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165 results for "gregorian chant"
The Divine Liturgy of the Sarum Rite By Steven Jones
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The Orthodox/Catholic/Anglican Western Rite Divine Liturgy of Sarum (old) England with lectionary, customary and detailed rubrics for most major feast and holy days. Large print beautifully laid out... More > and designed for altar use. Includes details for Ash Wednesday, Holy Thursday, Mass of the Pre-sanctified (Good Friday), Easter Vigil, Easter, Major Saint's Days, Common of Saints, Mass of the Dead, Matrimony, Gregorian Chant examples including the Exsultet, etc. Extensively researched. Spiral bound so as to lay flat for use. Includes many texts that can't be found elsewhere. Large print, 8.5 x 11, 400+ pages< Less
The Draft Hymnal By Veronica Brandt
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Here is a draft of a hymnal intended for my local parish. For all those who have expressed an interest, here is a way to get a copy. Buy a few and have a sing-a-long to start each day. This book... More > is mostly just the words. No Catholic hymnbook is complete without Gregorian chant and here you'll find Rorate Caeli, Veni Creator, the simple Te Deum and a few more as well as a very comprehensive selection from the Kyriale. Also about three litanies in Latin with chant and English words plus three more litanies just in English. Two novena prayers plus the indulgenced prayers to the Sacred Heart of Jesus. This is a big book and to make it easier to navigate the right hand page edge is marked with 'thumbs' or tabs. Plus an index in the back. The books starts off with the Order of the Mass in Latin and English - Extraordinary Form.< Less
Liber Brevior By Solesmes Monastery
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The Liber Brevior is a shortened form of the Liber Usualis. The Liber Brevior contains the Introit, Gradual, Alleluia, Offertory, and Communion for choirs and scholas singing the Latin Tridentine... More > Mass. •1954 Edition •Enlarged print for easier reading •Chants and texts are shifted away from the spine of the book for easier reading •Complete Kyriale •All the Sundays and Major feast days of the Liturgical Year •Saints' feast days and the commons •Votive Masses, including the Nuptial (Wedding) Mass •Funeral Mass / Mass for the dead (Including the Burial Service, Libera Me, Subvenite, and In Paradisum) •Includes Marian antiphons •The back of the book includes a few litanies and hymns. •The appendix has simplified Graduals, Alleluias, and Tracts - excellent for small parishes or beginning scholas •800 pages, hardbound, quality binding on white paper for easier reading< Less
Cinematic Scenes for String Orchestra By Andrew Feazelle
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Cinematic Scenes for String Orchestra is a collection of three pieces written during the composer’s brief dalliance with the film industry, and which were recorded with a Prague session... More > orchestra in the late 2000’s. The first piece, an example of Feazelle’s approach to title music writing, illuminates his aspirations of applying the compositional techniques of Vaughan Williams onto cinematic scores. The listener can observe simple, folk-like melodies, sometimes utilized in multi-part cannonic counterpoint, reminiscent of the old English master’s style. The second piece, written as an example of menu music for a game featuring medieval warfare, again highlights early 20th century English classical idioms, but is further infused with hints of Gregorian chants. The third piece is a quick love scene that takes place aboard an English sailing vessel during the Tudor Era.< Less
Brahms' Alarm Clock (for Violin, Viola, and Cello solo) By Istvan B'Racz
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Brahms’ Alarm Clock for solo violin is a fun, bouncy, showy piece. It is tonally accessible to most, and a bit “adventuresome” in a few short places. It uses traditional playing... More > techniques, and has a sense of “bravura”. Taking advantage of open strings somewhat “informed” the sound in some passages. Besides playfully punning on “lullaby” as an “alarm” and the clock part, as well as the violin concerto, there is also small quote from an Gregorian chant from old Hungary. Initially written for the violin, it had its initial version performed back in 1995, then sat dormant for many years. “I took it out recently, while learning a new notation program that allowed me to now represent what I had wanted back then (being more mature, and supposedly wiser - both me, and the notation programs). I also decided to make a version of this for Viola and for the Cello, keeping the same relationship of open string use.”< Less
Liber Brevior By Fr. Scott Haynes
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For use with the Extraordinary Form of the Roman Rite. This book of Gregorian Chant provides the Propers and the Ordinary for the Traditional Latin Mass.
Tenebrae By Albert Bloomfield
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Matins & Lauds of the Triduum with Gregorian chant and pointed psalms as well as some optional polyphonic responsories.
Mass of the Communion of Saints - Assembly Card By Mary E. H. Hilger
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This Mass blends the gentle melodies of Gregorian Chant with contemporary syncopation and harmony. A simple Latin word or phrase, easy to pronounce and pleasing to the ear, is woven into each piece.... More > The melodies are easy for congregations to learn, and accompaniment offers rich harmonies and textures. I named the Mass in honor of my sister, Teresa who passed away. She loved the Latin Mass. I appreciate the Latin Mass and traditional songs, but prefer contemporary Christian praise and worship and contemplative chants from Taizé. This Mass is my attempt to blend all the styles. Nine songs for this Mass setting: Lord, Have Mercy; Glory to God; Nicene Creed; Holy, Holy, Holy; We Proclaim Your Death, O Lord; When We Eat This Bread; Save us, Savior of the World; Great Amen; and Lamb of God. Full Score: soprano(melody for congregation), alto, tenor, bass, descant, keyboard for piano or organ, guitar chords, and C instrument(violin or flute).< Less
BRIGID OF KILDARE By MYLA LICHTMAN-FIELDS
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In 450 A.D. Ireland, the Druid CHIEF DUBTACH of Leinster simultaneously fathered a son [BACENE] by his wife, CONDLA, and a daughter [BRIGID] by his bondmaid BROCESA. Condla insisted that the... More > pregnant Brocessa be sold and sent away to Connacht. Irish law demanded that the children of slaves be returned to their original owners upon reaching the age of eight. After the King ordered Dubtach to give 15 year-old Brigid her freedom, she took her vows to become a Sister in Christ. Along the Great Road on her return to help her mother in Connacht, Brigid met other Sisters and discovered how miserable and isolated the women were. She vowed to help them by creating a monastery community for women. Brigid's dream of a monastery (convent) for women is glimpsed within the context of the play’s dream sequence. Women in Brigid's community would establish scriptoriums , hospitals, communal farms, and nurture art and music [women would sing Gregorian chants].< Less
Cantuale Antonianum (ed. economica - economic ed.) By Chi Ro
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Collection of gregorian chants (in latin) in honour of St. Anthony of Padua. It contains hymns, antiphons, simple sets for the ordinary and proper of mass of the Doctors of the Church, and chants... More > from Graduale Romanum and from liturgical books of the franciscan order. Cantuale Antonianum è una collezione di canti gregoriani in onore di Sant'Antonio. Contiene inni e antifone proprie del Santo, semplici ordinari e propri per la messa dei Dottori della Chiesa, canti dal Graduale Romanum, e altri particolari estratti dai libri liturgici propri dell'Ordine francescano.< Less

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