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17 results for "one stroke painting"
One Stroke Cross Reference 2006 By Genevieve Crabe
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This book contains a list of Donna Dewberry’s books, videos, teaching guides, etc. published up to 2006. It also includes a cross-reference of One Stroke worksheets, from: Reusable Teaching... More > Guides (RTG), Continuity Teaching Guide Collection published in 2000-2001, Year of Flowers Teaching Guides published in 2001, worksheets or step-by-step photo instructions in books and magazines articles. In addition, there are lists of all the projects and surfaces in books, videos, and magazine articles.< Less
Titian: Paintings By Daniel Coenn
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Tiziano Vecellio was the greatest artist of the Venetian School, recognized as immense genius in his own time and his reputation as one of the giants of art has never been sincerely questioned.... More > Lomazzo described him as the 'sun amidst small stars not only among the Italians but all the painters of the world'. He was supreme in every branch of painting and his achievements were so varied that he has been an inspiration to artists of very different character. Poussin, Rubens, and Velazquez are among the painters who have particularly revered him. In many subjects, above all in portraiture, he set patterns that were followed by generations of artists. His free and expressive brushwork revolutionized the oil technique: Vasari wrote that his late works "are executed with bold, sweeping strokes, and in patches of color, with the result that they cannot be viewed from near by, but appear perfect at a distance..."< Less
Lovis Corinth: Paintings By Daniel Coenn
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Lovis Corinth, whose real name is Franz Heinrich Louis Corinth, was a German painter and printmaker, one of the most important representatives of German Impressionism and Expressionism. Corinth's... More > oeuvre includes more than 100 paintings and several books and essays on painting. Today Corinth is regarded as one of the "Classics of Modern Art" and his works are exhibited in the most important museums and galleries of the German-speaking world. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes. He painted numerous self-portraits, and made a habit of painting one every year on his birthday.< Less
Toulouse-Lautrec: Paintings By Daniel Coenn
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Henri de Toulouse-Lautrec was French painter, printmaker, draftsman and illustrator with enormous productivity - more than 1000 paintings, 5000 drawings, and 350 prints and posters. He suffered a... More > debauchery and alcoholism and after mental and physical collapse died at the age of 37. His life has inspired numerous authors. His imaginary style is highly linear and gives huge accent to contour. He frequently applied the paint in long, thin brush strokes which would often leave much of the board on which they are painted showing through. Many of his works may best be described as drawings in colored paint. Although exhibitions of his paintings were not well received in his lifetime, Toulouse-Lautrec is nowadays one of the world's most popular artists and is represented in most of the museums of Europe and the United States. He is sometimes classified as great Post-Impressionist along with Cézanne, Van Gogh and Gauguin.< Less
Camille Corot: Paintings By Daniel Coenn
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Jean-Baptiste-Camille Corot (1796 - 1875) was the leading French painter of the Barbizon school in the mid-nineteenth century. Claude Monet called of him: "There is only one master here and... More > his name is Corot. We are nothing weigh against to him - nothing." Corot often praised as a predecessor of Impressionism, but he painted his landscapes in more traditional way than is generally supposed. Compared to the Impressionists who came later, Corot's palette is restrained, dominated with browns and blacks ("forbidden colors" among the Impressionists) along with dark and silvery green. Though appearing at times to be rapid and spontaneous, usually his strokes were controlled and careful, and his compositions well-thought out and generally rendered as simply and concisely as possible, heightening the poetic effect of the imagery. As he declared: "I noticed that everything that was done correctly on the first attempt was more true, and the forms more beautiful."< Less
Lovis Corinth: 122 Paintings and Drawings By Maria Tsaneva
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Lovis Corinth, whose real name is Franz Heinrich Louis Corinth, was a German painter and printmaker, one of the most important representatives of German Impressionism and Expressionism. Corinth's... More > oeuvre includes more than 100 paintings and several books and essays on painting. Today Corinth is regarded as one of the "Classics of Modern Art" and his works are exhibited in the most important museums and galleries of the German-speaking world. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes. He painted numerous self-portraits, and made a habit of painting one every year on his birthday.< Less
Theo Van Rysselberghe: Paintings and Drawings By Narim Bender
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Théo van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Barely 18 years old, he has developed his own... More > realistic style, close to impressionism. The accurate rendering of light would continue to occupy his mind. He was one of the prominent co-founders of the Belgian artistic circle Les XX on 28 October 1883. This was a circle of young radical artists, rebels against the outmoded academism of that time and the prevailing artistic standards. After van Rysselberghe saw the works of the impressionists Monet and Renoir, he was deeply impressed and start experimented with this technique. He discovered the pointillist technique when he saw Georges Seurat's La Grande Jatte in 1886, abandoned realism and became an adept of pointillism. After 1890s, he slowly reduced the use of points, began applying somewhat broader strokes and after 1910 abandoned it completely.< Less
Camille Corot: 175 Paintings, Drawings and Etchings By Maria Tsaneva
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Claude Monet once called of Corot: "There is only one master here and his name is Corot. We are nothing weigh against to him - nothing." Jean-Baptiste-Camille Corot was the leading French... More > painter of the Barbizon school. Corot often praised as a predecessor of Impressionism, but he painted his landscapes in more traditional way than is generally supposed. Unlike the Impressionists, Corot painted only sketches in the open air; he composed his finished paintings in the studio. Compared to the Impressionists who came later, Corot's palette is restrained, dominated with browns and blacks ("forbidden colors" among the Impressionists) along with dark and silvery green. Though appearing at times to be rapid and spontaneous, usually his strokes were controlled and careful, and his compositions well-thought out and generally rendered as simply and concisely as possible, heightening the poetic effect of the imagery.< Less
Theo van Rysselberghe: 121 Paintings and Drawings By Maria Tsaneva
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Théo van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Barely 18 years old, he has developed his own... More > realistic style, close to impressionism. The accurate rendering of light would continue to occupy his mind. He was one of the prominent co-founders of the Belgian artistic circle Les XX on 28 October 1883. This was a circle of young radical artists, rebels against the outmoded academism of that time and the prevailing artistic standards. After van Rysselberghe saw the works of the impressionists Monet and Renoir, he was deeply impressed and start experimented with this technique. He discovered the pointillist technique when he saw Georges Seurat's La Grande Jatte in 1886, abandoned realism and became an adept of pointillism. After 1890s, he slowly reduced the use of points, began applying somewhat broader strokes and after 1910 abandoned it completely.< Less
Ignacio Pinazo: 105 Masterpieces By Maria Tsaneva
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Ignacio Pinazo Camarlench (1849 — 1916) was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style.... More > Ignazio Pinazo worked with dark colors: black, brown and other earth-like shades, as well as in the scintillating palette typical of Impressionism. His work often shows rapid brush strokes. Part of his work can be seen in the Basilica de la asunción in the town of Cieza, and in the Valencia Museum of Fine Arts “San Pio V”. The greatest collection of this painter's work is to be seen in the Valencia Institute of Modern Art, with over one hundred paintings and six hundred drawings. The annual art exhibitions brought Pinazo silver medals in 1881 and 1885, and gold medals in 1887 and 1899. He also received a royal medal and in 1912 a street in Valencia was named after him.< Less