Composer Troy Wayne graduated from the New England Conservatory, earning his Bachelors, Masters and Graduate Diploma while studying with mentor Malcolm Peyton. After spending a year studying with Lukas Foss in Boston, Mr. Wayne moved to Houston in 2001 where he continued graduate studies at the Shepherd School of Music with composer Anthony Brandt. His catalogue includes two multimedia works for orchestra with narration and visual art, three percussion concertos, choruses, art songs, and numerous chamber works. His music has been performed by the New England Conservatory Symphony Orchestra and Contemporary Ensemble, the Shepherd School Percussion Ensemble, the Woodlands Symphony and has written for actress Rachel Buchman; Heather Kellgreen, principle harp of the Tulsa Symphony; and Samuel Getchell, principle trombone of the Pittsburgh Opera. The past few months have been extremely busy for Mr. Wayne. In addition to studying and teaching at the Shepherd School, his Refractions of a Song by Lukas Foss was premiered by the Shepherd School Percussion Ensemble and the Novus trombone quartet in April. Also premiered by the Shepherd School Percussion Ensemble was Mr. Wayne's arrangement of the Fugue from Samuel Barber's "Piano Sonata," prior to which he gave a pre-concert lecture entitled "The Percussion Writing of Samuel Barber." Last March Mr. Wayne heard the premiere of "Ghost Stories" op. 24 for cello and celesta. His current projects include a set of organ preludes for organist Virginia Nance, a new work for violin, bassoon, percussion, and narrator based on stories by Belloc commissioned by Rachel Buchman, and a string quartet arrangement of Bartók's "For Children" for young players. Additionally, Mr. Wayne is writing a textbook on the fundamentals of music geared towards teaching college non-music majors. He is currently an Adjunct Professor of Music at Houston Community College.
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Print: $9.04 An atmospheric and reflective piece. Explores sonorities of a monochomatic ensemble. Glass Flows (“flows” as a verb) was originally a piece for double choruses of mixed voices on the Lux Æterna text. After a reading by the strings of the New England Conservatory Symphony Orchestra under the direction of Tamara Brooks, the piece was later orchestrated for full orchestra (at the suggestion of Malcolm Peyton - who was able to pursuade me it was doable) and came to be “Susan,” the 4th movement of the ballet Mind Fields. For score and audio samples http://www.troywayne.com
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Print: $6.02 for SSAATTBB chorus. Duration ca. 7:00. The original work upon which "Glass Flows" and 'Susan' from "Mind Fields" are based. For score and audio samples http://www.troywayne.com
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Print: $9.97 Four motets for SATB chorus with optional parts for percussion (1 player), harp and organ. Full Score. Performance combinations: voices a capella / voices and percussion / voices harp and percussion / voices, percussion and organ / voices, percussion, harp and organ. Also available for SA and TB chorus with same instrumentation option.
I. Ave Maria II. O Vos Omnes III. Circa Mea Pectora IV. Ubi Caritas.
May be performed individually. For more detailed description, score and audio samples http://www.troywayne.com
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Print: $12.65 This book contains the harp, organ and percussion parts for Four Motets op. 4
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Print: $9.03 Susan is the third movement from the ballet "Mind Fields" which is based on and merges music with the visual art of Jacek Yerka and the fiction of Harlan Ellison. When performed with narrator, the music is framed by the first and last paragraphs of the story allowing the music to flow from and with the text. When performed without narration, Susan is a smooth and flowing klangfarbenmelodie which wordlessly retains the sense of the story structure. For score and audio samples http://www.troywayne.com
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Print: $9.28 Duration: ca. 2:30. This fanfare is intended to be performed antiphonally (though it may be performed in traditional quartet seating arrangement). Each player should be in a corner of the performance space to form a square. Ideally, the two player at the back of the hall should be in the balcony. The intent is to create a large audience-encompassing space. As long as the players are arranged consecutively 1 – 4 it does not matter in which corner player 1 stands. A conductor may be needed to execute the piece in this fashion.
Performable in the following combinations:
4 trumpets in C and 4 trombones /
4 trumpets in C /
4 trombones /
4 horns in F.
Antiphonal Fanfare op. 10 was first performed by the New England Conservatory Honors Trombone Quartet in Jordan Hall, Boston 1997.
Score contains full scores for the octet and quartet versions and their parts.
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Print: $9.01 A challenging and lyric solo for viola. First performed in Boston 1997.
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Print: $16.40 Dramatic showcase for solo mallets. The first movement is a ritornello (allegro barbaro) for roto toms and large orchestra. The second movement, Romanza, for solo vibraphone and reduced orchestra, is a lush and melodic homage to Samuel Barber. The solo vibraphone weaves its way in and out of chamber ensemble combinations with solos in the orchestra. The first and last sounds of the solo are a slow bowed melody. The last movement is for five octave marimba and large orchestra. It is multi metered in alternating bars of 3/4 and 3/8 and features an accompanied cadenza which culminates in a frenzied improv passage. The scherzo was first performed in concert on February 22, 1997 in the New England Conservatory’s Brown Hall in Boston by percussionist Jeremy Friedman and members of the NEC Symphony Orchestra. The audio excerpts are from a reading by the NEC Symphony Orchestra with Jeremy Friedman, percussion and Steven Lipset, conductor. Score and audio samples: www.troywayne.com
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Print: $11.21 Full score. For 5 octave marimba and orchestra, this is the first movement of "Concerto for Percussion and Orchestra op. 11" composed for percussionist Jeremy Friedman. Cast in alternating bars of 3/4 and 3/8, this is a flashy and challenging piece which features a firey accompanied cadenza that culminates in a frenzied improv passage. The piece functions equally well as a part of the Concerto and as a stand alone concert piece. Download the complete solo part (.pdf) for free as well as score and audio samples at http://www.troywayne.com.
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Print: $11.13 Duration: ca. 9:00. Instrumentation: 2(pic:pic,afl)2(ca)1asax2/2110/timp.perc/hp.pf(cel)/solo vib/str. The Romanza is a lush and melodic neo romantic homage to Samuel Barber. The solo vibraphone weaves its way in and out of varying chamber ensemble combinations within the orchestra. The first and last sounds of the solo are a slow bowed melody. This piece is the second movement of my first percussion concerto and functions equally well as a stand alone concert piece or within the multi movement construct of the concerto. For score samples and audio samples featuring percussionist Jeremy Friedman with the New England Conservatory Symphony Orchestra, Steven Lipset, conductor - http://www.troywayne.com
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Print: $9.07 Four songs for bass baritone, vibraphone, and english horn. Duration: ca. 10:00. For score and audio samples http://www.troywayne.com
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Print: $13.26 This work is a highly accessible virtuosic multi-mallet concerto. The six movements cover a wide variety of styles and sound worlds. The off-stage percussion parts (2 players) are each for chimes and almglocken (all may be played on chimes if need be).
Duration: ca. 20:00.
Strings: viola I, viola II, cello I, cello II, bass.
May be performed by a quintet or string orchestra.
Suggested string compliment: 66443. Download the entire solo part, audio and score samples from
http://www.troywayne.com
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Print: $7.48 Download: FREE This is the solo part for my second percussion concerto.
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Print: $6.48 duration: ca. 7:30. 3(pic:pic,afl)2+ca.2(ssx,asx,tsx:asx,tsx,barsx)3(bcl)2+cbn/4331/hp.pf(cel)/gtr (agtr,egtr,bjo,man)/str/off-stage 2 perc (chm.chm). Arranged from the last movement of "Concerto for Percussion no. 2," this is a fun and energetic piece based on 'Bernie's Holiday Camp' from "Tommy." For score and audio samples http://www.troywayne.com.
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Print: $8.04 for vibraphone and strings (vla. I, II; vc I, II; cb.) - quintet or orch. - from "Concerto for Percussion no. 2, op. 15". Duration: ca. 4:50. Quiet but active jazz piece with a rhythically complex vibraphone solo crafted to give the feel of improvisation. Score and audio samples as well as the entire solo part in pdf format available at http://www.troywayne.com
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Print: $7.04 Five miniatures for piano solo. Duration: ca. 6:00. A fun suite of little piano pieces with a variety of character. Includes a Baroque minuet, a 12 tone etude, a drunken dance, and more. Character is extremely important with these pieces. There is little in this set that can be described as "subtle" and the performer should play on that. I encourage you to keep the following in mind - pretentious, mocking, silly, bi polar, sarcastic, pompous, manic. Assign them where you will. The score is dedicated to composer Joe Johnson who first performed it in Boston University's Marsh Chapel April 30, 2001.
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Print: $9.07 These pieces were composed while studying with Lukas Foss in Boston and are about fun. Nothing serious here. More “why” than “how.” The original piano suite was written for my friend and colleague composer Joe Johnson. This arrangement was made in the fall of 2001 for the Shepherd School Percussion Ensemble. I. Obsession is an ostinato driven 12 tone piece. II. Crack Allemande is an over-paced, over-ornamented baroque dance. III. The J.D. Stumble is a popular American college dance. IV. Brain Itchies is a morbid baroque minuet suitable for any funeral. V. Grunties is an abrasive assault on both audience and instruments alike with a rubber chicken ending.
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![Neuroses op. 16a [performance score + parts]](http://www.lulu.com/items/volume_32/508000/508738/1/preview/promo_508738.jpg) |
Print: $42.84 Arranged from the piano solo for 10 players. This edition is a performance score with a set of parts. These pieces were composed while studying with Lukas Foss in Boston and are about fun. Nothing serious here. More “why” than “how.” The original piano suite was written for my friend and colleague composer Joe Johnson. This arrangement was made in the fall of 2001 for the Shepherd School Percussion Ensemble. I. Obsession is an ostinato driven 12 tone piece. II. Crack Allemande is an over-paced, over-ornamented baroque dance. III. The J.D. Stumble is a popular American college dance. IV. Brain Itchies is a morbid baroque minuet suitable for any funeral. V. Grunties is an abrasive assault on both audience and instruments alike with a rubber chicken ending.
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Print: $11.24 Duration: 3:30. Arranged from the art song for tenor and piano, this version is scored for fl.afl.pic/cl.bcl/vn/vc/perc/tenor/pf.cel. A frenzied but melodic setting of the Stevens poem. SCORE + PARTS.
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Print: $11.07 six miniatures for harp and percussion (one player: vibraphone and marimba). This is a suite of small tone poems that reflect on one aspect or another of an individual story from Ray Bradbury's book. Total duration: ca. 8:00. Harp part includes detailed pedal marks and fingerings by harpist Mollie McDermott and Paula Page, principal harp of the Houston Symphony. The score was commissioned by and is dedicated to harpist Heather Kellgreen. For score and audio samples http://www.troywayne.com
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Print: $7.00 duration: ca. 30:00, Instrumentation: 002(bcl:bcl)0/2000/4 perc/hpd(cel)/str (vla I, II; vc I, II; cb) I. The Epiplectic Bicycle • II. The Gashlycrumb Tinies III. The Doubtful Guest • IV. The Inanimate Tragedy
Entertaining concert piece using four stories and their accompanying illustrations by Edward Gorey. First performed February 15, 2003 in Duncan Recital Hall, Houston. Rachel Buchman, narrator; Samuel Getchell, trombone; Adam Dinitz, english horn and members of the Shepherd School Symphony Orchestra; James Gaffigan, conductor.
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Print: $11.05 Tone poem on the Edward Gorey story arranged for orchestra from "Gorey" op. 21 for narrator and chamber orchestra. Duration: ca. 5:00. Standard instrumentation: 3(afl, pic)2+ca2+bcl2+cbn/4331/3 perc.timp/hp,pf(cel)/str. Not technically difficult, tuneful and accessable to a wide audience. For more details, score, and audio samples http://www.troywayne.com
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Print: $7.03 Fast paced dialogue for 2 sets of timpani (I: 32"/28"/25"/23"/21" // II: 32"/28"/25"/23"). Duration: ca. 2:00. Score + parts.
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Print: $16.20 Energetic, four movement work for percussion ensemble (10 players plus piano/celesta) and trombone quartet. The first movement is an orchestration of Foss' song "Sonnet: Life's Arc". The second is a fast, rhythmicly exciting double canon. The trombones are silent this movement. The third is a quiet, atmospheric, layered piece that uses a bowed vibraphone choir as a backdrop for a bell trio (glockenspiel, vibraphone and celesta) and trombone solo. The fourth movement is a bright, flashy finale - a classically styled variation on the song which includes a chime solo. This piece was first performed April 15, 2004 in Stude Concert Hall, Houston by the Shepherd School Percussion Ensemble and Novus with Brian Vogel conducting. For more details, score and audio samples http://www.troywayne.com
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Print: $42.93 Full score and parts trombone and percussion. Piano/celesta reads from full score. Printed book is spiral bound and parts would have to be photcopied. Parts may be downloaded as a pdf and printed in loose pages.
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Print: $13.11 An energetic piece arranged from the original for percussion ensemble and trombone quartet in four movements. Scored for 2 pics, 4 fls, 2 obs, ca, 4 clarinets in B flat, 2 bass clarinets, 4 saxaphones (SATBar), euph, tb, 4 perc, 2 timp, cb.
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Print: $11.15 Ghost Stories is a suite of nine miniatures for cello and 5.5 octave celesta. Each miniature is a tone poem of favorite ghost stories. I. Prelude II. The Psychological Shipwreck III. Here We Go! IV. She Appeared on the Roof Vapourously V. Interlude VI. The Phantom Merry-Go-Round VII. the Tell-Tale Heart VIII. The Monkey's Paw IX. Postlude.
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Print: $32.83 Arranged for cello and percussion quartet from the original for cello and celesta, this is a suite of miniature tone poems simular in intent to a work from a couple years back (The Martian Chronicles op. 20) for harp and percussion. Both works are musical interpretations of short stories in the form of a suite of miniatures. Ghost Stories, though, is a little more involved structurally containing two sets of three miniatures framed by three mini-miniatures ('microtures' perhaps?) - a Prelude for solo celesta, an Interlude for solo cello and a Postlude for both instruments together. Ghost Stories continues a series of chamber music pieces on literary works by writers such as Ray Bradbury, Harlan Ellison, and Edward Gorey.
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Print: $11.17 Five movement suite for english horn and piano (mvmt 2 is for unaccompanied english horn). Total duration ca. 10 minutes.
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Print: $11.97 This collection contains non symphonic choral music written since 1990. Includeds "Lux Æterna" (SSAATTBB), "A Dream Within a Dream" op. 2 (SATB & B solo), Four Motets op. 4 (SATB, opt. hp., perc., org.), Two Choruses op. 6 (SATB), Never Give All the Heart (SATB, pf.), and Pro Peccatis Suæ Gentis (TBB - from 'Stabat Mater' op. 22). For score and audio samples http://www.troywayne.com
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Print: $11.21 Collection of solo vocal music written between 1990 - 2005. All songs are in their original clef. Included are four art songs for bass baritone and piano; "13 Ways of Looking at a Blackbird" for tenor and piano (duration ca. 3:30); "Serenader" for bass baritone, vibraphone, and english horn; and "Sancta Mater" for mezzo soprano and piano (from "Stabat Mater" op. 22). All songs are melodic and cover a wide range of harmonic languages. for score and audio samples http://www.troywayne.com
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Print: $11.16 duration: ca. 20:00 Instrumentation: 1(pic, afl)1(ca)1(ebcl)1/1000/perc /hp /str (min 65443)/bass baritone. In the tradition of Samuel Barber these songs, though with orchestra, retain their chamber music character calling for a recital voice with a minimum of vibrato. The songs are intensly melodic and the orchestral parts though not often technically demanding require the most sensative ear for ensemble. Texts by Joyce, Dickinson, and Yeats. The "Four Orchestrated Songs" were first performed May 4, 1999 in Brown Hall at the New England Conservatory with Graham Fandrei, bass-baritone and Shawn Crouch conducting members of the New England Conservatory Symphony Orchestra. For score samples and audio clips (featuring Brian Church, baritone) http://www.troywayne.com
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Print: $11.17 Five art songs (and one cantata air) arranged for trombone and piano. Songs are 2:00 average. Trombone part requires straight, cup, and Harmon mutes. It is not necessarily intended for all five of these songs to be performed at the same time or in the published order. The performers are encouraged to select a number of songs and order them to personal preference. The songs in this volume may be mixed and matched with songs from following volumes.
These songs were first performed between 1997 and 2000 in Boston by trombonist Samuel Getchell. Arrangements for cello and for oboe are also available. Solo part included.
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Print: $21.47 Saint-Saens' Christmas Oratorio arranged for full orchestra 3(alf, pic)2+ca2+bcl2+cbn/4331/2 perc.timp/hp.cel/strgs. The vocal parts have not been changed so currently available vocal scores will work with this edition. Parts may be either purchased or rented.
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Print: $21.53 The 24 Preludes is originally for piano solo. No attempt has been made to simulate Shostakovich's orchestrational style. This set of preludes for orchestra is not necessarily intended to be played all at once (though it is certainly possible). The intent is for the conductor to select a number and order of preludes to their taste to be performed as a smaller suite. pic22+ca2bcl2cbn/4331/3 perc.timp/hp.cel/strgs
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Print: $21.41 This arrangement of the Bartók piano work is scored for ten players. Parts can be obtained separately on this site.
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Print: $33.21 Arranged from the piano suite for 10 player percussion ensemble. This performance edition contains the score and a full set of parts.
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Print: $11.17 From "Estampes" this piano work is arranged for a 9 player percussion ensemble. Duration ca. 3:30. Instrumentation: glockenspiel, chimes, xylophone, crotales, medium suspended cymbal, 3 vibraphones, 3 marimbas, timpani. Study score.
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![Jardins sous la pluie [score + parts]](http://www.lulu.com/items/volume_32/508000/508915/1/preview/promo_508915.jpg) |
Print: $22.80 From "Estampes" this piano work is arranged for a 9 player percussion ensemble. Duration ca. 3:30. Instrumentation: glockenspiel, chimes, xylophone, crotales, medium suspended cymbal, 3 vibraphones, 3 marimbas, timpani.
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Print: $16.35 Scored for two trumpets in C, french horn, trombone and tuba, this arrangement of the Mussorgsky piano suite omits two movements (the gnomes and the chicken movements) and includes a promenade left out of the famous Ravel orchestration. Parts are sold separately.
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Print: $13.09 Arranged for brass quintet, the Quærens me is from Berlioz's Requiem op. 5. It is not technically difficult and works well as an independent concert piece or as part of a suite. This book contains the full score and a set of parts.
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Print: $11.08
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Print: $13.13 This is a brass arrangement of the rarely heard Verdi piece. Not technically difficult and a good recital piece. This book contains the score and set of parts.
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Print: $9.07 Cornelius' piece for male chorus arranged for trombone quartet. Includes score and parts.
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Print: $16.20 This book contains scores and parts for Bruckner's "Locus Iste," "Os Justi," and "Christus Factus Est" arranged for trombone quartet.
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Print: $11.07 Palestrina's motet arranged for trombone quartet. This book contains the score and set of parts.
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Print: $11.07 The Byrd chorus arranged for trombone quartet. This book contains a score and set of parts.
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Print: $36.57 This is a book of arrangements, not transcriptions. The goal is create pieces that sound as if they were composed for trombone quartet and not like transcribed choral works. Modifications have been made in voice leading, key, and register. Additionally, small liberties have been taken with dynamics, phrasing, and rhythm. As this is not intended to be an academic score, none of these alterations have been indicated or differentiated from the composers' markings. This volume contains the scores for Brahms' "Canons" op. 113, Bruckner's "Locus Iste" "Os Justi" and "Christus Factus Est", Byrd's "Ave Verum Corpus", Cornelius' "Requiem", Fauré's "Pie Jesu" from the 'Requiem', five motets by Liszt, Orff's "Ave Maria", Palestrina's "Sicut Cervus" and Verdi's "Ave Maria" (from 'Four Sacred Pieces'), "Laudi alla Vergine Maria" and "Requiem." Parts available separately.
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Print: $17.66 Bass trombone part for "The Trombone Quartet Recital Book."
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Print: $17.67 3rd trombone part for "The Trombone Quartet Recital Book."
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Print: $17.66 2nd trombone part to "The Trombone Quartet Recital Book."
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Print: $17.66 1st trombone part for The trombone Quartet Recital Book vol. 1.
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Print: $17.62 Bruckner's "Christus factus est" arranged for 4 trumpets, 4 trombones, and tuba or euphonium. This book contains a score and set of parts.
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Print: $13.11 This is an easy arrangement of the short piano piece. Suitable for young players. This volume contains a full score and set of parts.
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Print: $13.08 These are four very early little pieces originally composed for the piano and arranged for string quartet to be played by beginning musicians (probably ages 12 and younger). The earliest piece was composed when Barber was himself only eight years old. Nearly all markings (tempo, dynamics, articulations, phrasings, bowings) are my own. The sources for these arrangements are Barber's own manuscripts.
This volume contains the Violin I part and a full score.
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Print: $13.08 These are four very early little pieces originally composed for the piano and arranged for string quartet to be played by beginning musicians (probably ages 12 and younger). The earliest piece was composed when Barber was himself only eight years old. Nearly all markings (tempo, dynamics, articulations, phrasings, bowings) are my own. The sources for these arrangements are Barber's own manuscripts. This book contains the Violin II part and a full score.
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Print: $13.08 These are four very early little pieces originally composed for the piano and arranged for string quartet to be played by beginning musicians (probably ages 12 and younger). The earliest piece was composed when Barber was himself only eight years old. Nearly all markings (tempo, dynamics, articulations, phrasings, bowings) are my own. The sources for these arrangements are Barber's own manuscripts. This volume contains the viola part and a full score.
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Print: $13.08 These are four very early little pieces originally composed for the piano and arranged for string quartet to be played by beginning musicians (probably ages 12 and younger). The earliest piece was composed when Barber was himself only eight years old. Nearly all markings (tempo, dynamics, articulations, phrasings, bowings) are my own. The sources for these arrangements are Barber's own manuscripts. This volume contains the cello part and a full score.
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Print: $17.67 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the first violin part and a full score.
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Print: $17.67 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the second violin part and a full score.
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Print: $17.67 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the viola part and a full score.
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Print: $17.67 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the cello part and a full score.
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Print: $14.65 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the cello part and a full score.
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Print: $14.65 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the viola part and a full score.
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Print: $14.65 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the second violin part and a full score.
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Print: $14.65 Dating from 1908-9, Bartók's piano suite For Children is arranged here for string quartet. Not all miniatures are present in this series. A few have been omitted for reasons of technical facility and most others because they would not have translated well to string quartet. The intent of this multi volume set is for quartet coaches to select a number and order of movements appropriate to the needs of the ensemble being coached. The resulting suites need not follow the order presented in these books. All of Bartók's original markings are present. Only some practical bowings, articulations, and phrasing adjustments have been added. This book contains the first violin part and a full score.
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Print: $9.35 From the original piano suite, this energetic and lively piece is arranged for a 10 person percussion ensemble. Duration ca. 5:00. This edition contains the full score.
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