonist is on p.456 (a play) By Todd Van Buskirk
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“The basic unit of construction in the theatre is the scene, and the amount of dramatic time that elapses during a scene is roughly equal to the length of time the scene takes to perform. To be... More > sure, some plays cover many years, but in general these years pass 'between curtains.' Drama has to chop out huge blocks of time between the relatively few scenes and acts...” - Louis D. Gianetti< Less
Theory for learning the cane in 25 lessons By Louis A.V. Leboucher
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“If he had been a little less brutal he’d have made his fortune” J. Charlemont Louis-Armand-Victorin Leboucher was a small, stout and well-muscled, but rough, fencer originally from... More > Rouen who trained in Paris known for his excellence with a cane as well as his generous spirit He went on to establish a salle at 20, Rue de la Michodiere, and then published this first ever work on the cane in 1843, a method renowned for being tough, spontaneous and instinctive where every blow must be effective, and thus suitable for fitness and self-defence as well as useful preparation for using a sabre.< Less
Bang! Bang! He shot me down! Can the pistol be studied as a Historic European Martial Art? By Philip T. Crawley
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Transcript notes of a lecture on historic pistol-craft presented at SWASH 2013 by the author