More From Andrew Feazelle

Cinematic Scenes for String Orchestra By Andrew Feazelle
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Cinematic Scenes for String Orchestra is a collection of three pieces written during the composer’s brief dalliance with the film industry, and which were recorded with a Prague session... More > orchestra in the late 2000’s. The first piece, an example of Feazelle’s approach to title music writing, illuminates his aspirations of applying the compositional techniques of Vaughan Williams onto cinematic scores. The listener can observe simple, folk-like melodies, sometimes utilized in multi-part cannonic counterpoint, reminiscent of the old English master’s style. The second piece, written as an example of menu music for a game featuring medieval warfare, again highlights early 20th century English classical idioms, but is further infused with hints of Gregorian chants. The third piece is a quick love scene that takes place aboard an English sailing vessel during the Tudor Era.< Less
Two Scenes for Trumpet and Piano By Andrew Feazelle
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Two Scenes for Trumpet and Piano is a short, two minute and forty five second piece written upon the request of a particular dining companion, during a special dinner in the summer of 2018. The... More > first scene scores the black and white photograph, 'Night Time Coffee, London' by Sir Edward Hulton, whilst the second is a vague impression of the city and surroundings during the Renaissance Era.< Less
Sophia, Andrew, Alexa By Andrew Feazelle
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Music for Flute, Clarinet, and Piano written in June 2018. Piece is approx. 3 minutes and is in the composer's signature neoromantic style influenced by early 20th century British classical music.
Piano Quartet By Andrew Feazelle
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Written at the height of the composer’s creativity in the summer of 2017, Piano Quartet is the last concert piece Feazelle completed before thoroughly abandoning the practice of composition to... More > alleviate himself from the social darkness necessary in conjuring such a state of inventiveness. The piece is in two movements utilizing his ‘miniature’ style of writing; the first concerned with climatic driven storms and peril; the second, with mourning intersticed with moments of great joy, dedicated to a friend that reawoke the composer’s emotive and social vitality during its construction, which had been diminished after the death of his mother in 2015.< Less

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