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308 results for "arts audiences"
The Illusion of the Audience By Matthew Stock
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The audience's experience of a work of art is, in the most part, dependent on what they bring with them and what they understand about the work. There are, however other factors to consider, for... More > instance, the artist's intentions and how the work has been hung or positioned within the physicality of the museum or gallery. Together these all function as deciphers towards this experience and ultimately some kind of understanding. There exists a distance between the work and the viewer and within this distance the interpretation of the work exists. This distance allows for thought, procrastination, misunderstanding and perhaps hope. Recently though this critical space has begun to be questioned, its boundaries are now being blurred, and it's not just the artists that are instituting this change, I believe the viewers are becoming equally complicit. What has caused this preoccupation with the viewer, the work of art and the space? I believe that it has to do with the term participation.< Less
The Illusion of the Audience By Matthew Stock
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The audience's experience of a work of art is, in the most part, dependent on what they bring with them and what they understand about the work. There are, however other factors to consider, for... More > instance, the artist's intentions and how the work has been hung or positioned within the physicality of the museum or gallery. Together these all function as deciphers towards this experience and ultimately some kind of understanding. There exists a distance between the work and the viewer and within this distance the interpretation of the work exists. This distance allows for thought, procrastination, misunderstanding and perhaps hope. Recently though this critical space has begun to be questioned, its boundaries are now being blurred, and it's not just the artists that are instituting this change, I believe the viewers are becoming equally complicit. What has caused this preoccupation with the viewer, the work of art and the space? I believe that it has to do with the term participation.< Less
ARCHITECTURE FOR AUDIENCE By Santhoshini Rajkumar
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Design Research on Architecture for Audience for the Master of Arts in Architecture Program at Florida International University.
The How of Audience Development for the Arts: Learn the Basics, Create Your Plan By Shoshana Danoff Fanizza
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Do you want to learn how to build a better audience? This book will teach you the basics about audience development so you can create your very own plan.
The Nürnberg Stove: A Play for Young Audiences By Geraldine Brain Siks
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The universal story of a young boy’s dreams and hopes are dramatized by innovative playwright Geraldine Brain Sikes from the classic and much loved story. The young German boy, August, wants to... More > be an artist and he receives inspiration from the magnificent porcelain stove created by the famous artist Hirschvogel which the family has inherited. When hard times fall upon the family, August's father is forced to sell the stove. August, who desperately doesn’t want to part with it, hides in the stove and is carted off with it, thus starting his magical journey where porcelain art objects come alive. Sikes was a pioneer in the field of creative dramatics for children and a recipient of the Children’s Theatre Association Medallion.< Less
The Twelve Dancing Princesses: A Play for Young Audiences By Margaret Ellen Clifford
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Here is a distinctive and stirring version of the Germany folk-tale retold in a unique fashion. What is the secret of the worn-out shoes? Why every morning do the twelve princesses wake up to find... More > their dancing slippers completely worn out? What spell has overtaken them so that none of them remember how it happened? Playwright Margaret Ellen Clifford brings the story to life with new and unique characters while keeping the charm of the original story. The play was originally developed as a means to introduce a variety of historical dance styles and Clifford uses dance as was an integral part of the plot. This large cast play offers many opportunities for actors to explore the performing arts. Classic Youth Plays is proud to publish this new acting edition of this timeless play.< Less
The Tyranny of Story: Audience Expectations and the Short Screenplay 2nd Edition By Ric Beairsto
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This is the 2nd, expanded edition of the successful 1998 book about the art of storytelling in general, and the craft of short screenplay writing in particular.
The 10 Secrets of Power Presentations: How Anyone Can Use the Most Powerful Presentation Principles to Win the Audience By Nurhafihz Noor
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In The 10 Secrets of Power Presentations, marketing activist Nurhafihz presents a holistic answer as to why some presentations do extremely well and others don’t. With deep insights into the... More > many components that differentiate the normal speech from the extraordinary, from leveraging to designing good presentation slides, this jam-packed value book reveals powerful step-by-step tried and tested methods for executing masterful presentations. This book is a must for anyone who wants to understand the art and science of presenting well and take his own presentation skills to the next level.< Less
How do Films from the Past and Present Create a Cultural Anxiety to an Audience from both Image and Text? By Farrukh Khan
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This study seeks to explore how film creates cultural anxiety for spectators. Film as a medium permits the filmmaker to present strong immersive experiences that challenge the old model of culture... More > with a popular grip. Whereas spectators may want to denounce the old model, the permeating grip of the old culture and a need for cognitive adjustment and debate causes tensions that result in cultural anxiety. After all, a film presents its message to many, permeating political and media rhetoric across the majority, minority, political and religious spectra. For those interested in films and the art of making films, it is important to understand how anxiety about ‘our’ culture now appears ubiquitous and how films have contributed to this anxiety.< Less
How do Films from the Past and Present Create a Cultural Anxiety to an Audience from both Image and Text? By Farrukh Khan
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This study seeks to explore how film creates cultural anxiety for spectators. Film as a medium permits the filmmaker to present strong immersive experiences that challenge the old model of culture... More > with a popular grip. Whereas spectators may want to denounce the old model, the permeating grip of the old culture and a need for cognitive adjustment and debate causes tensions that result in cultural anxiety. After all, a film presents its message to many, permeating political and media rhetoric across the majority, minority, political and religious spectra. For those interested in films and the art of making films, it is important to understand how anxiety about ‘our’ culture now appears ubiquitous and how films have contributed to this anxiety.< Less