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aspeers 8 By aspeers e. V.
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Graduate Contributions by: Mareike Ahrens: “Gentrify? No! Gentefy? Sí!”: Urban Redevelopment and Ethnic Gentrification in Boyle Heights, Los Angeles; Carolin Benack: Subtraction... More > from Supply and Demand: Challenges to Economic Theory, Representational Power, and Systems of Reference in Melville’s “Bartleby, the Scrivener”; Sören Schoppmeier: ‘Hottentot Barbie’ as a Multicultural Star: The Commodification of Race in Nicki Minaj’s Music Videos; Felix Haase: “Within the Circle”: Space and Surveillance in Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave; Simon Daniel Whybrew: “The Ultimate Woman Is a Man”: An Analysis of Medical Authority and the (In)Visibility of Intersexuality in House, M.D.; Michaela Beck: The Negotiation of Vegetarianism as a Remedy for an American Sociocultural Schizophrenia in Jonathan Safran Foer’s Eating Animals.< Less
aspeers 4 (2011) By aspeers e. V.
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aspeers is the first European graduate journal for American studies. It was launched in 2007, this is the fourth issue. It contains academic contributions by: Martin Domke ("Into the Vertical:... More > Basketball, Urbanization, and African American Culture in Early-Twentieth-Century America"); Anke Geertsma ("Redefining Trauma Post 9/11: Freud’s Talking Cure and Foer’s Extremely Loud and Incredibly Close"); Julian Henneberg ("'Something Extraordinary Hovering Just Outside Our Touch': The Technological Sublime in Don DeLillo’s White Noise"); Stephen Koetzing ("The Trespassing Cyborg: Technology, Nature, and the Nation in Wild Wild West"); Jutta Schulze ("A 'Truth Like This': Language and the Construction of Power and Knowledge in Vampire Fiction"). And Art Contributions by: Simon Cazzanelli, Pamela Dewey, Monika Linzmaier, and Ina Müller.< Less