先觉之歌 (Song of Foresight)

eBook (PDF), 533 Pages
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These 360 and more poems were penned from 1967 to 1980 by Xie Xuanjun(謝選駿,谢选骏), a thinker of the 21st century who made his debut in the academic world in the 1980's . These early poetic works by him predated his scholarly writing and his elucidating of philosophical thoughts, but were the embryonic forms of the latter and, as works of the soul before being assimilated by the social environment, could indeed be regarded as songs by a person of foresight.... More > 1980年代的學者、二十一世紀的思想者,謝選駿在1970年代前後(1967年──1980年)寫下了這裏的三百六十餘首詩歌。這些早期的詩行先於其學術和思想,卻是其學術與思想的雛形,作為「未與社會環境同化之前的靈魂之作」,堪稱《先覺之歌》。< Less
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  • By Laird Unlimited
    Sep 18, 2016
    出版說明 1980年代的學者、二十一世紀的思想者,謝選駿在1970年代前後(1967年──1980年)寫下了這裏的三百六十餘首詩歌。這些早期的詩行先於其學術和思想,卻是其學術與思想的雛形,作為「未與社會環境同化之前的靈魂之作」,堪稱《先覺之歌》。 This is a rare passionate writings in rendition of poetic Chinese forms. I can only match its brilliance with this translation of mine, standing on the shoulder of American poet William E. Stafford ( 唱对台戏 The Ritual to Read to each other 如果我对你一竅不通/ 你對我也一無所知/ 我俩的世界由他人的篤信而成全/ 要是我们还跟錯了救世主/ 闪闪红星也与你我无缘了。 腦海的得意算盤中多有一丝癮患,/ 一不小心一不再意珠機全盘否定。/ 年少气盛时的所有正义之教/ 如洪水破堤一往而不可收拾。 如同马戏班里的象群/ 一个接着另一个沉重的脚步而行/ 单枪匹马在戏班中很难找到戏路/ 我以为这有點惨不忍睹,/ 亦或是所有悲剧的根源:/ 只知台词而对戲路不聞不问。 于是乎,我向天籁之音祈祷/ 探求所有生灵的话外语/ 虽然我们习惯于装腔作势/ 诚叩在戏班外的人生舞台,/ 你我无需暗中 假戏真作?/ 因为 明白的人 始终 应该做 明白的事/ 否侧一言以毙之,只剩混世魔王之徒。/ 所有以信为真的人 是与非 或是或非 务必 言从心镜:/ 世道的黑暗 何其甚乎? copyright susan ye, June 9, 2016, 5:23p.m. A Ritual to Read to Each Other / BY WILLIAM E. STAFFORD/ If you don't know the kind of person I am/ and I don't know the kind of person you are/ a pattern that others made may prevail in the/ world / and following the wrong god home we may... More > miss our star./ For there is many a small betrayal in the mind, / a shrug that lets the fragile sequence break / sending with shouts the horrible errors of childhood / storming out to play through the broken dike./ And as elephants parade holding each elephant's tail, / but if one wanders the circus won't find the park, / I call it cruel and maybe the root of all cruelty / to know what occurs but not recognize the fact./ And so I appeal to a voice, to something shadowy, / a remote important region in all who talk:/ though we could fool each other, we should consider—/ lest the parade of our mutual life get lost in the dark./ For it is important that awake people be awake,/ or a breaking line may discourage them back to sleep; / the signals we give — yes or no, or maybe —/ should be clear: the darkness around us is deep./< Less
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First Edition
May 29, 2015
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