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67 results for "realistic drawing"
Successful Drawing By Andrew Loomis
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William Andrew Loomis (1892–1959), better known simply as Andrew Loomis, was an American illustrator, author, and art instructor. His commercial work was featured prominently in advertising and... More > magazines; however, Loomis is best known as author a series of instructional art books printed throughout the 20th century. Long after his death, Loomis' realistic style has continued to influence popular artists.< Less
Ghirlandaio: 96 Frescoes and Drawings By Maria Tsaneva
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Domenico Ghirlandaio was one of the most popular Florentine artists of his time. He received his training in the workshop of Baldovinetti. Later, the work of Verrocchio in particular made an... More > impression on him. Ghirlandaio's compositional representation was simultaneously imposing and respectable. His chiaroscuro, in the sense of realistic shading and three-dimensional images, was realistically superior, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. A certain hardness of outline may show to his early training in metal work. Vasari states that Ghirlandaio was the first to abandon the use of ornamentation in his pictures, representing by genuine painting any objects supposed to be gilded. His drawings and sketches are considered particularly remarkable for their naturalistic vigor of outline. Ghirlandaio is commonly credited with having given some early art education to Michelangelo and Francesco Granacci.< Less
Domenico Ghirlandaio: Paintings and Drawings By Daniel Coenn
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Domenico Ghirlandaio was one of the most popular Florentine artists of his time. He received his training in the workshop of Baldovinetti. Later, the work of Verrocchio in particular made an... More > impression on him. Ghirlandaio's compositional representation was simultaneously imposing and respectable. His chiaroscuro, in the sense of realistic shading and three-dimensional images, was realistically superior, as were his perspectives, which he designed on a very elaborate scale by eye alone, without the use of sophisticated mathematics. A certain hardness of outline may show to his early training in metal work. Vasari states that Ghirlandaio was the first to abandon the use of ornamentation in his pictures, representing by genuine painting any objects supposed to be gilded. His drawings and sketches are considered particularly remarkable for their naturalistic vigor of outline. Ghirlandaio is commonly credited with having given some early art education to Michelangelo and Francesco Granacci.< Less
Drawing the Head & Hands By Andrew Loomis
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William Andrew Loomis (1892–1959), better known simply as Andrew Loomis, was an American illustrator, author, and art instructor. His commercial work was featured prominently in advertising and... More > magazines; however, Loomis is best known as author a series of instructional art books printed throughout the 20th century. Long after his death, Loomis' realistic style has continued to influence popular artists.< Less
Valentin Serov: Paintings and Drawings By Daniel Coenn
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Valentin Serov was outstanding Russian painter, and one of the leading portrait artists of his era. His early inspiration was sparked by the realistic art of Repin and Chistyakov. Further influences... More > on Serov were the old master paintings he viewed in the museums of Russia and Western Europe, friendships with Mikhail Vrubel and later Konstantin Korovin. The greatest works of Serov's early period were portraits: The Girl with Peaches and The Girl Covered by the Sun. In these paintings Serov concentrated on spontaneity of perception of the model and nature. In the development of light and color, the complex harmony of reflections, the sense of atmospheric saturation, and the fresh picturesque perception of the world, there appeared the features of early Russian impressionism. Serov's favorite models were actors, artists, and writers. At the same time, Serov developed a contrasting direction: he frequently produced intimate, heartfelt, chamber portraits, mainly of children and women.< Less
Serov: 131 Paintings and Drawings By Maria Tsaneva
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Valentin Serov was outstanding Russian painter, and one of the leading portrait artists of his era. His early inspiration was sparked by the realistic art of Repin and Chistyakov. Further influences... More > on Serov were the old master paintings he viewed in the museums of Russia and Western Europe, friendships with Mikhail Vrubel and later Konstantin Korovin. The greatest works of Serov's early period were "The Girl with Peaches" and "The Girl Covered by the Sun". In these paintings Serov concentrated on spontaneity of perception of the model and nature. In the development of light and color and the fresh picturesque perception of the world, there appeared the features of early Russian impressionism. Serov's favorite models were actors, artists, and writers. At the same time, Serov developed a contrasting direction: he frequently produced intimate, heartfelt, chamber portraits, mainly of children and women.< Less
Edouard Manet: Drawings and Watercolours By Narim Bender
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Essential figure in the transition from Realism to Impressionism, Edouard Manet was an influential painter who left his own unique mark on the art world. In 1856, in his early thirties, Manet opened... More > his own studio. He began painting in a quasi-realist style, which transitioned to a more Impressionist style when he met the painter Berthe Morisot, who exposed him to her circle of Impressionist painter friends, including Claude Monet, Pierre-Auguste Renoir. Many of Manet’s works revolved around depictions of leisure activities, including observations of social life in all of the classes, from bourgeois horse racing to prostitutes drinking, to the streets of Paris and boating scenes, many of which were made from sketches done on the spot. Although his work was Impressionistic, he resisted involvement with any specific style of painting, and thus preferred to present his works to the Salon of Paris rather than the many Impressionist Exhibitions.< Less
COLLECTION OF PEN & INK DRAWINGS AND PASTELS By Paul Davids
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Artist / filmmaker Paul Jeffrey Davids (www.pauldavids-artist.com) has compiled hundreds of his pen & ink drawings and pastels into a collection that shows the unique imagination in his... More > visualizations and styles. Images of some of his oil paintings, that originated from pen and ink drawings, are included. There is commentary on many of the works, sometimes as tongue-in-cheek as the most outrageous drawings. However, there are very serious works here, too. You'll find the artist's Foreword, Statement and Bio as it appeared in the Huffington Post.< Less
Auguste Rodin: 185 Sculptures and Drawings By Maria Tsaneva
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This Art Book with Foreword and annotated reproductions by Maria Tsaneva contains 185 selected drawings and sculptures of Auguste Rodin. Rodin is recognized worldwide for the exceptional... More > authenticity of his anatomical sculptures. He strongly influenced twentieth century sculpture by his assemblage techniques and prepared the way for symbolism by adopting literary and mythological themes. It was the freedom and creativity along with his activation surfaces of sculptures through traces of his own touch and with his more open attitude toward bodily pose, sensual subject matter, and non-realistic surface – that marked Rodin's re-making of traditional 19th century sculptural techniques into the prototype for modern sculpture. Rodin's most original works departed from traditional themes of mythology and allegory, modeled the human body with realism, and celebrated individual character and physicality.< Less
Edgar Degas: 146 Paintings and Drawings By Maria Tsaneva
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Edgar Degas seems never to have reconciled himself to the label of "Impressionist," preferring to call himself a "Realist" or "Independent." Nevertheless, he was one of... More > the group’s founders, an organizer of its exhibitions, and one of its most important core members. Like the Impressionists, he sought to capture fleeting moments in the flow of modern life, yet he showed little interest in painting plain air landscapes, favoring scenes in theaters and cafes illuminated by artificial light, which he used to clarify the contours of his figures, adhering to his Academic training. Unusual vantage points and asymmetrical framing are a consistent theme throughout Degas's works. Though noted for his attention to the female figure, Degas executed many studies of grouped horses and jockeys from which he would use figures in later compositions.He absorbed artistic tradition and outside influences and reinterpreted them in innovative ways.< Less