VJam Theory (collective writings on realtime visual performance) presents the major concerns of practitioners and theorists of realtime media under the categories of performance, performer and interactors, audiences and participators. The volume is experimental in its attempt to produce a collective theoretical text with a focus on a new criticality based on practitioner/artist theory in which artist/practitioners utilise theoretical models to debate their practices. For more information visit www.vjtheory.net

VJam Theory (collective writings on realtime visual performance) presents the major concerns of practitioners and theorists of realtime media under the categories of performance, performer and interactors, audiences and participators. The volume is experimental in its attempt to produce a collective theoretical text with a focus on a new criticality based on practitioner/artist theory in which artist/practitioners utilise theoretical models to debate their practices.

VJam Theory (collective writings on realtime visual performance) presents the major concerns of practitioners and theorists of realtime media under the categories of performance, performer and interactors, audiences and participators. The volume is experimental in its attempt to produce a collective theoretical text with a focus on a new criticality based on practitioner/artist theory in which artist/practitioners utilise theoretical models to debate their practices. For more information visit www.vjtheory.net