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From Lace to Chains. The Making of a Print

ByAlison Stewart

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How have printed works of art changed over time? Do printmakers today work with the same materials and techniques that printmakers used centuries ago? And does printmaking involve the same motivations, concerns, or methods of distribution today as it did in the past? These were questions asked by University of Nebraska–Lincoln students in a history of prints class in the School of Art, Art History & Design taught by Hixson-Lied Professor of Art History Alison Stewart during fall semester 2018. For this curatorial project, students selected one set of old master prints (by Wenceslas Hollar) and one modern print (Rozeal's "El Oso Me Preguntó") from Sheldon’s collection, each created with different techniques and for different purposes but with a shared focus on fashion trends of the day. Student curators were Nadria Beale, Ashley Owens, Stella Bernadt, K C Peters, Mariah Livingston, Natalie Platel, Megan Loughran, Ali Syafie, Hannah Maakestad, and Emma Vinchur.

Details

Publication Date
Apr 25, 2019
Language
English
ISBN
9781609621483
Category
Art & Photography
Copyright
All Rights Reserved - Standard Copyright License
Contributors
By (author): Alison Stewart

Specifications

Pages
24
Binding
Saddle Stitch
Interior Color
Color
Dimensions
US Letter (8.5 x 11 in / 216 x 279 mm)

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