More From Ida Hiršenfelder & Andreja Kopač

PROTISLOVJA SKRITIH POKRAJIN. Intervju s Trevorjem Paglenom By Ida Hiršenfelder
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Umetnostna kritičarka Ida Hiršenfelder intervjuva Trevorja Paglena, radikalnega geografa z akademskimi izkušnjami, pisca, ki se posveča razkrinkavanju korupcije, in... More > prestopniškega umetnika, ki že več let raziskuje tajne dejavnosti ameriške vojske in obveščevalnih služb. Hiršenfelderjeva in Paglen razpravljata o štirih projektih: Symbology – zbirka insignij in našitkov, uporabljenih v tajnih operacijah; Missing Persons – seznam izmišljenih imen, pod katerimi delujejo Ciini agenti pod krinko v vojni proti terorizmu; Code Names – katalog besed, fraz in izrazov, ki se uporabljajo v aktivnih vojaških programi; in – Limit Telephotography Project – projekt, ki razkriva geografijo ameriških tajnih vojaških oporišč po vsem svetu. Razkrivanje te države v državi je mogoče ravno zaradi protislovne narave države kot take, pravi Paglen, ki govori tudi o odnosu med pripovedjo in umetnostjo ter umetnostjo in ekonomijo, pa tudi o svojem pojmovanju gledanja.< Less
Contradictions of the Hidden Landscape. Interview with Trevor Paglen By Ida Hiršenfelder
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Art critic Ida Hiršenfelder interviews Trevor Paglen, a radical geographer with an academic background, muckraking author and outlaw artist who has been exploring the secret activities of the... More > U.S. military and intelligence agencies for several years. Hiršenfelder and Paglen discuss here four projects: Simbology (2006) – a collection of insignia and patches used in secret operations, Missing Persons – a list of fake names used to cover up CIA agents in the war on terror, Code Names – a catalogue of words, phrases and terms employed for active military programs, and Limit Telephotography Project, which unveils the geographies of classified U.S. military bases all over the world. This unveiling work of the deep State is made possible by the contradictory nature of the State itself, says Paglen, who also speaks about the relationship between narrative and art, art and economy, and about his idea of seeing.< Less
Exercises in Nexus By Ida Hiršenfelder & Andreja Kopač
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The journalist and dramaturg Andreja Kopač and the media art critic Ida Hiršenfelder here discuss the unique aesthetics and discursive strategies in the work of Neven Korda. In his career... More > that spans three decades, Neven Korda has created a range of specific performative practices that emerge at the intersection of the textual, the visual and the musical. With his projects, Korda has been emphasising the importance of theatre both in its nature of communal space as well as in the appropriation of the performative that it allows. Every instalment or performance unravels and deepens his intentions, namely searching for the beautiful, exploring the effects of technical means on the perception of space and time, political agitation, and analysis of social dynamics. The authors analyze Korda’s recent works, especially Consolidations (2013), investigating his usage of low resolution visual and vocal effects, the relation between the spoken and the visual, his choreographies.< Less
Novi Stari Mediji In Mediji Za Prihodnost By Ida Hiršenfelder
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Kustosinja in kritičarka medijske umetnosti Ida Hiršenfelder piše o projektu Antoina Schmitta Time Slip in o njegovih osrednjih delih. Time Slip je LED zaslon, na katerem se... More > izpisujejo novice in ki deluje v resničnem času: računalniški program prepisuje uradne spletne novice, ki jih objavljajo tiskovne agencije, in pri tem preteklik spreminja v prihodnjik. S tem ustvarja dvoumen odnos med sedanjostjo, preteklostjo in možnim ter prikazuje neprekinjen tok »novih« novic. Delo je odnos med vzrokom, posledico, naključnostjo in svobodno voljo: branje novic o že uresničenih dejstvih občinstvu onemogoča, da bi bilo glede tega aktivno; nasprotno pa branje novic o prihodnosti povečuje tesnobo in razkriva, kako se množični mediji lotevajo produkcije poslušnih državljanov, namesto da bi jih informirali. Schmitt, francoski ustvarjalec instalacij in digitalne umetnosti, je predvsem inženir in programer, ki je svojo kariero na področju informacijskih tehnologij začel v osemdesetih letih.< Less

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The CashPT® Blueprint: How I Built and Scaled a Successful Cash-Based Physical Therapy Practice Even When I Was Told It Was Unethical, a Bad Idea and That No One Would Pay More Than Their Copay for Physical Therapy! The CashPT®... By Aaron LeBauer
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