Primer compiled by Frances Stark on the occasion of The Claude & Alfred Mann Symposium "On the Future of Art School",... More > Saturday January 27, 2007 at the University of Southern California, Los Angeles < Less

Script used for the cubist variety show TRUE MIRROR MICROFICHE at the Institute of Contemporary Arts, London, 30 May 2009.

Published-on-Demand by Dexter Sinister in advance of the exhibition SUDDEN WHITE (after London) at the Royal Academy,... More > London, December 2008 – January 2009, curated by Mark Beasley, as part of David Thorpe’s COLLISION COURSE, 6 Burlington Gardens W1. < Less

The Center for Advanced Visual Studies is a fellowship program that commissions and produces new artworks at MIT. We... More > facilitate exchange between internationally known and emerging contemporary artists and MIT’s faculty, students, and staff through public events, support for long-term art projects, and residencies for MIT students. This small book collects flyers for public events and a sampling of pictures from four years of programming.

http://cavs.mit.edu < Less

FINAL DAYS, 2019 — Philipville is a city of the near future where the connective tissue of society is fruice, protoplasm... More > of a planned obsolescence economy. As a Christmas Day fruice shipment is unleashed on the semi-quiescent residents
of the city, Revolution looms. Brifcor organizes the workers. Meanwhile, listening to disaster reports on Channel 23Ω, Cassandra has a vision — a new world glimpsed through a tear in the fabric of reality. Will there be Rapture or Revolution? And does history, like all stories, ultimately have an end? < Less

Primer compiled by Frances Stark on the occasion of The Claude & Alfred Mann Symposium "On the Future of Art School",... More > Saturday January 27, 2007 at the University of Southern California, Los Angeles < Less