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82 results for "asemic"
Listening with the Eye - An Asemic Notebook By Cecil Touchon
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The writings presented here were composed specifically for existing in a book environment as unified text. These works might be called automatic writing or visual writing or asemic writing. There is... More > no intention to tell a story or to use any recognizable language or symbols. Rather the works function in free flow with intuition rather than thought, allowing the hand to just do what the hand does; make marks. Touchon uses improvisational approach to mark making as if playing an instrument that records in marks what might otherwise be heard as notes of music and this might be a way to approach the work – to look as if listening; spending time studying the nature of the work; its flow, its progression, its repetitions, etc. just as we might have an aesthetic experience from looking at pages of text in a foreign language that we are not conversant in. In such a case we get to enjoy the work on a purely visual level without the conversion of the characters into linguistic meanings.< Less
Chudesa da i tol’ko By Anri Asem
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АНРИ АСЕМ ЧУДЕСА ДА И ТОЛЬКО В... More > сборнике представлены фантастические и сказочные истории, а так же размышление о вечном в пределах Вселенной. [CODE-ART]< Less
AsEmIc ImAgEs (Otoliths issue 50, part 3) By Alberto Vitacchio
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Otoliths issue fifty, part three, is made up of 60 delightful AsEmIc ImAgEs by Alberto Vitacchio, the renowned Italian visual & text poet.
Listening with the Eye - An Asemic Notebook - Volume 2 By Cecil Touchon
Paperback: List Price: $49.00 $39.20 | You Save: 20%
Prints in 3-5 business days
These works might be called automatic writing or visual writing or asemic writing. There is no intention to tell a story or to use any recognizable language or symbols. Rather the works function... More > freely with intuition rather than thought, allowing the hand to just do what the hand does; make marks. There is a kind of visual vocabulary however, such as letter-like marks, punctuation-like marks such as chevrons, commas, accents, dashes and dots, the organization for the most part is in lines of markings to suggest a reading of progression. Some are lyrical and look almost like what a visual music score might look like. I experimented with different rhythmic motions, different ways of holding the tool, sometimes in silence and at other times while listening to music. Sometimes I would watch closely as the work unfolded and at other times allowing my hand to move along the page unobserved in order to see what would happen.< Less
Listening with the Eye - An Asemic Notebook - Volume 3 By Cecil Touchon
Paperback: List Price: $20.00 $16.00 | You Save: 20%
Prints in 3-5 business days
This is volume three in a set of asemic notebooks. Like volume one, these poems or texts or drawings depending on how you think about them were all made with an ink marker on 6x4 inch smooth, glossy... More > photographic paper. My idea was to have the works function as if they were plates of texts in a book so that the image would appear without a visible background. In this way the writing or text uses the page itself as background in the typical way that print functions in a book. These works might be called automatic writing or visual writing or asemic writing. There is no intention to tell a story or to use any recognizable language or symbols. Rather the works function in free flow with intuition rather than thought, allowing the hand to just do what the hand does; make marks. I prefer a more improvisational approach as if I am playing an instrument that records in marks what might otherwise be heard as notes of music. This is the natural realm of the arts; to work in a state of mindfulness or meditation.< Less
mgv2_76 | Visual Poetry and Asemic Writing | 04_14 By Walter Ruhlmann
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mgv2_76 | Visual Poetry and Asemic Writing | 04_14 Olivier le Lohé, Fern G. Z. Carr, Volodymyr Bilyk, JJ Steinfeld, James B. Nicola, Perrin Langda, Pamela Johnson Parker & Amanda... More > Earl. More information http://mgversion2datura.blogspot.com< Less
A Cross-Industrial Assessment of Worker Treatment By Ekaterina Zheleznyak et al.
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Shima Akhter, a Bangladeshi garment worker, wakes every day to the reality that her daughter may have to follow in her footsteps, and sew clothes in a toxic environment for an unsustainable wage.... More > Shima’s rights were swiftly stolen when she was beaten by her manager for attempting to unionize and vocalize the injustice she and her co-workers faced. Workers in the industries of food, technology, fashion, construction, and journalism are toiling globally under oppressive business operations. Ranging from the issue of unsustainable compensation to discriminatory hiring practices, there are complications in the business ethics world that need to be addressed. Within this cross-industrial assessment the real treatment of workers is unveiled, and the glaring question arises: what, if anything, can be done?< Less
as it were By Rosaire Appel
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A collection of seventeen non-verbal compositions that visually explore the story as a form. Each story in this collection uses a different system of generators, each develops its own language. The... More > writing is asemic, the stories are open to interpretation. Note: this book contains no words.< Less
TAPES By Rosaire Appel
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Using tape instead of words, I explore some linear/ musical / architectural aspects of poetry. Pattern, rhythm, tonal densities - values that are present in everything we look at and everything we... More > read. My work moves back and forth over the cultural boundary that seeks to separate looking and seeing. As for actual words, I have included a brief meditation of tapes....< Less
Tremors From the Future By I A
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A collection of digitally drawn early abstract comics and asemic writing.

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