Companion catalog to the 2001 "Comparative Morphologies" print series. Includes full-page, full-color images of each print, including a brief project description. From the Introduction:... More > "What look like vintage natural history studies turn out to be, on closer inspection, images of computer and technological cords and peripherals, each slightly manipulated to take on organic characteristics: a fused or sprouting growth from a stem, a viral infection, a radial symmetry..."< Less
Full-color folio spanning ten years of the artist's works, including installation, sculpture, drawings, photography, and other media. From the introduction: "Using mostly cheap materials like... More > foamboard, contact paper, tape, scrap wood, and laserjet prints—-I have made images and objects that reference architectural or scientific diagrams, electronic equipment, cityscapes, mass-produced goods, and contemporary artworks. What interests me are the mis-translations or mis-appropriations (be they purposeful or accidental) that happen when an image or concept is remade and shifted away from their correct territories, and especially when traveling from the “top” (i.e. the global) on “downwards” (localized communities)..."< Less
Companion catalog to the 2001 "Comparative Morphologies" print series. Includes full-page, full-color images of each print, including a brief project description. From the Introduction:... More > "What look like vintage natural history studies turn out to be, on closer inspection, images of computer and technological cords and peripherals, each slightly manipulated to take on organic characteristics: a fused or sprouting growth from a stem, a viral infection, a radial symmetry..."< Less
Full-color folio spanning ten years of the artist's works, including installation, sculpture, drawings, photography, and other media. From the introduction: "Using mostly cheap materials like... More > foamboard, contact paper, tape, scrap wood, and laserjet prints—-I have made images and objects that reference architectural or scientific diagrams, electronic equipment, cityscapes, mass-produced goods, and contemporary artworks. What interests me are the mis-translations or mis-appropriations (be they purposeful or accidental) that happen when an image or concept is remade and shifted away from their correct territories, and especially when traveling from the “top” (i.e. the global) on “downwards” (localized communities)..."< Less
Author Spotlight
