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Tom R. Chambers
Wide-screen China
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Wide-screen China By Tom Chambers
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Black and white photographs in wide-screen format of China. Chambers uses this format reminiscent of the CinemaScope movies... More > that impressed him when he was a child and cognizant of the popularity of wide-screen television in today's homes. The bit of distortion seen in most of the images creates a sense of drama with a focus on darks and lights to set a certain mood. There's an otherworldliness that seems to run through the series of photographs. < Less
Wide-screen China
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Wide-screen China By Tom Chambers
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Black and white photographs in wide-screen format of China. Chambers uses this format reminiscent of the CinemaScope movies... More > that impressed him when he was a child and cognizant of the popularity of wide-screen television in today's homes. The bit of distortion seen in most of the images creates a sense of drama with a focus on darks and lights to set a certain mood. There's an otherworldliness that seems to run through the series of photographs. < Less
Wide-screen India
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Wide-screen India By Tom Chambers
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Black and white photographs in wide-screen format of India [Ahmedabad]. Chambers uses this format reminiscent of the... More > CinemaScope movies that impressed him when he was a child and cognizant of the popularity of wide-screen television in today's homes. The bit of distortion seen in most of the images creates a sense of drama with a focus on darks and lights to set a certain mood. There's an otherworldliness that seems to run through the series of photographs. < Less
Wide-screen India
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Wide-screen India By Tom Chambers
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Black and white photographs in wide-screen format of India [Ahmedabad]. Chambers uses this format reminiscent of the... More > CinemaScope movies that impressed him when he was a child and cognizant of the popularity of wide-screen television in today's homes. The bit of distortion seen in most of the images creates a sense of drama with a focus on darks and lights to set a certain mood. There's an otherworldliness that seems to run through the series of photographs. < Less
Wide-screen Hungary
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Wide-screen Hungary By Tom Chambers
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Black and white photographs in wide-screen format of Hungary [Budapest]. Chambers uses this format reminiscent of the... More > CinemaScope movies that impressed him when he was a child and cognizant of the popularity of wide-screen television in today's homes. The bit of distortion seen in most of the images creates a sense of drama with a focus on darks and lights to set a certain mood. There's an otherworldliness that seems to run through the series of photographs. < Less
Wide-screen Hungary
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Wide-screen Hungary By Tom Chambers
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Black and white photographs in wide-screen format of Hungary [Budapest]. Chambers uses this format reminiscent of the... More > CinemaScope movies that impressed him when he was a child and cognizant of the popularity of wide-screen television in today's homes. The bit of distortion seen in most of the images creates a sense of drama with a focus on darks and lights to set a certain mood. There's an otherworldliness that seems to run through the series of photographs. < Less
My Dear Malevich
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My Dear Malevich By Tom Chambers
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This homage to Kasimir Malevich is a confirmation of Tom R. Chambers' Pixelscapes as Minimal Art and in keeping with... More > Malevich's Suprematism ... the feeling of nonobjectivity ... the creation of a sense of bliss and wonder via abstraction. Chambers' action of looking within a Malevich photo to find the basic component(s) ... pixel(s) is the same action as Malevich looking within himself ... inside the objective world ... for a pure feeling in creative art to find his "Black Square", "Black Cross" and other Suprematist works. < Less
My Dear Malevich
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My Dear Malevich By Tom Chambers
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This homage to Kasimir Malevich is a confirmation of Tom R. Chambers' Pixelscapes as Minimal Art and in keeping with... More > Malevich's Suprematism ... the feeling of nonobjectivity ... the creation of a sense of bliss and wonder via abstraction. Chambers' action of looking within a Malevich photo to find the basic component(s) ... pixel(s) is the same action as Malevich looking within himself ... inside the objective world ... for a pure feeling in creative art to find his "Black Square", "Black Cross" and other Suprematist works. < Less
The Great Wall
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The Great Wall By Tom Chambers
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Wide-screen, color photographs of The Great Wall ... Mu Tian Yu ... near Beijing, China. These images are almost a private... More > encounter in the sense that Chambers was alone most of the time during his trek along the ancient barrier. < Less
The Great Wall
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The Great Wall By Tom Chambers
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Wide-screen, color photographs of The Great Wall ... Mu Tian Yu ... near Beijing, China. These images are almost a private... More > encounter in the sense that Chambers was alone most of the time during his trek along the ancient barrier. < Less
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