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9 results for "uncreative writing"
The Uncreative Subterranean By Jason Jadick
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In response to Simon Morris’s “Getting Inside Jack Kerouac’s Head”, I marathon retyped all of Jack Kerouac’s The Subterraneans on Friday, November 30, 2012. Typos were... More > edited only if noticed during the performance. All conditions were at the mercy of the technology.< Less
Text One By Jacqueline Valencia
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Playing with language is as complex as playing with the body.
correspondence By Dylan Hansen-Fliedner
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Over the dates September 10 - November 6, 2012, Dylan Hansen-Fliedner received over 100 e-mails from Obama for America. Following Barack’s successful re-election, he received further... More > correspondence asking for his feedback in the form of a survey. On November 26, 2012, he sent a book of the e-mails and individual replies to the White House.< Less
Heights Wuthering By Cathy Vella
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Wuthering Heights alphabetised chapter by chapter. The classic novel is broken down into its many parts, and we see the words that make up the great novel.
Autobiography By Kenneth Goldsmith
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Writers have finally become the metadata of their own writings. The poet, at last, is obsolete.
Archive Phaneronoemikon 2 By Lanny Quarles
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Volume 2 of the Archive of the Long running weblog Phaneronoemikon by Lanny R. Quarles
Archive Phaneronoemikon 2 By Lanny Quarles
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Volume 2 of the Archive of the Long running weblog Phaneronoemikon by Lanny R. Quarles
PROVISIONAL LANGUAGE By MICHAEL O'BRIEN
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Xeroxes of the chapter titled 'Provisional Language' from Kenneth Goldsmith's 'Uncreative Writing'
Manchester: August 16th & 17th 1819 By John Seed
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‘Manchester: August 16th & 17th 1819′ is a poem sequence constructed from historical witness statements of those two days in Manchester. This edition has illustrations from... More > contemporary newspapers as well as an afterword by John Seed. ‘There is surely no more radical decentring of the subject/author in modernist writing,’ John Seed remarks of Charles Reznikoff’s Testimony, in the ‘Afterword’ to this book. The first part of ‘Manchester: August 16th & 17th 1819′, written in 1973 but previously unpublished, applies Reznikoff’s method to historical materials on the so-called ‘Peterloo Massacre’. The second part reflects on this method, noting convergences to some recent discussions in the United States around ‘uncreative writing’ and ‘conceptual writing’.< Less

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Left to Die Left to Die By Wes Rand
Paperback: $12.99