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46 results for "maturin"
Plays, Works of Charles Robert Maturin, Vol. 7 By Charles Robert Maturin
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The three plays of Charles Robert Maturin, produced in London between 1816 and 1819, document Maturin’s attempts at theatrical success. His first three novels were not popular, but his luck... More > improved with Bertram (1816), which ran for twenty-two nights. Even with this success in hand, Manuel (1817) and Fredolfo (1819) failed completely, partly through the sabotage of indifferent actors and a fickle public. A posthumous play, Osmyn, the Renegade, had slightly better luck, but only fragments remain. Few if any plays of this period, when public tastes valued excess and melodrama over literary quality, are performed or read today. The reader of Maturin’s novels, however, will find in his plays ample evidence of the wild Romantic imagination that fueled his novels. The rhetorical vigor common to all his works revealed perhaps its most unfettered expression in the plays.< Less
The Albigenses, Works of Charles Robert Maturin, Vol. 6 By Charles Robert Maturin
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Charles Robert Maturin’s last novel, The Albigenses (1824), a historical romance of the early 13th century, is a rich tale of the conflict between the Catholic church and the Albigenses, a... More > heretical sect centered in Languedoc. Its historical background does little to inhibit Maturin’s strong penchant for extravagant scenes of violence, horror, and vivid evocations of nature at its least benign. His many characters people a well-plotted story of impressive density—the heroine, Genevieve, kind hearted, bold, true to her creed; the ruthless bishop of Toulouse; churchmen and women, of varying degrees of piety; maniacal harridans, formidable outlaws, and knights in armor. The Albigenses received, in general, better reviews than most of his other works, mainly because of its relatively reduced emphasis on blasphemous doings, but the reputation of Melmoth the Wanderer soon overshadowed it. This new edition of The Albigenses aspires to renew interest in the Irish master’s final elaborate and engrossing tale.< Less
Fatal Revenge, Works of Charles Robert Maturin, Vol. 1 By Charles Robert Maturin
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Charles Robert Maturin’s first novel, Fatal Revenge; or, The Family of Montorio, was published in 1807. Maturin’s dark tale of the brothers Ippolito and Annibal Montorio is a complexly... More > plotted adventure, full of “strong and vigorous fancy, with great command of language,” according to Sir Walter Scott. Maturin’s relish for the gothic and horrid, so brilliantly exploited in his masterpiece of 1820, Melmoth the Wanderer, here makes its first appearance, and the themes that haunted the later novel find their initial expression in Fatal Revenge. Maturin’s unique talents of “darkening the gloomy, and of deepening the sad; of painting life in extremes, and representing those struggles of passion when the soul trembles on the verge of the unlawful and the unhallowed,” make Fatal Revenge a compelling essay into the twilight world of the late gothic novel, one in which both innocence and evil are ultimately unable to triumph over the forces that overwhelm them.< Less
Works of Charles Robert Maturin, Vol. 5: Melmoth the Wanderer By Charles Robert Maturin
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Charles Robert Maturin’s well-known novel, Melmoth the Wanderer (1820), occupies a high-point in Gothic literature. Lurid, vivid, sacrilegious, paranoid, anti-Catholic, painfully tortuous and... More > gleefully drawn out in its depictions of suffering, its title character tries to find victims miserable enough to take over his bargain with “the enemy of mankind.” Maturin displayed his talents of “darkening the gloomy” by interweaving tales of Melmoth’s intended victims: the Englishman Stanton, ensnared into an insane asylum; the Spaniard Monçada, trapped in monasteries and prisons of the Inquisition; Immalee, an innocent child of nature; Elinor, a Puritan maiden crossed in love, blighted by cruel deception. All are confronted with Melmoth’s icy seductions. Maturin’s uncanny aptitude for alternating vertiginous intensity with brooding melancholy and despair leads the reader to a dark side of the psyche where the heavy price paid for redemption often tests human fortitude and conviction beyond the limits of endurance.< Less
The Milesian Chief, Works of Charles Robert Maturin, Vol. 3 By Charles Robert Maturin
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The Milesian Chief, Maturin’s third novel (1812), is the first of his novels to be set almost entirely in Ireland. After the 1800 Act of Union, the political and social turmoil caused by... More > rebellion in the name of Irish independence disrupts the splendid fortunes of the talented and beautiful Armida, Italian-bred and English-born, who falls in love with Connal, last of an ancient Irish dynasty and leader of a desperate army of rebels. As she follows Connal’s dire path, her exquisite if emotionally sterile life of art and music is transformed into an adventure in the wilds of western Ireland, the huts of the poor, bloody battlefields, rocky shores, and cavern hideouts, as English forces gradually draw closer to defeating the rebels. The sense of dread that overwhelms the characters and the entire countryside in their struggles against enemies, military as well as personal, is echoed in the passion of Armida and Connal, and enhanced by Maturin’s vivid gothic touches.< Less
The Wild Irish Boy, Works of Charles Robert Maturin, Vol. 2 By Charles Robert Maturin
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The Wild Irish Boy (1808) was Charles Robert Maturin’s second novel. Set in Ireland and England, the story follows the adventures of Ormsby Bethel, a young Irishman of uncertain ancestry, as he... More > navigates through the temptations of high life, the intrigues of swindlers, gamblers, and fast women, and his own uncertainties about his place in the societies of both countries. Combining features of the silver fork novel, coming-of-age story, and to some degree (in scenes of Irish life) the national novel, The Wild Irish Boy is an entertaining tale full of unexpected twists and turns, extravagant scenes of fashionable excess, misguided and dangerous passions, and long-held secrets with dire consequences: riches and ruin, both moral and financial. Among the colorful characters is the too-fascinating Lady Montrevor, cultured, ingenious, and enigmatic, who adds a dimension of excitement and intrigue that contributes to making The Wild Irish Boy a novel rich with conflicting social and moral viewpoints.< Less
The Family and Stories of Maturin and Hilma Smith By Christian Rohrbach
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Genealogy and stories of a unique man and his family and friends.
Melmoth The Wanderer By CHARLES MATURIN
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CHARLES MATURIN Melmoth the Wanderer The romances of Charles Robert Maturin mark the transition stage between the old crude "Gothic" tales of terror and the subtler and weirder treatment of... More > the supernatural that had its greatest master in Edgar Allan Poe. Maturin was born at Dublin in 1782, and died there on October 30, 1824. He became a clergyman of the Church of Ireland; but his leanings were literary rather than clerical, and his first story, "Montorio" (1807), was followed by others that brought him increasing popularity. Over-zealousness on a friend's behalf caused him heavy financial losses, for which he strove to atone by an effort to write for the stage. Thanks to the good offices of Scott and Byron, his tragedy, "Bertram," was acted at Drury Lane in 1816, and proved successful. But his other dramatic essays were failures, and he returned to romance.< Less
Melmoth the Wanderer By Charles Maturin
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Written by an eccentric Anglican curate in Dublin, Melmoth the Wanderer (1820) brought the Gothic novel to a new pitch of claustrophobic intensity, surpassing the quiet tremors of Ann Radcliffe's... More > romances in its reckless accumulation of cruelties and blasphemies. Its tormented villain, a Faustian transgressor desperately seeking a victim to release him from his fatal bargain with the devil, was regarded by Balzac as one of the great outcasts of modern literature. Intended partly as an attack on Roman Catholicism, Maturin's intriguing novel teeters giddily over abysses of sacrilege and raving paranoia, in moments of delirious panic worthy of Godwin or Poe.< Less
The Story of Malta By Maturin Murray Ballou
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Hint: You can preview this book by clicking on "Preview" which is located under the cover of this book. About the author: Maturin Murray Ballou (April 14, 1820 – March 27, 1895) was... More > a writer and publisher in 19th-century Boston, Massachusetts. He co-founded Gleason's Pictorial, was the first editor of the Boston Daily Globe, and wrote numerous travel books and works of popular fiction.Ballou was born in Boston in 1820, to parents Hosea Ballou and Ruth Washburn. He attended The English High School, and although he passed the entrance exam for Harvard College, he did not attend. He married Mary Anne Roberts on Sept. 15, 1839; children included Murray Roberts Ballou (b. 1840).Starting around 1838, Ballou wrote for the Olive Branch, a weekly paper published in Boston. In addition to writing, he worked various jobs for the Boston Post Office, 1839 and the Boston Custom House, ca.1845. Excerpt from:< Less

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Birth Log Book Birth Log Book By Emily Rumsey
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