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24 results for "nico vassilakis"
protracted type By Nico Vassilakis
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Visual poetry by Nico Vassilakis
protracted type By Nico Vassilakis
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Visual poetry by Nico Vassilakis
MOMENTS NOTICE By Nico Vassilakis
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Nico Vassilakis' Moments Notice has taken a huge leap forward in the evolution of concrete poetry, by utilizing the myriad possibilities of digital typographic manipulation. The result is work of... More > great beauty, color, design, concept, and a visuality that makes his ideas and poetics vivid and endlessly intriguing. Maria Damon says, “Moments notice us at a moment’s notice, lying in wait for us, in this space-time lingo-jaunt. When humans (hypothetically) fall into a black hole, the first thing their bodies undergo is ‘spagghettification.’ One could say when human language falls into Nico Vassilakis’ clutches, it undergoes a similar process. But instead of annihilation, there is plenitude." Ron Silliman asks, “Is it feasible for visual poetry to be positively erudite? In the words (or word) of one of the not-quite-texts here, Moments Notice presents the argument for YES.”< Less
DIPTYCHS By Nico Vassilakis
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The individual pieces in this book are tiny visual poems that examine the materiality of visible language and find beauty by looking at that language from unexpected vantage points. Nico Vassilakis... More > has created each of these poems through a sequence of steps that included capturing video of text, editing and modifying that video (which included changing the color), capturing screenshots of the video, and cutting and putting these final pieces together in little diptychs consisting of one rectangle of prepared text atop another. To some degree, the results are the children of Nico’s important videopoetic work, Concrete: Movies, released in 2005. -Geof Huth Nico Vassilakis' videos, including images from DIPTYCHS can be found here.< Less
Text Loses Time By Nico Vassilakis
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Text Loses Time intends to present both verbal and visual poetries as equal. Though notions of poetics have shifted and swerved, what has stayed solid throughout is that the alphabet, the word... More > – however arranged – contains, within it, dual significance. First, the proto-historic role of the visual conveyance of represented fact. Second, the overriding desire of human utterance to substantiate existence. In conjoining these two models this book hopes to form a third, blurred value. Thought and experience are factors that accrue, while staring and writing help resolve and conclude. As you stare at text you notice the visual aspects of letters. As one stares further, meaning loses its hierarchy and words discorporate and the alphabet itself begins to surface. Shapes, spatial relations and visual associations emerge as one delves further.< Less
Irrational Dude By Nico Vassilakis, Robert Mittenthal
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Irrational Dude By Nico Vassilakis, Robert Mittenthal
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Otoliths issue two, part two By Mark Young (editor)
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Otoliths issue two, part two contains work by Karl Young, Vernon Frazer, Sandra Simonds, Nico Vassilakis & John M. Bennett, Carol Jenkins, Ira Joel Haber, Thomas Fink, Geof Huth, David-Baptiste... More > Chirot, Michael Rothenberg, Marko J. Niemi & Eileen Tabios.< Less
Otoliths issue three, part two By Mark Young (editor)
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Otoliths, issue three, part two, contains work by Ray Craig, John M. Bennett, Eileen Tabios, Kevin Opstedal, Reed Altemus, Nico Vassilakis, Ayşegül Tözeren, Sheila E. Murphy, Martin... More > Edmond & Serkan Işın.< Less
Otoliths issue three, part two By Mark Young (editor)
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Otoliths, issue three, part two, contains work by Ray Craig, John M. Bennett, Eileen Tabios, Kevin Opstedal, Reed Altemus, Nico Vassilakis, Ayşegül Tözeren, Sheila E. Murphy, Martin... More > Edmond & Serkan Işın.< Less