The summer of 1989 was a particularly turbulent one for Walter Chaw, who found solace in a little movie about the end of the world, Steve De Jarnatt's genre-bending "Miracle Mile". Part memoir, part critical study, and featuring the participation of writer-director De Jarnatt, this monograph is an utterly unique chronicle of the Reagan era that examines how the most public of media can give meaning to the most private apocalypse.
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